Oil Paintings in Public Ownership in Cambridgeshire: The Fitzwilliam Museum PDF Download
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Author: Andrew Ellis
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 248
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Book Description
All the Oil Paintings in public ownership in Staffordshire
Author: Andrew Ellis
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 248
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Book Description
All the Oil Paintings in public ownership in Staffordshire
Author: Cambridge Antiquarian Society (Cambridge, England)
Publisher:
ISBN:
Category : Cambridgeshire (England)
Languages : en
Pages : 814
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Book Description
Author: Cambridge Antiquarian Society (Cambridge, England)
Publisher:
ISBN:
Category : Cambridgeshire (England)
Languages : en
Pages : 268
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Book Description
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1922
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Book Description
Author: Edgar Degas
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 292
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Book Description
"This stunning publication is published to accompany the exhibition of works by the French artist Edgar Degas at the National Gallery of Australia 12 Dec 2008 - 22 March 2009."... Provided by publisher.
Author: Judy Egerton
Publisher: Yale University Press
ISBN: 9780300125092
Category : Art
Languages : en
Pages : 684
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Book Description
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Author: Katie J. T. Herrington
Publisher: Boydell & Brewer
ISBN: 1783272597
Category : Art
Languages : en
Pages : 384
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Book Description
The correspondence of Joanna and George Boyce, and Joanna's husband Henry Wells (published as The Boyce Papers) gives us a rare insight into the milieu of the artists of the mid-Victorian period. Many different aspects of mid-nineteenth century artistic life are recorded in their letters, providing surprising detail which is highly relevant to the study of their contemporaries. Victorian Artists and their World is a series of case studies based on this material. This book brings together a team of authors both well-established in their fields and emerging, offering a broad range of expertise and insight. The first group of essays begins with travel, particularly in Europe where the new railroads made journeys much easier than in the past, particularly to the new museums being created in European cities. All three of them went to Paris and other European cities, while George Boyce also travelled in the French countryside to find new subjects for his art. Paris was also where Henry Wells and Joanna Boyce trained, but there is also a great deal of material about art training in Britain. The Boyces began essentially as financially independent amateurs, and were gradually drawn in to the increasingly institutional world of art, with the formation of new societies and the activities of commercial galleries. The next stage in an artist's career, involvement with the art market, is a continuing theme in the correspondence, 'the quirks and eccentricities of patrons and art dealers'. Studios, clubs and societies all played a part in this process, while Henry Wells, as a portrait painter, dealt directly with his often wayward clients. It was also a period of great changes in the painting materials available to artists, and there are questions in the letters such as 'Does indigo fly?', referring to a long established colour. The survival of two of Joanna Boyce's paintboxes means that her use of newer artists' materials could be investigated, along with the problems they could cause, - several of Joanna Boyce's paintings deteriorated rapidly because of the use of new materials. A second group of essays looks at the place of women in the art world, as reflected in Joanna Boyce's career. While she did not belong to the campaigners who were creating a space for women artists, including the formation of the Society of Female Artists in 1857, she was very much aware of what they stood for, as is evident from her paintings, and also from her art criticism, which was praised by Ruskin; her writing for the Saturday Review remains vivid and impressive even today. The correspondence comes to an end with Joanna Boyce's untimely death, but the three final essays deal with the longer careers of George Boyce and Henry Wells. George Boyce moved in the different world of the watercolour artists, with the Old Watercolour Society at its centre, and was until recently the best known of the trio. His place in this world is the subject of one essay; another shows him as an important art collector; there is a complete record of the sale of the collection after his death which enables us to see the range of his interests. Finally, there is a collaborative study of the career of Henry Wells, which extended from miniatures of the early Victorian era into the twentieth century and a handful of paintings of modern life. The effect of photography led him to change from miniatures to formal portraiture in the 1850s, and he was a very active if rather conservative member of the Royal Academy towards the end of his life. This multi-facetted volume is a valuable set of case studies on topics which are not often treated on their own, but which are very relevant to Victorian art. They remind us that there is much more to this period than the Pre-Raphaelites, and that other movements, (such as the Aesthetic painters who were an important influence on Joanna Boyce's art) flourished in their shade. Edited by Katie J T Herrington. Contributors: Sue Bradbury, Meaghan Clarke, Louise Cooling, Pamela Gerrish Nunn, Alicia Hughes, Christiana Payne, Mark Pomeroy, Matthew Potter, Joyce Townsend, and Glenda Youde.
Author: Karen Hosack Janes
Publisher: Routledge
ISBN: 1136451935
Category : Education
Languages : en
Pages : 136
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Book Description
As schools are being encouraged to develop more flexible and creative approaches to education, Using the Visual Arts for Cross-curricular Teaching and Learning provides practical guidance and ideas on using the visual arts as a starting point for imaginative, effective learning across a wide range of curriculum subjects. Underpinned by established and current educational thinking, it uses real-life examples to explore how this approach has been used successfully by individual class teachers and as whole-school projects. Offering proven strategies supporting the principles of personalized learning, it will help you involve children in devising cross-curricular themes and setting their own lines of enquiry. Supplemented throughout with case studies and ideas for great artworks to get projects started, as well as examples of children’s own work, it explores: developing individual pupils' talent and respect for their own and other cultures; using a single painting as a starting point for learning in a range of subjects; finding inspiration for your own cross-curricular projects using the visual arts; underpinning all activities with educational purpose; planning for and assessing progression in learning; discovering and using art resources in your region. The tried and tested strategies in Using the Visual Arts for Cross-curricular Teaching and Learning will give all primary school teachers the confidence to explore the benefits of placing the visual arts at the centre of a creative, appealing curriculum.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
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Book Description
Author: Maroula Joannou
Publisher: Taylor & Francis
ISBN: 1000762637
Category : History
Languages : en
Pages : 217
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Book Description
This is the first critical study of Clara Dorothea Rackham née Tabor (1875–1966), a towering figure in the suffrage, labour, co-operative, peace, and adult education movements but virtually forgotten today. This clearly written and engaging study is based on unpublished primary sources including Rackham’s unpublished speeches, letters, diaries, and contemporary media coverage of her work in local and national archives. It reassesses this remarkable woman not only as a politician who changed the face of Cambridge, the university city in which she lived and worked, but also as a public intellectual whose feminist advocacy of a fair, just, and equal society helped pave the way to Britain’s postwar settlement and Welfare State. Rackham came to prominence as Chairman of the National Union of Women’s Suffrage Societies, as a government factory inspector, and championing the rights of unemployed women in the 1930s. An early broadcaster on BBC radio, and among the first women appointed magistrates and councillors, her name became synonymous with enlightened local government. The transformation of women’s lives in Victorian and twentieth-century Britain is crucial to understanding Rackham’s ideals, intellectual formation, and priorities as a Labour Party politician. This book will be of interest to historians and students of gender, history, and women’s lives.
