Author: Wilfred Partington
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 502
Book Description
Illustrated Catalogue of Engravings, Etchings and Drawings by Early and Modern Masters
Author: Maggs Bros
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 158
Book Description
Bookman's Journal with which is Incorporated the Print Collector
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 460
Book Description
V. 1-3 include "Bibliographies of modern authors by Henry Danielson."
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 460
Book Description
V. 1-3 include "Bibliographies of modern authors by Henry Danielson."
The Bookman's Journal and Print Collector
Author: Wilfred Partington
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 502
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 502
Book Description
Prints and Printmakers of New York State, 1825-1940
Author: David Tatham
Publisher: Syracuse University Press
ISBN: 9780815602040
Category : Art
Languages : en
Pages : 304
Book Description
For well over a century, New York has been a microcosm of the art and craft of American printmaking. Until 1825, printmaking in America was almost entirely an artisan's craft. Then, with the arrival of lithography, the realization arose that printmaking could also be a fine art. The essays published in this collection contribute to the body of scholarship by identifying important but hitherto insufficiently studied aspects of the graphic arts and treating them authoritatively. Their subjects concern prints in New York State, whose great metropolitan city was, after 1825, the acknowledged center of nearly everything important in the graphic arts in the U.S. The history of American prints from 1825 on is enormously rich, yet until the 1970s it was the least studied and understood aspect of the history of art in North America. It is a history more deeply rooted in popular culture and more closely tied, for a long time, to the world of commerce than the other arts. The usually small-scale, sometimes ephemeral, and often highly subtle (or highly unsubtle) nature of prints makes it easy to overlook them. The collection of essays included here were originally presented at the Twelfth Annual North American Print Conference, held in 1981 in Syracuse, New York. Locally organized, these conferences have been held during the last decade throughout the U.S. and Canada to further the study of the history of the pictorial graphic arts in North America. Contributors include several leading historians of the graphic arts of nineteenth-century America. Their chapters bring to life and flesh out figures who were previously little more than names, establish facts that correct long-held erroneous assumptions, introduce many prints of exceptional interest that have remained out of the public view for generations, and provide a rich, new context for many familiar images.
Publisher: Syracuse University Press
ISBN: 9780815602040
Category : Art
Languages : en
Pages : 304
Book Description
For well over a century, New York has been a microcosm of the art and craft of American printmaking. Until 1825, printmaking in America was almost entirely an artisan's craft. Then, with the arrival of lithography, the realization arose that printmaking could also be a fine art. The essays published in this collection contribute to the body of scholarship by identifying important but hitherto insufficiently studied aspects of the graphic arts and treating them authoritatively. Their subjects concern prints in New York State, whose great metropolitan city was, after 1825, the acknowledged center of nearly everything important in the graphic arts in the U.S. The history of American prints from 1825 on is enormously rich, yet until the 1970s it was the least studied and understood aspect of the history of art in North America. It is a history more deeply rooted in popular culture and more closely tied, for a long time, to the world of commerce than the other arts. The usually small-scale, sometimes ephemeral, and often highly subtle (or highly unsubtle) nature of prints makes it easy to overlook them. The collection of essays included here were originally presented at the Twelfth Annual North American Print Conference, held in 1981 in Syracuse, New York. Locally organized, these conferences have been held during the last decade throughout the U.S. and Canada to further the study of the history of the pictorial graphic arts in North America. Contributors include several leading historians of the graphic arts of nineteenth-century America. Their chapters bring to life and flesh out figures who were previously little more than names, establish facts that correct long-held erroneous assumptions, introduce many prints of exceptional interest that have remained out of the public view for generations, and provide a rich, new context for many familiar images.
Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
Book Description
Minnesota Prints and Printmakers, 1900-1945
Author: Robert Crump
Publisher: Minnesota Historical Society
ISBN: 9780873516358
Category : Art
Languages : en
Pages : 220
Book Description
A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.
Publisher: Minnesota Historical Society
ISBN: 9780873516358
Category : Art
Languages : en
Pages : 220
Book Description
A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.
Athenaeum and Literary Chronicle
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1392
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1392
Book Description
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The Art Amateur
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 318
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 772
Book Description