Author: Nancy Holmes
Publisher: Wilfrid Laurier University Press
ISBN: 9781554580330
Category : Poetry
Languages : en
Pages : 534
Book Description
The first anthology to focus on the rich tradition of Canadian nature poetry in English, Open Wide a Wilderness is a survey of Canada’s regions, poetries, histories, and peoples as these relate to the natural world. The poetic responses included here range from the heights of the sublime to detailed naturalist observation, from the perspectives of pioneers and those who work in the woods and on the sea to the dismayed witnesses of ecological destruction, from a sense of terror in confrontation with the natural world to expressions of amazement and delight at the beauty and strangeness of nature, our home. Arranged chronologically, the poems include excerpts from late-eighteenth-century colonial pioneer epics and selections from both well-known and more obscure nineteenth- and twentieth-century writers. A substantial section is devoted to contemporary writers who are working within and creating a new ecopoetic aesthetic in the early twenty-first century. Don McKay’s introductory essay, “Great Flint Singing,” explores in McKay’s inimitable way the thorny issues of Canadian poets’ representations of nature over the past 150 years. Focusing on key texts by Duncan Campbell Scott, Charles G.D. Roberts, Earle Birney, Dennis Lee, and others, the essay traces Wordsworthian influences in a New World context, celebrates Canadian poets’ love of natural history observation, and finds a way through a rich and contradictory tradition to current trends in ecopoetics.
Open Wide a Wilderness
Author: Nancy Holmes
Publisher: Wilfrid Laurier University Press
ISBN: 9781554580330
Category : Poetry
Languages : en
Pages : 534
Book Description
The first anthology to focus on the rich tradition of Canadian nature poetry in English, Open Wide a Wilderness is a survey of Canada’s regions, poetries, histories, and peoples as these relate to the natural world. The poetic responses included here range from the heights of the sublime to detailed naturalist observation, from the perspectives of pioneers and those who work in the woods and on the sea to the dismayed witnesses of ecological destruction, from a sense of terror in confrontation with the natural world to expressions of amazement and delight at the beauty and strangeness of nature, our home. Arranged chronologically, the poems include excerpts from late-eighteenth-century colonial pioneer epics and selections from both well-known and more obscure nineteenth- and twentieth-century writers. A substantial section is devoted to contemporary writers who are working within and creating a new ecopoetic aesthetic in the early twenty-first century. Don McKay’s introductory essay, “Great Flint Singing,” explores in McKay’s inimitable way the thorny issues of Canadian poets’ representations of nature over the past 150 years. Focusing on key texts by Duncan Campbell Scott, Charles G.D. Roberts, Earle Birney, Dennis Lee, and others, the essay traces Wordsworthian influences in a New World context, celebrates Canadian poets’ love of natural history observation, and finds a way through a rich and contradictory tradition to current trends in ecopoetics.
Publisher: Wilfrid Laurier University Press
ISBN: 9781554580330
Category : Poetry
Languages : en
Pages : 534
Book Description
The first anthology to focus on the rich tradition of Canadian nature poetry in English, Open Wide a Wilderness is a survey of Canada’s regions, poetries, histories, and peoples as these relate to the natural world. The poetic responses included here range from the heights of the sublime to detailed naturalist observation, from the perspectives of pioneers and those who work in the woods and on the sea to the dismayed witnesses of ecological destruction, from a sense of terror in confrontation with the natural world to expressions of amazement and delight at the beauty and strangeness of nature, our home. Arranged chronologically, the poems include excerpts from late-eighteenth-century colonial pioneer epics and selections from both well-known and more obscure nineteenth- and twentieth-century writers. A substantial section is devoted to contemporary writers who are working within and creating a new ecopoetic aesthetic in the early twenty-first century. Don McKay’s introductory essay, “Great Flint Singing,” explores in McKay’s inimitable way the thorny issues of Canadian poets’ representations of nature over the past 150 years. Focusing on key texts by Duncan Campbell Scott, Charles G.D. Roberts, Earle Birney, Dennis Lee, and others, the essay traces Wordsworthian influences in a New World context, celebrates Canadian poets’ love of natural history observation, and finds a way through a rich and contradictory tradition to current trends in ecopoetics.
Open Midnight
Author: Brooke Williams
Publisher: Trinity University Press
ISBN: 1595348042
Category : Biography & Autobiography
Languages : en
Pages : 121
Book Description
Open Midnight weaves two parallel stories about the great wilderness—Brooke Williams’s year alone with his dog ground truthing wilderness maps of southern Utah, and that of his great-great-great-grandfather, who in 1863 made his way with a group of Mormons from England across the wilderness almost to Utah, dying a week short. The book is also about two levels of history—personal, as represented by William Williams, and collective, as represented by Charles Darwin, who lived in Shrewsbury, England, at about the same time as Williams. As Brooke Williams begins researching the story of his oldest known ancestor, he realizes that he has few facts. He wonders if a handful of dates can tell the story of a life, writing, “If those points were stars in the sky, we would connect them to make a constellation, which is what I’ve made with his life by creating the parts missing from his story.” Thus William Williams becomes a kind of spiritual guide, a shamanlike consciousness that accompanies the author on his wilderness and life journeys, and that appears at pivotal points when the author is required to choose a certain course. The mysterious presence of his ancestor inspires the author to create imagined scenes in which Williams meets Darwin in Shrewsbury, sowing something central in the DNA that eventually passes to Brooke Williams, whose life has been devoted to nature and wilderness. Brooke Williams’s inventive and vivid prose pushes boundaries and investigates new ways toward knowledge and experience, inviting readers to think unconventionally about how we experience reality, spirituality, and the wild. The author draws on Jungian psychology to relate how our consciousness of the wild is culturally embedded in our psyche, and how a deep connection to the wild can promote emotional and psychological well-being. Williams's narrative goes beyond a call for conservation, but in the vein of writers like Joanna Macy, Bill Plotkin, David Abram, the author argues passionately for the importance of wildness is to the human soul. Reading Williams's inspired prose provides a measure of hope for protecting the beautiful places that we all need to thrive. Open Midnight is grounded in the present by Williams’s descriptions of the Utah lands he explores. He beautifully evokes the feeling of being solitary in the wild, at home in the deepest sense, in the presence of the sublime. In doing so, he conveys what Gary Snyder calls “a practice of the wild” more completely than any other work. Williams also relates an insider’s view of negotiations about wilderness protection. As an advocate working for the Southern Utah Wilderness Alliance, he represents a minority in meetings designed to open wilderness lands to roads and hunting. He portrays the mindset of the majority of Utah’s citizens, who argue passionately for their rights to use their lands however they wish. The phrase “open midnight,” as Williams sees it, evokes the time between dusk and dawn, between where we’ve been and where we’re going, and the unconscious where all possibilities are hidden.
Publisher: Trinity University Press
ISBN: 1595348042
Category : Biography & Autobiography
Languages : en
Pages : 121
Book Description
Open Midnight weaves two parallel stories about the great wilderness—Brooke Williams’s year alone with his dog ground truthing wilderness maps of southern Utah, and that of his great-great-great-grandfather, who in 1863 made his way with a group of Mormons from England across the wilderness almost to Utah, dying a week short. The book is also about two levels of history—personal, as represented by William Williams, and collective, as represented by Charles Darwin, who lived in Shrewsbury, England, at about the same time as Williams. As Brooke Williams begins researching the story of his oldest known ancestor, he realizes that he has few facts. He wonders if a handful of dates can tell the story of a life, writing, “If those points were stars in the sky, we would connect them to make a constellation, which is what I’ve made with his life by creating the parts missing from his story.” Thus William Williams becomes a kind of spiritual guide, a shamanlike consciousness that accompanies the author on his wilderness and life journeys, and that appears at pivotal points when the author is required to choose a certain course. The mysterious presence of his ancestor inspires the author to create imagined scenes in which Williams meets Darwin in Shrewsbury, sowing something central in the DNA that eventually passes to Brooke Williams, whose life has been devoted to nature and wilderness. Brooke Williams’s inventive and vivid prose pushes boundaries and investigates new ways toward knowledge and experience, inviting readers to think unconventionally about how we experience reality, spirituality, and the wild. The author draws on Jungian psychology to relate how our consciousness of the wild is culturally embedded in our psyche, and how a deep connection to the wild can promote emotional and psychological well-being. Williams's narrative goes beyond a call for conservation, but in the vein of writers like Joanna Macy, Bill Plotkin, David Abram, the author argues passionately for the importance of wildness is to the human soul. Reading Williams's inspired prose provides a measure of hope for protecting the beautiful places that we all need to thrive. Open Midnight is grounded in the present by Williams’s descriptions of the Utah lands he explores. He beautifully evokes the feeling of being solitary in the wild, at home in the deepest sense, in the presence of the sublime. In doing so, he conveys what Gary Snyder calls “a practice of the wild” more completely than any other work. Williams also relates an insider’s view of negotiations about wilderness protection. As an advocate working for the Southern Utah Wilderness Alliance, he represents a minority in meetings designed to open wilderness lands to roads and hunting. He portrays the mindset of the majority of Utah’s citizens, who argue passionately for their rights to use their lands however they wish. The phrase “open midnight,” as Williams sees it, evokes the time between dusk and dawn, between where we’ve been and where we’re going, and the unconscious where all possibilities are hidden.
"Wilderness Into Civilized Shapes"
Author: Laura Wright
Publisher: University of Georgia Press
ISBN: 0820335681
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together. Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda's The Heart of Redness (South Africa) and Ngugi wa Thiong'o's Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native flora with European varieties. Wright then uses J. M. Coetzee's Disgrace (South Africa), Yann Martel's Life of Pi (India and Canada), and Joy Williams's The Quick and the Dead (United States) to explore the use of animals as metaphors for subjugated groups of individuals. The third chapter deals with India's water crisis via Arundhati Roy's activism and her novel, The God of Small Things. Finally, Wright looks at three novels--Flora Nwapa's Efuru (Nigeria), Keri Hulme's The Bone People (New Zealand), and Sindiwe Magona's Mother to Mother (South Africa)--that depict women's relationships to the land from which they have been dispossessed. Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism.
Publisher: University of Georgia Press
ISBN: 0820335681
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together. Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda's The Heart of Redness (South Africa) and Ngugi wa Thiong'o's Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native flora with European varieties. Wright then uses J. M. Coetzee's Disgrace (South Africa), Yann Martel's Life of Pi (India and Canada), and Joy Williams's The Quick and the Dead (United States) to explore the use of animals as metaphors for subjugated groups of individuals. The third chapter deals with India's water crisis via Arundhati Roy's activism and her novel, The God of Small Things. Finally, Wright looks at three novels--Flora Nwapa's Efuru (Nigeria), Keri Hulme's The Bone People (New Zealand), and Sindiwe Magona's Mother to Mother (South Africa)--that depict women's relationships to the land from which they have been dispossessed. Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism.
Heart of the Wilderness
Author: Janette Oke
Publisher: Bethany House
ISBN: 0764202510
Category : Fiction
Languages : en
Pages : 249
Book Description
Beloved, best-selling author's story of a young woman who must find face a scary and confusing world far from the wilderness she loves.
Publisher: Bethany House
ISBN: 0764202510
Category : Fiction
Languages : en
Pages : 249
Book Description
Beloved, best-selling author's story of a young woman who must find face a scary and confusing world far from the wilderness she loves.
Writing in Dust
Author: Jenny Kerber
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582431
Category : Social Science
Languages : en
Pages : 274
Book Description
Writing in Dust is the first sustained study of prairie Canadian literature from an ecocritical perspective. Drawing on recent scholarship in environmental theory and criticism, Jenny Kerber considers the ways in which prairie writers have negotiated processes of ecological and cultural change in the region from the early twentieth century to the present. The book begins by proposing that current environmental problems in the prairie region can be understood by examining the longstanding tendency to describe its diverse terrain in dualistic terms—either as an idyllic natural space or as an irredeemable wasteland. It inquires into the sources of stories that naturalize ecological prosperity and hardship and investigates how such narratives have been deployed from the period of colonial settlement to the present. It then considers the ways in which works by both canonical and more recent writers ranging from Robert Stead, W.O. Mitchell, and Margaret Laurence to Tim Lilburn, Louise Halfe, and Thomas King consistently challenge these dualistic landscape myths, proposing alternatives for the development of more ecologically just and sustainable relationships among people and between humans and their physical environments. Writing in Dust asserts that “reading environmentally” can help us to better understand a host of issues facing prairie inhabitants today, including the environmental impacts of industrial agriculture, resource extraction, climate change, shifting urban–rural demographics, the significance of Indigenous understandings of human–nature relationships, and the complex, often contradictory meanings of eco-cultural metaphors of alien/invasiveness, hybridity, and wildness.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582431
Category : Social Science
Languages : en
Pages : 274
Book Description
Writing in Dust is the first sustained study of prairie Canadian literature from an ecocritical perspective. Drawing on recent scholarship in environmental theory and criticism, Jenny Kerber considers the ways in which prairie writers have negotiated processes of ecological and cultural change in the region from the early twentieth century to the present. The book begins by proposing that current environmental problems in the prairie region can be understood by examining the longstanding tendency to describe its diverse terrain in dualistic terms—either as an idyllic natural space or as an irredeemable wasteland. It inquires into the sources of stories that naturalize ecological prosperity and hardship and investigates how such narratives have been deployed from the period of colonial settlement to the present. It then considers the ways in which works by both canonical and more recent writers ranging from Robert Stead, W.O. Mitchell, and Margaret Laurence to Tim Lilburn, Louise Halfe, and Thomas King consistently challenge these dualistic landscape myths, proposing alternatives for the development of more ecologically just and sustainable relationships among people and between humans and their physical environments. Writing in Dust asserts that “reading environmentally” can help us to better understand a host of issues facing prairie inhabitants today, including the environmental impacts of industrial agriculture, resource extraction, climate change, shifting urban–rural demographics, the significance of Indigenous understandings of human–nature relationships, and the complex, often contradictory meanings of eco-cultural metaphors of alien/invasiveness, hybridity, and wildness.
Wilderness, The Gateway To The Soul
Author: Scott Stillman
Publisher:
ISBN: 9781732352209
Category : Wilderness areas
Languages : en
Pages : 210
Book Description
We live in times of quiet desperation. As our culture removes itself from the natural world, we have lost the truth of who we are. Could Wilderness be our only hope? Come along on a spiritual journey, away from a chaotic world of details, obligations, smartphones and noisy machines, to a place that is unspoiled, untamed, and free. Mostly solo, Stillman guides us into the heart of American Wilderness where we uncover timeless wisdom, ancient magic, and a Gateway to the Soul. Could our truth be hidden deep in the cracks and fissures of the Earth? You'll adore this love letter to Mother Earth because it captures the essence of what wilderness and solitude can offer to the human soul. It's hard to put down. Get it now.
Publisher:
ISBN: 9781732352209
Category : Wilderness areas
Languages : en
Pages : 210
Book Description
We live in times of quiet desperation. As our culture removes itself from the natural world, we have lost the truth of who we are. Could Wilderness be our only hope? Come along on a spiritual journey, away from a chaotic world of details, obligations, smartphones and noisy machines, to a place that is unspoiled, untamed, and free. Mostly solo, Stillman guides us into the heart of American Wilderness where we uncover timeless wisdom, ancient magic, and a Gateway to the Soul. Could our truth be hidden deep in the cracks and fissures of the Earth? You'll adore this love letter to Mother Earth because it captures the essence of what wilderness and solitude can offer to the human soul. It's hard to put down. Get it now.
Yachting
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
Outing and the Wheelman
Author:
Publisher:
ISBN:
Category : Sports
Languages : en
Pages : 842
Book Description
Publisher:
ISBN:
Category : Sports
Languages : en
Pages : 842
Book Description
Final Environmental Impact Statement for the Forest Plan, Uinta National Forest
Author:
Publisher:
ISBN:
Category : Conservation of natural resources
Languages : en
Pages : 778
Book Description
Publisher:
ISBN:
Category : Conservation of natural resources
Languages : en
Pages : 778
Book Description
Outing
Author:
Publisher:
ISBN:
Category : Sports
Languages : en
Pages : 1158
Book Description
Publisher:
ISBN:
Category : Sports
Languages : en
Pages : 1158
Book Description