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Author: Arthur Schopenhauer
Publisher: Chronicle Books
ISBN: 1616890053
Category : Design
Languages : en
Pages : 168
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Book Description
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.
Author: Arthur Schopenhauer
Publisher: Chronicle Books
ISBN: 1616890053
Category : Design
Languages : en
Pages : 168
Get Book Here
Book Description
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.
Author: Adam Rogers
Publisher: Mariner Books
ISBN: 1328518906
Category : Art
Languages : en
Pages : 349
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Book Description
"A lively account of our age-old quest for brighter colors, which changed the way we see the world, from the best-selling author of Proof: The Science of Booze"--
Author: Steve Parker
Publisher:
ISBN: 9780565093891
Category :
Languages : en
Pages : 128
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Book Description
Author: John Dalton
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 42
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Book Description
Author: Daniel Malacara
Publisher: SPIE-International Society for Optical Engineering
ISBN: 9780819483973
Category : Color
Languages : en
Pages : 0
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Book Description
"SPIE vol. no.: PM204."--P. [4] of cover.
Author: Helga Kolb
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Arthur Schopenhauer
Publisher: Princeton Architectural Press
ISBN: 9781568987910
Category : Architecture
Languages : en
Pages : 172
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Book Description
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context philosophy, art, architecture, and design this volume uncovers their enduring influence on our own perception of color and the visual world around us.
Author: Optical Society of America. Committee on Colorimetry
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 440
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Book Description
Author: Kristen Collins
Publisher: Getty Publications
ISBN: 1606069292
Category : Art
Languages : en
Pages : 276
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Book Description
Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural world. Through essays written by contributors from the fields of art history, the history of science, and neuroscience, and with more than two hundred illustrations, including glimmering golden reliquaries, illuminated manuscripts, rock crystal vessels, astronomical instruments, and more, Lumen cuts across religious, political, and geographic boundaries to reveal the ways medieval Christian, Jewish, and Islamic artists, theologians, and thinkers studied light. To convey the sense of wonder created by moving light on precious materials, a number of contemporary artworks are placed in dialogue with historic objects. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from September 10 to December 8, 2024.
Author: Zed Adams
Publisher: Routledge
ISBN: 1317401905
Category : Philosophy
Languages : en
Pages : 163
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Book Description
In On the Genealogy of Color, Zed Adams argues for a historicized approach to conceptual analysis, by exploring the relevance of the history of color science for contemporary philosophical debates about color realism. Adams contends that two prominent positions in these debates, Cartesian anti-realism and Oxford realism, are both predicated on the assumption that the concept of color is ahistorical and unrevisable. Adams takes issue with this premise by offering a philosophical genealogy of the concept of color. This book makes a significant contribution to recent debates on philosophical methodology by demonstrating the efficacy of using the genealogical method to explore philosophical concepts, and will appeal to philosophers of perception, philosophers of mind, and metaphysicians.
