On the New Jerusalem, and Its Heavenly Doctrine ... Edit. of 1841 PDF Download
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Author: Emanuel Swedenborg
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
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Book Description
Author: Emanuel Swedenborg
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Emanuel Swedenborg
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
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Book Description
Author: Public Free Libraries (Manchester)
Publisher:
ISBN:
Category :
Languages : en
Pages : 996
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Book Description
Author: Manchester Public Libraries (Manchester, England)
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1670
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Book Description
"The Catalogue ... has been prepared with a view to accomplish two objects. One, to offer an inventory of all the books on the shelves of the Reference Department of the Manchester Free Library: the other, to supply ... a ready Key both to the subjects of the books, and to the names of the authors." - v. 1, the compiler to the reader.
Author: Rev. James Hyde
Publisher:
ISBN:
Category :
Languages : en
Pages : 768
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Author: London Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1188
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 926
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Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 934
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Book Description
Volumes for 1898-1968 include a directory of publishers.
![The English Catalogue of Books: v. [1]. 1835-1863 PDF](https://books.google.com/books/content/images/frontcover/P9gUAAAAQAAJ?fife=w80-h100)
Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 930
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Author: Dorinda Evans
Publisher: Open Book Publishers
ISBN: 180064759X
Category : Art
Languages : en
Pages : 292
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Book Description
William Rimmer (1816–1879) is arguably the first modernist American sculptor, although his inventive originality has not been fully acknowledged. Rimmer cultivated an art of ideas and personal expression whilst supporting himself as a physician and, later, as a teacher of art anatomy at the Cooper Union School of Design for Women in New York. Unlike his contemporaries, he advocated the creation of sculpture drawn entirely from the artist’s imagination, as opposed to antique archetypes or live models. In this way, he sought to reframe excellence in American art as something that must be found within, rather than derived from Europe. In this new monograph, the meaning of Rimmer’s works is for the first time considered from a combination of perspectives, such as close visual analysis (including X-ray and infrared), historical documentation, and social context. These are enriched with discussion of the artist’s own bipolar disorder, deeply-held spiritualism, and views on gender equality—considering women just as talented as men, he used naked male models in all-female classes long before his contemporaries, and produced an allegorical sculpture of fighting lions that criticized the tyranny of men over women. This book will be of great interest to academics, students, art museums, collectors, dealers, art historians, and members of the public with an affinity for Rimmer’s work. It will also appeal to those with a broader interest in American culture.
