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Author: Jacques Offenbach
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 236
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Book Description
Author: Jacques Offenbach
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 236
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Book Description
Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 0521871808
Category : Biography & Autobiography
Languages : en
Pages : 371
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Book Description
Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
Author: Jacques Offenbach
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 82
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Book Description
Author: Matthew B. Schwartz
Publisher: Wipf and Stock Publishers
ISBN: 1532644116
Category : History
Languages : en
Pages : 309
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Book Description
Using a readable question-and-answer format, Jews in America: The First 500 Years presents the activities of Jews in America since the beginnings of European settlement. It tells something of the story of how Jews came to the “golden land” and what they have done here—men and women, scientists and athletes, soldiers and merchants, settlers and scholars. It is indeed a remarkable story.
Author: Julian Mates
Publisher: Bloomsbury Publishing USA
ISBN: 0313389705
Category : Music
Languages : en
Pages : 286
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Book Description
"[This book is] a comprehensive illustrated history of the U.S. musical from its colonial origins to the present, tracing the connections and influences of the minstrel show, operetta, burlesque, melodrama, revues, circus, dance, musical comedy, the Broadway opera, the book musical and other forms. . . . Further, Mates introduces readers to inside stuff--the various types of musical performers." Variety Mates shows the musical stage in all its guises--from burlesque to musical comedy to grand opera--from its beginnings in pre-Revolutionary America to the present day. He deals sensitively with the recurrent aesthetic question of popular versus highbrow art and also looks at critical reactions to popular theatrical forms of musical entertainment. He introduces the reader to various types of theatrical companies, the changing repertory, and the many kinds of musical performers who have animated the stage. Mates focuses on the creative relationships between the different forms of opera, the minstrel show and circus, melodrama and dance, burlesque, revue, vaudeville, and musical comedy.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1186
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1032
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Author: Katherine K. Preston
Publisher: Oxford University Press
ISBN: 0190690119
Category : Music
Languages : en
Pages : 649
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Book Description
Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1180
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Book Description
