Old English Mezzotints. [Reproductions PDF Download
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Author: P.P. - London. - Studio
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: P.P. - London. - Studio
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Malcolm C. Salaman
Publisher: Createspace Independent Pub
ISBN: 9781495257728
Category : Art
Languages : en
Pages : 218
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Devoted to those beautiful and valuable Old English Mezzotins which interpret par excellence the great painters of the eighteenth century. Malcolm C. Salaman tells the story of mezzotint engraving from its inception to it climax at the close of the eighteenth century, and its decline in the early nineteenth. * * * * * An excerpt from the author's introductory:WHEN, in Christie's sale-room, the fine mezzotints or familiar portraits by Reynolds, Gainsborough, Romney or Hoppner—familiar, perhaps, chiefly through the prints— are being handed round the table, and the amazingly high bidding of eager dealers and collectors, bidding that seems to recognise no conscience save fashion's, is being voiced goadingly from the rostrum, my fancy is wont to travel back to those eighteenth-century days when the London print-shops were full of such prints fresh from the engravers' hands. I think of the fine old engravers themselves, content to sell their prints for the few shillings apiece at which the current demand appraised them, little dreaming that, in a hundred years or more, the greasy ink they used would have so dried on the very surface of the inimitable old paper as to give that richness of bloom which would induce future collectors to pay for single impressions sums sufficient to have bought for the artists themselves life annuities. I picture genial, honest Valentine Green, in 1780, at the height of his prosperity, drawing up his "Proposals" for publishing by subscription his engravings, from the paintings of Reynolds, of that sumptuous series of" Beauties of the Present Age," as he called them, which, with no thought of being modest, he offered at fifteen shillings a copy, or twelve shillings to subscribers; and I wonder what change amazement, and regret, too, in his later days of adversity, would have worked in the benevolent, sensitive face we know so well through Lemuel Abbott's portraiture, could he have foreseen how the twentieth century would value his gracious mezzotints of beautiful high-born women, while ignoring his once popular subject-prints after Benjamin West, so that a brilliant proof of his Duchess of Rutland (Plate XXXI.) would sell for just five times the two hundred guineas Sir Joshua charged the Duke for painting the picture. Yet, what compensation of gladness would his artist soul have felt could he have foretold that enthusiastic connoisseurs would visit the Fitzwilliam Museum at Cambridge primarily to see the finest known impression of his lovely Lady Elizabeth Compton (Plate XXXVI.)! John Raphael Smith, too, greatest of them all; I think of him scraping his masterly mezzotints to supply the mundane needs of his convivial nature and a large family, and printing off the copies only as they were called for, and I wonder whether the genuine artist or the astute business man in him would have been the more moved if, to encourage him on his way to prosperity, his good, helpful friend Angelo, the fencing-master, or, say, good-natured Jack Bannister—Charles Lamb's "beloved" comedian—had playfully suggested that impressions from these very copperplates would one day command sums approaching, and even reaching, four figures in pounds sterling. Smith, "good easy man," would probably have laughed his jovial laugh, and, laying aside for the day the plate, perhaps of Mrs. Carnac (Plate LVIII.), The Çower Family (Plate LX.),or The Promenade at Carlisle House (Plate LXXVI.), or whichever copper he happened to be engaged upon, would have called for a bottle—or two, and made merry over the fantastic idea. Yet, what a debt of gratitude we owe to those old mezzotint-engravers, who, in that wonderful second half of the eighteenth century, brought to perfection an exquisite art through which they could interpret delightful masterpieces of the painters'art, in all their spiritual and pictorial vitality, with an appealing charm of tone and suggested colour, ...
Author: Malcolm Charles Salaman
Publisher: Legare Street Press
ISBN: 9781020581090
Category :
Languages : en
Pages : 0
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This beautifully illustrated volume offers a stunning collection of mezzotints from the Old English period, showcasing some of the most skillful and evocative prints of the era. With detailed analysis and fascinating historical context, this book is a must-read for anyone interested in the art of printmaking. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Malcolm Charles Salaman
Publisher: London ; Paris : The Studio
ISBN:
Category : Art
Languages : en
Pages : 280
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Author: Malcolm C. Salaman
Publisher:
ISBN: 9781332950690
Category : Art
Languages : en
Pages : 276
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Excerpt from Old English Mezzotints XVI. Miss Kitty Gunning. By Richard Houston, after Francis Cotes. From a print in the Collection of Mr. Henry Percy Horne. XVII. Woman Plucking a Fowl. By Richard Houston, after Rembrandt. From a print in the Collection of Mr. Henry Percy Horne. XVIII. Caroline, Duchess of Marlborough, and Daughter. By Richard Houston, after Sir Joshua Reynolds. From a print in the possession of Mr. Frank T. Sabin. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Malcolm Charles Salaman
Publisher: Palala Press
ISBN: 9781377595740
Category :
Languages : en
Pages : 280
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Engravings (Mezzotint).
Languages : en
Pages : 18
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Author: American Art Galleries
Publisher: Forgotten Books
ISBN: 9781390251647
Category : Art
Languages : en
Pages : 44
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Excerpt from Catalogue of Old English and French Colored Prints, Mezzotints and Other Engravings, Belonging to Mr. Arthur Blackborne, London: To Be Sold at Unrestricted Public Sale on Wednesday Evening, February 21st Q. The Auctioneer reserves the right to reject any bid which is merely a nominal or fractional advance, and therefore, in his judgment, likely to affect the Sale injuriously. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Charles 1848-1923 Holme
Publisher: Wentworth Press
ISBN: 9781372319655
Category : History
Languages : en
Pages : 288
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Catalogue of [his Collection Of] Old English and French Colored Prints, Mezzotints and Other Engravings PDF](https://books.google.com/books/content/images/frontcover/wIFNOgAACAAJ?fife=w80-h100)
Author: American Art Galleries
Publisher:
ISBN:
Category :
Languages : en
Pages : 39
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