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Author: Maria Francisca Carneiro
Publisher: Author House
ISBN: 1467827657
Category : Social Science
Languages : en
Pages : 81
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Book Description
There is a new way to analyse arts whereby some concepts of logic. It is the so-called "Heterodox Aesthetics", created by Maria Francisca Carneiro. In this book you will find out an unusual way to interpretate the work of art and its paradox.
Author: Maria Francisca Carneiro
Publisher: Author House
ISBN: 1467827657
Category : Social Science
Languages : en
Pages : 81
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Book Description
There is a new way to analyse arts whereby some concepts of logic. It is the so-called "Heterodox Aesthetics", created by Maria Francisca Carneiro. In this book you will find out an unusual way to interpretate the work of art and its paradox.
Author: Ashley Marshall
Publisher: Rowman & Littlefield
ISBN: 1611495350
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
The chapters constituting this book are different in subject and method, striking testimony to the range of Paulson’s interests and the versatility of his critical powers. In his prolific career he has produced extensive analysis of art, poetry, fiction, and aesthetics produced in England between 1650 and 1830. Paulson’s unique contribution has to do with his understanding of “seeing” and “reading” as closely related enterprises, and “popular” forms in art and literature as intimately connected—connections illustrated by literary critics and art historians here. Every essay shares some of the concerns and methods that characterize Paulson’s wonderfully idiosyncratic thought—except for the final essay, an attempt systematically to analyze Paulson’s critical principles and methods. Recurrent themes are a concern with satire in the eighteenth century; a connection between verbal and visual reading; an insistence on the importance of individual artistic choices to the history of culture; an attention to the aims and motives of individual makers of art; and a sensitivity to the crucial links between high and low art. This volume offers rich explorations of a range of subjects: Swift’s relationship to Congreve; Zoffany’s condemnation of Gillray and Hogarth, and broader implications for the role of art in public discourse; the presentation of mourning in the work of the Welsh artist and writer Edward Pugh; G. M. Woodward’s “Coffee-House Characters,” representing a turn from satire on morals towards satire on manners; Adam Smith’s evolving aesthetic program; Samuel Richardson’s notions of social reading. The discussions represent a variety of exemplifications of the Paulsonesque, showing a concern with satiric representation in mixed media, with different forms of heterodoxy and iconoclasm, and with the values of producers of popular and polite culture in this period.
Author: Ronald Paulson
Publisher: Johns Hopkins University Press
ISBN: 9781421430560
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
Arguing that the two traditions comprised not only painterly but literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
Author: Larne Abse Gogarty
Publisher: V&R Unipress
ISBN: 3847011146
Category : Art
Languages : en
Pages : 217
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Book Description
The mood of systemic crisis that has marked the early 21st century has been accompanied by an upsurge in Marxist thought in a whole range of domains and extends to art history. In this volume 19 scholars from different generations, different national contexts and with different relationships to Marxism reflect on the status of 18 "keywords" with special pertinence to Marxist art-historical inquiry today. Starting point of the researches was the knowledge that while certain keywords have been crucial to recent developments in Marxist art history and cultural theory more broadly, others seem to have slipped out of view. The scholars are not so much interested in the "historical semantics" of words – although that plays some role in the essays – as in the present state of Marxist art history.
Author: Cyril O'Regan
Publisher: SUNY Press
ISBN: 9780791420058
Category : Philosophy
Languages : en
Pages : 538
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Book Description
O'Regan (religious studies, Yale U.) argues for a theological reading of Hegel which clarifies the religious or theological species Hegel thinks can be brought into rapprochement with philosophy; unites a number of different approaches to Hegel which have proven fruitful, if incomplete; and, within the bounds of a systematic approach, addresses que
Author: Ronald Paulson
Publisher: JHU Press
ISBN: 1421430967
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty—worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange. Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
Author: Mark A. Sanders
Publisher: University of Georgia Press
ISBN: 9780820320502
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life.
Author: W. Puck Brecher
Publisher: University of Hawaii Press
ISBN: 0824839129
Category : History
Languages : en
Pages : 282
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Book Description
Eccentric artists are “the vagaries of humanity” that inhabit the deviant underside of Japanese society: This was the conclusion drawn by pre–World War II commentators on most early modern Japanese artists. Postwar scholarship, as it searched for evidence of Japan’s modern roots, concluded the opposite: The eccentric, mad, and strange are moral exemplars, paragons of virtue, and shining hallmarks of modern consciousness. In recent years, the pendulum has swung again, this time in favor of viewing these oddballs as failures and dropouts without lasting cultural significance. This work corrects the disciplinary (and exclusionary) nature of such interpretations by reconsidering the sudden and dramatic emergence of aesthetic eccentricity during the Edo period (1600–1868). It explains how, throughout the period, eccentricity (ki) and madness (kyō) developed and proliferated as subcultural aesthetics. By excavating several generations of early modern Japan’s eccentric artists, it demonstrates that individualism and strangeness carried considerable moral and cultural value. Indeed, Edo society fetishized various marginal personae—the recluse, the loser, the depraved, the outsider, the saint, the mad genius—as local heroes and paragons of moral virtue. This book concludes that a confluence of intellectual, aesthetic, and social conditions enabled multiple concurrent heterodoxies to crystallize around strangeness as a prominent cultural force in Japanese society. A study of impressive historical and disciplinary breadth, The Aesthetics of Strangeness also makes extensive use of primary sources, many previously overlooked in existing English scholarship. Its coverage of the entire Edo period and engagement with both Chinese and native Japanese traditions reinterprets Edo-period tastes and perceptions of normalcy. By wedding art history to intellectual history, literature, aesthetics, and cultural practice, W. Puck Brecher strives for a broadly interdisciplinary perspective on this topic. Readers will discover that the individuals that form the backbone of his study lend credence to a new interpretation of Edo-period culture: a growing valuation of eccentricity within artistic and intellectual circles that exerted indelible impacts on mainstream society. The Aesthetics of Strangeness demystifies this emergent paradigm by illuminating the conditions and tensions under which certain rubrics of strangeness— ki and kyō particularly—were appointed as aesthetic criteria. Its revision of early modern Japanese culture constitutes an important contribution to the field.
Author: Matthew Pateman
Publisher: McFarland
ISBN: 1476606129
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
On the TV screen as elsewhere, there is often more than meets the eye. For decades, television has offered not just entertainment, but observations—subtle and otherwise—on society. This book examines the cultural commentary contained in Buffy, the Vampire Slayer, a show that ran for seven seasons (1997–2003) and 144 episodes. On the surface, Buffy is the marriage of a high school drama to gothic horror. This somewhat unusual vehicle is used to present, via the character of Buffy, fairly typical views of late 20th century culture-teenage problems; issues regarding a broken home; and the search for meaning and validation. In addition, subtler themes, such as cultural views of knowledge, ethnicity and history, are woven into the show’s critique of popular culture. Organized into two sections, this volume offers an in-depth examination of the show: first, through the lens of Buffy’s confrontation with culture, and second, from the complex perspectives of the individual characters. Issues such as values, ethical choices and the implications of one’s actions are discussed—without ever losing sight of the limitations of a medium that will always be dominated by financial concerns. The final chapter summarizes what Buffy has to say about today’s society. An appendix lists Buffy episodes in chronological order.
Author: Vincenzo Gioberti
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 464
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Book Description
