Author: Francesco Pelosi
Publisher: Cambridge University Press
ISBN: 110883227X
Category : Art
Languages : en
Pages : 369
Book Description
Explores the philosophical import and use of musical notions in crucial moments and authors of the Roman Imperial period.
Music and Philosophy in the Roman Empire
Author: Francesco Pelosi
Publisher: Cambridge University Press
ISBN: 110883227X
Category : Art
Languages : en
Pages : 369
Book Description
Explores the philosophical import and use of musical notions in crucial moments and authors of the Roman Imperial period.
Publisher: Cambridge University Press
ISBN: 110883227X
Category : Art
Languages : en
Pages : 369
Book Description
Explores the philosophical import and use of musical notions in crucial moments and authors of the Roman Imperial period.
On Literature, Music and Philosophy
Author: Andreĭ Aleksandrovich Zhdanov
Publisher:
ISBN:
Category : Aleksandrov, Georgii Federevich, 1908- . Istoriia zapadnoevropeiskoi filosofii
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Aleksandrov, Georgii Federevich, 1908- . Istoriia zapadnoevropeiskoi filosofii
Languages : en
Pages : 124
Book Description
The Philosophy & Aesthetics of Music
Author: Edward A. Lippman
Publisher: U of Nebraska Press
ISBN: 9780803279841
Category : Music
Languages : en
Pages : 268
Book Description
Edward A. Lippman?s writings on musical aesthetics comprise a wide variety of areas and employ both systematic and historical approaches, reflecting throughout his unrivaled knowledge of the philosophical literature on music and his deep understanding of the musical repertory. These essays span a broad range of subjects, from the ancients? sense of what music encompasses to the experience of rhythm in Anton Webern?s work. ø Lippman surveys the physical and physiological factors that condition musical perception, and he explores the effect of sung text in vocal music. In the more purely philosophical realm, he argues persuasively that music speaks in its own terms, not in any formalistic sense but through the symbolic meanings it conveys. ø The historically focused essays include investigations of the aesthetic thinking of Wagner and Schumann, an endeavor that leads Lippman to probe the sources and drives behind musical creativity. Elsewhere he explores the development of particular musical styles. The Philosophy and Aesthetics of Music draws upon both philosophy and musicology in demonstrating how the interpretation of music extends far beyond the scope of conventional theory and analysis.
Publisher: U of Nebraska Press
ISBN: 9780803279841
Category : Music
Languages : en
Pages : 268
Book Description
Edward A. Lippman?s writings on musical aesthetics comprise a wide variety of areas and employ both systematic and historical approaches, reflecting throughout his unrivaled knowledge of the philosophical literature on music and his deep understanding of the musical repertory. These essays span a broad range of subjects, from the ancients? sense of what music encompasses to the experience of rhythm in Anton Webern?s work. ø Lippman surveys the physical and physiological factors that condition musical perception, and he explores the effect of sung text in vocal music. In the more purely philosophical realm, he argues persuasively that music speaks in its own terms, not in any formalistic sense but through the symbolic meanings it conveys. ø The historically focused essays include investigations of the aesthetic thinking of Wagner and Schumann, an endeavor that leads Lippman to probe the sources and drives behind musical creativity. Elsewhere he explores the development of particular musical styles. The Philosophy and Aesthetics of Music draws upon both philosophy and musicology in demonstrating how the interpretation of music extends far beyond the scope of conventional theory and analysis.
Understanding Music
Author: Roger Scruton
Publisher: A&C Black
ISBN: 1847065066
Category : Philosophy
Languages : en
Pages : 506
Book Description
Essays over het snijvlak tussen compositieleer, analyse, betekenisgeving en de relatie tussen taal en muziek.
Publisher: A&C Black
ISBN: 1847065066
Category : Philosophy
Languages : en
Pages : 506
Book Description
Essays over het snijvlak tussen compositieleer, analyse, betekenisgeving en de relatie tussen taal en muziek.
The Rhythm of Thought
Author: Jessica Wiskus
Publisher: University of Chicago Press
ISBN: 022627425X
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought. Holding the poetry of Stéphane Mallarmé, the paintings of Paul Cézanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty’s phenomenological light, she offers innovative interpretations of some of these artists’ masterworks, in turn articulating a new perspective on Merleau-Ponty’s philosophy. More than merely recovering Merleau-Ponty’s thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence—as silence in poetry, depth in painting, memory in literature, and rhythm in music—she moves through an array of their artworks toward some of Merleau-Ponty’s most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, The Rhythm of Thought offers new contexts in which to approach art, philosophy, and the resonance between them.
Publisher: University of Chicago Press
ISBN: 022627425X
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought. Holding the poetry of Stéphane Mallarmé, the paintings of Paul Cézanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty’s phenomenological light, she offers innovative interpretations of some of these artists’ masterworks, in turn articulating a new perspective on Merleau-Ponty’s philosophy. More than merely recovering Merleau-Ponty’s thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence—as silence in poetry, depth in painting, memory in literature, and rhythm in music—she moves through an array of their artworks toward some of Merleau-Ponty’s most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, The Rhythm of Thought offers new contexts in which to approach art, philosophy, and the resonance between them.
Improvising Improvisation
Author: Gary Peters
Publisher: University of Chicago Press
ISBN: 022645262X
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.
Publisher: University of Chicago Press
ISBN: 022645262X
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.
The Routledge Companion to Philosophy and Music
Author: Theodore Gracyk
Publisher: Routledge
ISBN: 1136821880
Category : Art
Languages : en
Pages : 672
Book Description
The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.
Publisher: Routledge
ISBN: 1136821880
Category : Art
Languages : en
Pages : 672
Book Description
The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.
Boulez, Music and Philosophy
Author: Edward Campbell
Publisher: Cambridge University Press
ISBN: 0521862426
Category : Biography & Autobiography
Languages : en
Pages : 299
Book Description
In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.
Publisher: Cambridge University Press
ISBN: 0521862426
Category : Biography & Autobiography
Languages : en
Pages : 299
Book Description
In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.
The Philosophy of Music
Author: Aaron Ridley
Publisher:
ISBN: 9780748309023
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780748309023
Category :
Languages : en
Pages : 0
Book Description
Philosophy at 33 1/3 Rpm
Author: James Franklin Harris
Publisher: Open Court Publishing
ISBN: 9780812692419
Category : Biography & Autobiography
Languages : en
Pages : 308
Book Description
Harris (philosophy, c. of William and Mary) explores the lyrics of rock on the human condition. Published by Open Court Publishing, Co., 332 South Michigan Avenue, Suite 2000, Chicago, IL 60604. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Open Court Publishing
ISBN: 9780812692419
Category : Biography & Autobiography
Languages : en
Pages : 308
Book Description
Harris (philosophy, c. of William and Mary) explores the lyrics of rock on the human condition. Published by Open Court Publishing, Co., 332 South Michigan Avenue, Suite 2000, Chicago, IL 60604. Annotation copyright by Book News, Inc., Portland, OR