On the Physiology of Voice Production in South-Siberian Throat Singing PDF Download
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Author: Sven Grawunder
Publisher: Frank & Timme GmbH
ISBN: 386596172X
Category : Language Arts & Disciplines
Languages : en
Pages : 337
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Book Description
This book presents the first field-work based phonetic study focussing such extraordinary phonatory outcomes as occur in the context of South-Siberian throat singing. In throat singing specific voice production types serve as source, which are subject to various ways of formant shaping, merging, adjustment, and reinforcement, all of which function to enhance individual harmonics. Two main types are proposed for voice production in South-Siberian throat singing: a voice production by means of the vocal folds featuring a constriction of the aryepiglottic sphincter, and a voice production with involvement of the ventricular folds. Furthermore a simple schematic model for the articulation types in throat singing is suggested. One of the basic questions throughout this study is whether the phenomenon of throat singing shows fairly clear regional variants in different parts of southern Central Siberia or whether the variation is chiefly a matter of individual styles.
Author: Sven Grawunder
Publisher: Frank & Timme GmbH
ISBN: 386596172X
Category : Language Arts & Disciplines
Languages : en
Pages : 337
Get Book Here
Book Description
This book presents the first field-work based phonetic study focussing such extraordinary phonatory outcomes as occur in the context of South-Siberian throat singing. In throat singing specific voice production types serve as source, which are subject to various ways of formant shaping, merging, adjustment, and reinforcement, all of which function to enhance individual harmonics. Two main types are proposed for voice production in South-Siberian throat singing: a voice production by means of the vocal folds featuring a constriction of the aryepiglottic sphincter, and a voice production with involvement of the ventricular folds. Furthermore a simple schematic model for the articulation types in throat singing is suggested. One of the basic questions throughout this study is whether the phenomenon of throat singing shows fairly clear regional variants in different parts of southern Central Siberia or whether the variation is chiefly a matter of individual styles.
Author: Mark Van Tongeren
Publisher: MIT Press
ISBN: 1949597237
Category : Music
Languages : en
Pages : 457
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Book Description
An indispensable guide to a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West. Overtone Singing is the most comprehensive book ever written on the hidden harmonies of the human voice. Ethnomusicologist and vocalist Mark van Tongeren offers fascinating insights into the timeless and universal aspects of sound and vibration. Grounded in the author’s decade-long study of Asian music, the book draws upon field work, interviews with Eastern and Western musicians, and copious scholarship to present a multidisciplinary vision of sound that runs from global music to the science of acoustics and perception, onward to the philosophical and spiritual dimensions of music. Written in a nontechnical style, this generously illustrated book is an indispensable guide for musicians, listeners, and performers seeking a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West.
Author: Victoria Levine Lindsay Levine
Publisher: Wesleyan University Press
ISBN: 0819578649
Category : Music
Languages : en
Pages : 361
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Book Description
In this wide-ranging anthology, scholars offer diverse perspectives on ethnomusicology in dialogue with critical Indigenous studies. This volume is a collaboration between Indigenous and settler scholars from both Canada and the United States. The contributors explore the intersections between music, modernity, and Indigeneity in essays addressing topics that range from hip-hop to powwow, and television soundtracks of Native Classical and experimental music. Working from the shared premise that multiple modernities exist for Indigenous peoples, the authors seek to understand contemporary musical expression from Native perspectives and to decolonize the study of Native American/First Nations music. The essays coalesce around four main themes: innovative technology, identity formation and self-representation, political activism, and translocal musical exchange. Related topics include cosmopolitanism, hybridity, alliance studies, code-switching, and ontologies of sound. Featuring the work of both established and emerging scholars, the collection demonstrates the centrality of music in communicating the complex, diverse lived experience of Indigenous North Americans in the twenty-first century.
Author:
Publisher:
ISBN:
Category : Phonetics
Languages : en
Pages : 230
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Book Description
Author: Victoria. Public library, Melbourne
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 624
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Book Description
Author: State library of Victoria
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 624
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Book Description
Author:
Publisher:
ISBN:
Category : Diseases
Languages : en
Pages : 550
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Book Description
Author: Graham F. Welch
Publisher: Oxford University Press
ISBN: 0192576070
Category : Psychology
Languages : en
Pages : 1200
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Book Description
Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.
Author: Emily I. Dolan
Publisher: Oxford University Press
ISBN: 0190637250
Category : Music
Languages : en
Pages : 740
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Book Description
Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.
Author: William Ralph Bennett Jr.
Publisher: Springer
ISBN: 3319927965
Category : Science
Languages : en
Pages : 459
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Book Description
This textbook is a product of William Bennett’s work in developing and teaching a course on the physics of music at Yale University to a diverse audience of musicians and science students in the same class. The book is a culmination of over a decade of teaching the course and weaves together historical descriptions of the physical phenomena with the author’s clear interpretations of the most important aspects of the science of music and musical instruments. Many of the historical examples are not found in any other textbook available on the market. As the co-inventor of the Helium-Neon laser, Prof. Bennett’s knowledge of physics was world-class. As a professor at one of the most prestigious liberal-arts universities in the world, his appreciation for culture and humanities shines through. The book covers the basics of oscillations, waves and the analysis techniques necessary for understanding how musical instruments work. All types of stringed instruments, pipe organs, and the human voice are covered in this volume. A second volume covers the remaining families of musical instruments as well as selected other topics. Readers without a background in acoustics will enjoy learning the physics of the Science of Musical Sound from a preeminent scientist of the 20th century. Those well versed in acoustics will discover wonderful illustrations and photographs depicting familiar concepts in new and enlightening ways.
