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Author: Pindar
Publisher: Bobbs-Merrill Company
ISBN: 9780672515439
Category : Poetry
Languages : en
Pages : 420
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Book Description
Author: Pindar
Publisher: Bobbs-Merrill Company
ISBN: 9780672515439
Category : Poetry
Languages : en
Pages : 420
Get Book Here
Book Description
Author: Pindar
Publisher:
ISBN:
Category : History
Languages : en
Pages : 242
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Book Description
Author: Pindar
Publisher: London : W. Heineman ; New York : Macmillan
ISBN:
Category : Athletes
Languages : en
Pages : 704
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Book Description
Author: Peter Agócs
Publisher: Cambridge University Press
ISBN: 1107007879
Category : History
Languages : en
Pages : 445
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Book Description
A collection of papers by international experts on one of the most paradoxical and influential poetic genres of classical antiquity.
Author: Pindarus
Publisher:
ISBN:
Category : Greek poetry
Languages : en
Pages : 400
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Book Description
Author: Horace
Publisher: Hardpress Publishing
ISBN: 9781314807882
Category :
Languages : la
Pages : 426
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Richard Neer
Publisher: JHU Press
ISBN: 1421429799
Category : Literary Criticism
Languages : en
Pages : 475
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Book Description
A groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American Publishers In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"—and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.
Author: Kathryn A. Morgan
Publisher: Oxford University Press, USA
ISBN: 0199366853
Category : History
Languages : en
Pages : 481
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Book Description
This book situates Pindar's victory odes for Hieron of Syracuse within the tumultuous context of Syracuse and Greece in the early fifth century BC. It combines exploration of the material and musical culture of Hieron's Syracuse with literary analysis to demonstrate how Pindar's poetry manipulates epinician form to effect political legitimation.
Author: Rosemary Barrow
Publisher: Cambridge University Press
ISBN: 1108583865
Category : Art
Languages : en
Pages : 245
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Book Description
Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
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Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
