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Author: David Scott Diffrient
Publisher: Edinburgh University Press
ISBN: 0748695680
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and tr
Author: David Scott Diffrient
Publisher: Edinburgh University Press
ISBN: 0748695680
Category : Performing Arts
Languages : en
Pages : 249
Get Book Here
Book Description
As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and tr
Author: David Scott Diffrient
Publisher: Edinburgh University Press
ISBN: 0748695672
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narra
Author: Mark Betz
Publisher: U of Minnesota Press
ISBN: 0816640351
Category : Performing Arts
Languages : en
Pages : 363
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Book Description
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.
Author: Jeffrey Middents
Publisher: UPNE
ISBN: 9781584657767
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
A study of Peruvian Cinema and the role of criticism in forming a national cinematic vision
Author: C. Felando
Publisher: Springer
ISBN: 1137484365
Category : Performing Arts
Languages : en
Pages : 150
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Book Description
As film history's oldest and one of today's most prominent forms, the live-action short film has both historical and contemporary significance. Felando discusses the historical significance of the short film, identifies the fiction short's conventions, and offers two general research categories: the classical short and the art short.
Author: Fatimah Tobing Rony
Publisher: Duke University Press
ISBN: 147802190X
Category : Social Science
Languages : en
Pages : 174
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Book Description
In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics—the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin’s 1893 portrait of Annah la Javanaise—a trafficked thirteen-year-old girl found wandering the streets of Paris—as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati’s The Dance that Makes You Vanish, Vincent Monnikendam’s Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.
Author: Rachel Williamson
Publisher: Springer Nature
ISBN: 3031393511
Category : Social Science
Languages : en
Pages : 242
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Book Description
Motherhood has long been depicted in reductive or limited terms. At once valorized and configured as the ultimate end-goal for socially condoned femininity, maternity is also highly mediated and scrutinized. This has resulted in a representational tradition that persists in imagining maternal subjects in rigid binary terms, pitting good mothers against bad. Largely in response to this repressive schema, recent years have marked the emergence of a diverse range of visual and literary texts about motherhood. While such texts vary in style, genre and form, this book argues that they are unified in their efforts to publicize embodied maternal experience and foreground maternal ambivalence, a concept that is best understood as a mother’s capacity to simultaneously love and hate her child. Although maternal ambivalence has become an increasingly popular topic of study with maternal scholars, its articulation within contemporary representations and narratives has yet to be adequately theorized and addressed, and this book aims to fill this gap.
Author: Tage T.E. Luxembourgeus
Publisher: Proverbial Elephant
ISBN: 9163944197
Category : Art
Languages : en
Pages : 258
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Book Description
After the collapse of Turkey’s domestic popular cinema, also known as Yesilcam, in the late 1980s, cinema in the country entered a new phase. Following this painful collapse, after a relatively long period of silence, a new generation of independent directors along with a few members of the older generation directors who insisted on making films despite the unsuitable conditions, emerged. This book brings together ten different articles published for the first time each written about a film made after 2000 in Turkey and argues the emergence of a New Wave in the country’s cinema. In this book you will find: A Dead Father and His Children: An Introduction by Tage T. E. Luxembourgeus and Mumin Baris A Brief Descent into Liquid Fear in Emin Alper’s Abluka by İlknur Bilir Albüm: A Photographic Representation of Stillness and Social Life in the Provinces by Saniye İnce With or Without You: Ana Yurdu in the Context of Existentialist Feminism by M. Elif Demoğlu Bahoz: A Breeze to The Third Cinema by Mehmet Güldoğan Baskın: The Horror of the Scapegoats by Sertaç Koyuncu When the coin lands on its edge. Yazı Tura: A critical look at a critical film by Tage T. E. Luxembourgeus An Ecocritical Reading: Yurt as a Story of Pillage and Homelessness by Aygün Şen The new Milli cinema: Semih Kaplanoğlu’s Yusuf Trilogy by Mumin Baris Zenne: A Movie That Stands Far From The LGBTI’s Struggle in Turkey by Bawer Çakır 9: The Metaphor of Mahalle (Neighbourhood) as Country by Zehra Cerrahoğlu Zıraman
Author: Ron Briley
Publisher: University Press of Kentucky
ISBN: 0813183219
Category : Performing Arts
Languages : en
Pages : 393
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Book Description
Sports films are popular forms of entertainment around the world, but beyond simply amusing audiences, they also reveal much about class, race, gender, sexuality, and national identity. In All-Stars and Movie Stars, Ron Briley, Michael K. Schoenecke, and Deborah A. Carmichael explore the interplay between sports films and critical aspects of our culture, examining them as both historical artifacts and building blocks of ideologies, values, and stereotypes. The book covers not only Hollywood hits such as Field of Dreams and Miracle but also documentaries such as The Journey of the African American Athlete and international cinema, such as the German film The Miracle of Bern. The book also explores television coverage of sports, commenting on the relationship of media to golf and offering a new perspective on the culture and politics behind the depictions of the world's most popular pastimes. The first part of the book addresses how sports films represent the cultural events, patterns, and movements of the times in which they were set, as well as the effect of the media and athletic industry on the athletes themselves. Latham Hunter examines how the baseball classic The Natural reflects traditional ideas about gender, heroism, and nation, and Harper Cossar addresses how the production methods used in televised golf affect viewers. The second section deals with issues such as the growth of women's involvement in athletics, sexual preference in the sports world, and the ever-present question of race by looking at sports classics such as Rocky, Hoosiers, and A League of Their Own. Finally, the authors address the historical and present-day role sports play in the international and political arena by examining such films as Visions of Eight and The Loneliness of the Long Distance Runner. This important and unique collection illuminates the prominent role that sports play in society and how that role is reflected in film. Analysis of the depiction of sports in film and television provides a deeper understanding of the appeal that sports hold for people worldwide and of the forces behind the historic and cultural traditions linked to sports.
Author: Anjeana K. Hans
Publisher: Wayne State University Press
ISBN: 081433895X
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
The Weimar period in Germany was a time of radical change, when the traditions and social hierarchies of Imperial Germany crumbled, and a young, deeply conflicted republic emerged. Modernity brought changes that reached deep into the most personal aspects of life, including a loosening of gender roles that opened up new freedoms and opportunities to women. The screen vamps, garçonnes, and New Women in this movie-hungry society came to embody the new image of womanhood: sexually liberated, independent, and—at least to some—deeply threatening. In Gender and the Uncanny in Films of the Weimar Republic, author Anjeana K. Hans examines largely forgotten films of Weimar cinema through the lens of their historical moment, contemporary concerns and critiques, and modern film theory to give a nuanced understanding of their significance and their complex interplay between gender, subjectivity, and cinema. Hans focuses on so-called uncanny films, in which terror lies just under the surface and the emancipated female body becomes the embodiment of a threat repressed. In six chapters she provides a detailed analysis of each film and traces how filmmakers simultaneously celebrate and punish the transgressive women that populate them. Films discussed include The Eyes of the Mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918), Uncanny Tales (Unheimliche Geschichten, Richard Oswald, 1919), Warning Shadows (Schatten: Eine nächtliche Halluzination, Artur Robison, 1923), The Hands of Orlac (Orlacs Hände, Robert Wiene, 1924), A Daughter of Destiny (Alraune, Henrik Galeen,1928), and Daughter of Evil (Alraune, Richard Oswald, 1930). An introduction contextualizes Weimar cinema within its unique and volatile social setting. Hans demonstrates that Weimar Germany’s conflicting emotions, hopes, and fears played out in that most modern of media, the cinema. Scholars of film and German history will appreciate the intriguing study of Gender and the Uncanny in Films of the Weimar Republic.
