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Author: Thomas Whitfield Baldwin
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ISBN:
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Languages : en
Pages :
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Author: Thomas Whitfield Baldwin
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Robert Watt
Publisher: Routledge
ISBN: 131787613X
Category : Drama
Languages : en
Pages : 319
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Book Description
Shakespeare's history plays are central to his dramatic achievement. In recent years they have become more widely studied than ever, stimulating intensely contested interpretations, due to their relevance to central contemporary issues such as English, national identities and gender roles. Interpretations of the history plays have been transformed since the 1980s by new theoretically-informed critical approaches. Movements such as New Historicism and cultural materialism, as well as psychoanalytical and post-colonial approaches, have swept away the humanist consensus of the mid-twentieth century with its largely conservative view of the plays. The last decade has seen an emergence of feminist and gender-based readings of plays which were once thought overwhelmingly masculine in their concerns. This book provides an up-to-date critical anthology representing the best work from each of the modern theoretical perspectives. The introduction outlines the changing debate in an area which is now one of the liveliest in Shakespearean criticism.
Author: Leah Sinanoglou Marcus
Publisher: Univ of California Press
ISBN: 9780520071919
Category : History
Languages : en
Pages : 292
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Author: G. Harold Metz
Publisher: Routledge
ISBN: 0429679173
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
First published in 1982, this volume responds to the attribution of numerous plays to Shakespeare which were not his own and selects four plays which have been ascribed in whole or in part to Shakespeare by responsible, talented scholars: The Reign of King Edward III, Sir Thomas More, The History of Cardenio and The Two Noble Kinsmen. Included in the bibliography are all the books, chapters and appendices of books, articles, review articles, reviews and notices of stage productions and a limited number of the more substantial discussions dealing with the four plays and published since 1930. The bibliography is organized by play with an initial section listing items dealing with two or more plays.
Author: Andrew M. Kirk
Publisher: Routledge
ISBN: 131794562X
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
How did English dramatists portray the neighboring domain of France and its history in their plays? The study examines a selection of Shakespearean and other history plays, the French tragedies of George Chapman, Christopher Marlowe's revealing historical tragedy The Massacre at Paris, and several literary and nonliterary historical texts. The result is a unique and timely contribution to our understanding of how cultural differences influenced the historical perspectives of English dramatists as well as how Renaissance plays shaped, and were shaped by, their historical material. Drawing on the insights of cultural studies, historiography, and ethnography, this study re-examines the historical representation of a neglected yet influential part of early modern Europe and the paradoxical relationship between English writers and their French subject matter. Although information about France and French history was becoming increasingly available in England at the end of the sixteenth century, for English writers France remained a distant land, its history and people misunderstood and misrepresented.
Author: John Klause
Publisher: Associated University Presse
ISBN: 9780838641378
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
The Jesuit's influence is pervasive, but most especially when the poet/playwright takes up in his own work issues of special concern to the earl in a crucial decade (1593-1604), after Southwell's death, through the religious and political crises faced by the young nobleman during that time."--BOOK JACKET.
Author: Eugene Giddens
Publisher: Boydell & Brewer
ISBN: 1843846942
Category : Drama
Languages : en
Pages : 647
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Book Description
First, complete, integrated corpus of this major Elizabethan writer and first critical edition of his collected works in over one hundred years, with major new discoveries of authorship and attribution.Thomas Kyd (1558-94) is best known as author of The Spanish Tragedy, the first revenge play, hugely influential on Shakespeare and other dramatists. He also wrote another love tragedy, Soliman and Perseda, and Cornelia, a classical tragedy translated from the French. This is a small canon for a dramatist described as "industrious". Kyd worked between 1585 and 1594, when the instability in the London theatre caused by the plague led to companies breaking up and plays being published anonymously. For over a century scholars have been searching for Kyd plays, the most frequently attributed being Arden of Faversham. Uniting accepted methods with modern electronic data processing, Brian Vickers has endorsed Kyd''s authorship of Arden and added two other plays: King Leir, Shakespeare''s main source, and Fair Em, a comedy - justifying Jonson''s reference to "sporting Kyd". His research has also identified Kyd as co-author with Nashe of ''harey the vi'', which became 1 Henry VI after Shakespeare adapted it to his "Wars of the Roses" sequence. The evidence suggests that Kyd and Shakespeare co-authored Edward III. The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.medy - justifying Jonson''s reference to "sporting Kyd". His research has also identified Kyd as co-author with Nashe of ''harey the vi'', which became 1 Henry VI after Shakespeare adapted it to his "Wars of the Roses" sequence. The evidence suggests that Kyd and Shakespeare co-authored Edward III. The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.medy - justifying Jonson''s reference to "sporting Kyd". His research has also identified Kyd as co-author with Nashe of ''harey the vi'', which became 1 Henry VI after Shakespeare adapted it to his "Wars of the Roses" sequence. The evidence suggests that Kyd and Shakespeare co-authored Edward III. The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.medy - justifying Jonson''s reference to "sporting Kyd". His research has also identified Kyd as co-author with Nashe of ''harey the vi'', which became 1 Henry VI after Shakespeare adapted it to his "Wars of the Roses" sequence. The evidence suggests that Kyd and Shakespeare co-authored Edward III. The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.suggests that Kyd and Shakespeare co-authored Edward III. The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.
Author: Zsolt Almási
Publisher: Cambridge Scholars Publishing
ISBN: 1443839566
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
This volume presents a selection of papers from the 6th International Conference of the Tudor Symposium, held at the University of Sheffield in 2009. It brings together new explorations of Tudor literature from scholars based all over Europe: France, Greece, Hungary, Ireland, Norway, and the United Kingdom. The papers cover the long mid-Tudor period, from Skelton and more to the young Shakespeare, but with a central emphasis on the middle decades of the sixteenth century. Topics range widely from philosophy and social commentary to more traditionally literary kinds of writing, such as lyric and tragedy (both dramatic and non-dramatic). The volume as a whole offers an attractively kaleidoscopic image of the variety of new work being carried out in the area in the new millennium.
Author: Brian Vickers
Publisher: Oxford University Press, USA
ISBN: 9780199269167
Category : Drama
Languages : en
Pages : 608
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Book Description
No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to differentiate their contributions from his. In thiswide-ranging study, Brian Vickers takes up and extends these discussions, presenting compelling evidence that Shakespeare wrote Titus Andronicus together with George Peele, Timon of Athens with Thomas Middleton, Pericles with George Wilkins, and Henry VIII and The Two Noble Kinsmen with JohnFletcher.In Part One Vickers reviews the standard processes of co-authorship as they can be reconstructed from documents connected with the Elizabethan stage, and shows that every major, and most minor dramatists in the Elizabethan, Jacobean, and Caroline theatres collaborated in getting plays written andstaged. This is combined with a survey of the types of methodology used since the early nineteenth century to identify co-authorship, and a critical evaluation of some 'stylometric' techniques.Part Two is devoted to detailed analyses of the five collaborative plays, discussing every significant case made for and against Shakespeare's co-authorship. Synthesizing two centuries of discussion, Vickers reveals a solidly based scholarly tradition, building on and extending previous work,identifying the co-authors' contributions in increasing detail. The range and quantity of close verbal analysis brought together in Shakespeare, Co-Author present a compelling case to counter those 'conservators' of Shakespeare who maintain that he is the sole author of his plays.
Author: Scott McMillin
Publisher: Cornell University Press
ISBN: 1501742647
Category : Performing Arts
Languages : en
Pages : 179
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Book Description
The manuscript of the Elizabethan play Sir Thomas More has intrigued scholars for over a century because three of its pages may have been written by Shakespeare. The Elizabethan Theatre and "The Book of Sir Thomas More" sets aside the timeworn question of authorship and considers the play in a new framework, one which by focusing on questions of the theatre attempts to free Elizabethan theatre history from the grip of its most famous author. Bringing to bear on the manuscript the perspective of a theatre historian and the resources of textual scholarship, Scott McMillin departs from most critical accounts, which have judged Sir Thomas More unfinished. Rather, McMillin addresses the manuscript as a coherent and finished work that achieves its intended purpose: to serve as a prompt book in the Elizabethan playhouse. His systematic analysis of the Sir Thomas More manuscript shows that the company for which it was written was unusually large, that it had a lead actor of outstanding capability, and that in its staging of the play it probably made use of visual repetition as an ironic device. He concludes that the theatre company of the period that most closely matched this description was Lord Strange's men, a company, incidentally, for which Shakespeare himself was known to have written in the early 1590s. Textual scholars, theatre historians, and students and scholars of Elizabethan drama will welcome The Elizabethan Theatre and "The Book of Sir Thomas More."
