Author: Homeros
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6052259612
Category : Poetry
Languages : en
Pages : 301
Book Description
Odysseia'nn MO 800 ila 600 yllar arasnda yazld düünülmektedir. Manzum eser lyada'nn devam niteliindedir ve Yunan kahraman Odysseus'un Truva'nn düüünden sonra vatan thaka'ya yapt maceralarla dolu uzun yolculuu anlatr. 10 yl süren savatan sonra Odysseus'un thaka'ya dönmesi 10 yln alr, ve bu 20 yllk uzaklnda olu Telemaçhus ve kars Penelope ülkeyi yönetmek ve Penelope ile evlenerek (Odysseus'un olduu iddia edilmektedir) thaka'nn hükümdar olmak isteyen bir grup soylu ile mücadele etmek zorundadrlar. iir Bat edebiyatnn ve kültürünün temel eserlerinden saylr, ve antik Yunan kültürüne k tutan en önemli kaynaklardan biridir.Odysseia, Truva'nn dümesinden 10 yl sonra Odysseus'un thaca'ya evine dönünceye kadar maceralarn anlatr. lyada 10 yl süren Truva Sava, Odysseia, 10 yl boyunca Odysseus'un bandan geçenlerden ibarettir. lyada, bir olay, Odysseia ise bir kiinin destann anlatr. Truva Destannda olaylar birbirini izleyecek ekilde anlatlr.Halbuki, Odysseia'da olaylar anlar, geriye dönüler, atlamalarla canlandrlr. Bat dillerindeki Ulysses'nin türedii Latince Ulyxes, yiidin bir Yunan lehçesinden alnm addr. Odysseus (Ulysses, Ulis), kuzeybat Yunanistan kylarnn karsnda bulunan thaca (thaka, thake) adasnda dodu. Babasnn ad Learthes, anasnn ad Antikleia idi. Yalan dolanda usta Autolykos'un kz olan Antikleia'nn Learthes ile evlenmeden önce Ssyphos ile yatt, Odysseus'un bu birlemeden doduu da söylenir.Odysseus'un gençlii, Akhilleus'unki gibi hekim Kheiron'un yannda geçti. Birgün Odysseus, dedesi Autolykos'a konuk olarak gitti. Orada bir yaban domuzu avna katld ve bacandan yaraland. te, Truva Sava sona erdikten sonra, bir 10 yl daha türlü maceralar geçirerek thake'ye döndüünde, dad Eurykleia tarafndan yal Odysseus'un tannmasn salayacak yara izi, bu yara izidir.Truva Savana katlmadan önce Odysseus, thake tahtna çkt ve kral oldu. Babas Learthes'in olunu tahta nasl geçirdii pek anlatlmaz. Ama kral olunca bir e seçmesi olayl oldu. Hemen dünyann en güzel kz Helena'ya talip oldu ama güzel kzn taliplilerinin çokluundan ürkerek ondan vazgeçip, Helena'nn babasnn kardei karios'un kz Penelope'u (Penelopeia) istedi. Tyndereos'un ise akl karmakark olduundan Odysseus'un bu yaklamn önce beenmedi. Odysseus ise Penelope'u almak için artn söyledi. Tyndereos'u dütüü durumdan kurtaracak, bulduu çözümle kimse arasnda kavga olmayacakt.Bu arada Tyndereos'un kzn türlü prensler, krallar ve savaçlar istiyorlar, türlü hediyeler gönderiyorlard. Tyndereos da onlarn kalplerini krp bir felakete yol açmamaya çalyordu. Sonunda Tyndereos, Penelope'u vermeye raz olunca Odysseus fikrini söyledi: Kocasn Helena kendisi seçsin ama her kimi seçerse dier tüm talipliler bunu sorun etmeyecek ve Helena'nn kendine seçecei kocaya her zaman arka çkmaya ant içecekti. Tyndareos, fikri beendi ve i kzn seçimine brakld. karios önce herkesi yemin etmeye çard. Herkes yemin etti, Odysseus dahil. Dünyann en güzel kz Helena, kocas olarak Agamemnon'un kardei Menelaos'u seçti. Herkes karara sayg duydu ve kabul etti. Herkesçe edilen bu yemin, ileride on yl sürecek olan "Truva Sava"na yol açacakt ..
Odysseia Destanı
May Day
Author: Francis Scott Fitzgerald
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059654878
Category : Fiction
Languages : en
Pages : 107
Book Description
At nine o'clock on the morning of the first of May, 1919, a young man spoke to the room clerk at the Bilt-more Hotel, asking if Mr. Philip Dean were registered there, and if so, could he be connected with Mr. Dean's rooms. The inquirer was dressed in a well-cut, shabby suit. He was small, slender, and darkly handsome; his eyes were framed above with unusually long eyelashes and below with the blue semicircle of ill health, this latter effect heightened by an unnatural glow which colored his face like a low, incessant fever. Mr. Dean was staying there. The young man was directed to a telephone at the side. After a second his connection was made; a sleepy voice hello'd from somewhere above.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059654878
Category : Fiction
Languages : en
Pages : 107
Book Description
At nine o'clock on the morning of the first of May, 1919, a young man spoke to the room clerk at the Bilt-more Hotel, asking if Mr. Philip Dean were registered there, and if so, could he be connected with Mr. Dean's rooms. The inquirer was dressed in a well-cut, shabby suit. He was small, slender, and darkly handsome; his eyes were framed above with unusually long eyelashes and below with the blue semicircle of ill health, this latter effect heightened by an unnatural glow which colored his face like a low, incessant fever. Mr. Dean was staying there. The young man was directed to a telephone at the side. After a second his connection was made; a sleepy voice hello'd from somewhere above.
Sapphira & the Slave Girl
Author: Willa Cather
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566815
Category : Fiction
Languages : en
Pages : 239
Book Description
Sapphira and the Slave Girl is Willa Cather's last novel, published in 1940. The story of Sapphira Dodderidge Colbert, a bitter but privileged white woman, who becomes irrationally jealous of Nancy, a beautiful young slave. The book balances an atmospheric portrait of antebellum Virginia against an unblinking view of the lives of Sapphira's slaves. * * * In this story I have called several of the characters by Frederick County surnames, but in no case have I used the name of a person whom I ever knew or saw. My father and mother, when they came home from Winchester or Capon Springs, often talked about acquaintances whom they had met. The names of those unknown persons sometimes had a lively fascination for me, merely as names: Mr. Haymaker, Mr. Bywaters, Mr. Householder, Mr. Tidball, Miss Snap. For some reason I found the name of Mr. Pertleball especially delightful, though I never saw the man who bore it, and to this day I don't know how to spell it.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566815
Category : Fiction
Languages : en
Pages : 239
Book Description
Sapphira and the Slave Girl is Willa Cather's last novel, published in 1940. The story of Sapphira Dodderidge Colbert, a bitter but privileged white woman, who becomes irrationally jealous of Nancy, a beautiful young slave. The book balances an atmospheric portrait of antebellum Virginia against an unblinking view of the lives of Sapphira's slaves. * * * In this story I have called several of the characters by Frederick County surnames, but in no case have I used the name of a person whom I ever knew or saw. My father and mother, when they came home from Winchester or Capon Springs, often talked about acquaintances whom they had met. The names of those unknown persons sometimes had a lively fascination for me, merely as names: Mr. Haymaker, Mr. Bywaters, Mr. Householder, Mr. Tidball, Miss Snap. For some reason I found the name of Mr. Pertleball especially delightful, though I never saw the man who bore it, and to this day I don't know how to spell it.
Beyond Good & Evil
Author: Friedrich Nietzsche
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057876121
Category : Philosophy
Languages : en
Pages : 276
Book Description
Beyond Good and Evil: Prelude to a Philosophy of the Future (German: Jenseits von Gut und Böse: Vorspiel einer Philosophie der Zukunft) is a book by philosopher Friedrich Nietzsche that expands the ideas of his previous work, Thus Spoke Zarathustra, with a more critical and polemical approach. It was first published in 1886. In Beyond Good and Evil, Nietzsche accuses past philosophers of lacking critical sense and blindly accepting dogmatic premises in their consideration of morality. Specifically, he accuses them of founding grand metaphysical systems upon the faith that the good man is the opposite of the evil man, rather than just a different expression of the same basic impulses that find more direct expression in the evil man. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectivalnature of knowledge and the perilous condition of the modern individual.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057876121
Category : Philosophy
Languages : en
Pages : 276
Book Description
Beyond Good and Evil: Prelude to a Philosophy of the Future (German: Jenseits von Gut und Böse: Vorspiel einer Philosophie der Zukunft) is a book by philosopher Friedrich Nietzsche that expands the ideas of his previous work, Thus Spoke Zarathustra, with a more critical and polemical approach. It was first published in 1886. In Beyond Good and Evil, Nietzsche accuses past philosophers of lacking critical sense and blindly accepting dogmatic premises in their consideration of morality. Specifically, he accuses them of founding grand metaphysical systems upon the faith that the good man is the opposite of the evil man, rather than just a different expression of the same basic impulses that find more direct expression in the evil man. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectivalnature of knowledge and the perilous condition of the modern individual.
Leonardo Da Vinci
Author: Maurice W. Brockwell
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6155565627
Category : Biography & Autobiography
Languages : en
Pages : 70
Book Description
Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter. Leonardo di Ser Piero d'Antonio di Ser Piero di Ser Guido da Vinci—for that was his full legal name—was the natural and first-born son of Ser Piero, a country notary, who, like his father, grandfather, and great-grandfather, followed that honourable vocation with distinction and success, and who subsequently—when Leonardo was a youth—was appointed notary to the Signoria of Florence. Leonardo's mother was one Caterina, who afterwards married Accabriga di Piero del Vaccha of Vinci. His Birth Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter. His Art Leonardo, whose birth antedates that of Michelangelo and Raphael by twenty three and thirty-one years respectively, was thus in the forefront of the Florentine Renaissance, his life coinciding almost exactly with the best period of Tuscan painting. Leonardo was the first to investigate scientifically and to apply to art the laws of light and shade, though the preliminary investigations of Piero della Francesca deserve to be recorded. He observed with strict accuracy the subtleties of chiaroscuro—light and shade apart from colour; but, as one critic has pointed out, his gift of chiaroscuro cost the colour-life of many a noble picture. Leonardo was "a tonist, not a colourist," before whom the whole book of nature lay open. His Mind We can readily believe the statements of Benvenuto Cellini, the sixteenth-century Goldsmith, that Francis I. "did not believe that any other man had come into the world who had attained so great a knowledge as Leonardo, and that not only as sculptor, painter, and architect, for beyond that he was a profound philosopher." Leonardo anticipated many eminent scientists and inventors in the methods of investigation which they adopted to solve the many problems with which their names are coupled. Among these may be cited Copernicus' theory of the earth's movement, Lamarck's classification of vertebrate and invertebrate animals, the laws of friction, the laws of combustion and respiration, the elevation of the continents, the laws of gravitation, the undulatory theory of light and heat, steam as a motive power in navigation, flying machines, the invention of the camera obscura, magnetic attraction, the use of the stone saw, the system of canalisation, breech loading cannon, the construction of fortifications, the circulation of the blood, the swimming belt, the wheelbarrow, the composition of explosives, the invention of paddle wheels, the smoke stack, the mincing machine! It is, therefore, easy to see why he called "Mechanics the Paradise of the Sciences." Leonardo was a SUPERMAN.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6155565627
Category : Biography & Autobiography
Languages : en
Pages : 70
Book Description
Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter. Leonardo di Ser Piero d'Antonio di Ser Piero di Ser Guido da Vinci—for that was his full legal name—was the natural and first-born son of Ser Piero, a country notary, who, like his father, grandfather, and great-grandfather, followed that honourable vocation with distinction and success, and who subsequently—when Leonardo was a youth—was appointed notary to the Signoria of Florence. Leonardo's mother was one Caterina, who afterwards married Accabriga di Piero del Vaccha of Vinci. His Birth Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter. His Art Leonardo, whose birth antedates that of Michelangelo and Raphael by twenty three and thirty-one years respectively, was thus in the forefront of the Florentine Renaissance, his life coinciding almost exactly with the best period of Tuscan painting. Leonardo was the first to investigate scientifically and to apply to art the laws of light and shade, though the preliminary investigations of Piero della Francesca deserve to be recorded. He observed with strict accuracy the subtleties of chiaroscuro—light and shade apart from colour; but, as one critic has pointed out, his gift of chiaroscuro cost the colour-life of many a noble picture. Leonardo was "a tonist, not a colourist," before whom the whole book of nature lay open. His Mind We can readily believe the statements of Benvenuto Cellini, the sixteenth-century Goldsmith, that Francis I. "did not believe that any other man had come into the world who had attained so great a knowledge as Leonardo, and that not only as sculptor, painter, and architect, for beyond that he was a profound philosopher." Leonardo anticipated many eminent scientists and inventors in the methods of investigation which they adopted to solve the many problems with which their names are coupled. Among these may be cited Copernicus' theory of the earth's movement, Lamarck's classification of vertebrate and invertebrate animals, the laws of friction, the laws of combustion and respiration, the elevation of the continents, the laws of gravitation, the undulatory theory of light and heat, steam as a motive power in navigation, flying machines, the invention of the camera obscura, magnetic attraction, the use of the stone saw, the system of canalisation, breech loading cannon, the construction of fortifications, the circulation of the blood, the swimming belt, the wheelbarrow, the composition of explosives, the invention of paddle wheels, the smoke stack, the mincing machine! It is, therefore, easy to see why he called "Mechanics the Paradise of the Sciences." Leonardo was a SUPERMAN.
Not Under Forty
Author: Willa Cather
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566475
Category : Fiction
Languages : en
Pages : 108
Book Description
Not Under Forty is the last book published in Cather's lifetime (1873-1947). It is a collection of six essays that critique various writers and the craft of writing in general. Whatever is felt upon the page without being specifically named there — that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself. The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect. There is a popular superstition that "realism" asserts itself in the cataloguing of a great number of material objects, in explaining mechanical processes, the methods of operating manufactories and trades, and in minutely and unsparingly describing physical sensations. But is not realism, more than it is anything else, an attitude of mind on the part of the writer toward his material, a vague indication of the sympathy and candour with which he accepts, rather than chooses, his theme?
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566475
Category : Fiction
Languages : en
Pages : 108
Book Description
Not Under Forty is the last book published in Cather's lifetime (1873-1947). It is a collection of six essays that critique various writers and the craft of writing in general. Whatever is felt upon the page without being specifically named there — that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself. The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect. There is a popular superstition that "realism" asserts itself in the cataloguing of a great number of material objects, in explaining mechanical processes, the methods of operating manufactories and trades, and in minutely and unsparingly describing physical sensations. But is not realism, more than it is anything else, an attitude of mind on the part of the writer toward his material, a vague indication of the sympathy and candour with which he accepts, rather than chooses, his theme?
Benediction
Author: Francis Scott Fitzgerald
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059654843
Category : Fiction
Languages : en
Pages : 50
Book Description
Trees filtering light onto dapple grass. Trees like tall, languid ladies with feather fans coquetting airily with the ugly roof of the monastery. Trees like butlers, bending courteously over placid walks and paths. Trees, trees over the hills on either side and scattering out in clumps and lines and woods all through eastern Maryland, delicate lace on the hems of many yellow fields, dark opaque backgrounds for flowered bushes or wild climbing garden. Some of the trees were very gay and young, but the monastery trees were older than the monastery which, by true monastic standards, wasn't very old at all. And, as a matter of fact, it wasn't technically called a monastery, but only a seminary; nevertheless it shall be a monastery here despite its Victorian architecture or its Edward VII additions, or even its Woodrow Wilsonian, patented, last-a-century roofing. Out behind was the farm where half a dozen lay brothers were sweating lustily as they moved with deadly efficiency around the vegetable-gardens. To the left, behind a row of elms, was an informal baseball diamond where three novices were being batted out by a fourth, amid great chasings and puffings and blowings. And in front as a great mellow bell boomed the half-hour a swarm of black, human leaves were blown over the checker-board of paths under the courteous trees. Some of these black leaves were very old with cheeks furrowed like the first ripples of a splashed pool. Then there was a scattering of middle-aged leaves whose forms when viewed in profile in their revealing gowns were beginning to be faintly unsymmetrical. These carried thick volumes of Thomas Aquinas and Henry James and Cardinal Mercier and Immanuel Kant and many bulging note-books filled with lecture data.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059654843
Category : Fiction
Languages : en
Pages : 50
Book Description
Trees filtering light onto dapple grass. Trees like tall, languid ladies with feather fans coquetting airily with the ugly roof of the monastery. Trees like butlers, bending courteously over placid walks and paths. Trees, trees over the hills on either side and scattering out in clumps and lines and woods all through eastern Maryland, delicate lace on the hems of many yellow fields, dark opaque backgrounds for flowered bushes or wild climbing garden. Some of the trees were very gay and young, but the monastery trees were older than the monastery which, by true monastic standards, wasn't very old at all. And, as a matter of fact, it wasn't technically called a monastery, but only a seminary; nevertheless it shall be a monastery here despite its Victorian architecture or its Edward VII additions, or even its Woodrow Wilsonian, patented, last-a-century roofing. Out behind was the farm where half a dozen lay brothers were sweating lustily as they moved with deadly efficiency around the vegetable-gardens. To the left, behind a row of elms, was an informal baseball diamond where three novices were being batted out by a fourth, amid great chasings and puffings and blowings. And in front as a great mellow bell boomed the half-hour a swarm of black, human leaves were blown over the checker-board of paths under the courteous trees. Some of these black leaves were very old with cheeks furrowed like the first ripples of a splashed pool. Then there was a scattering of middle-aged leaves whose forms when viewed in profile in their revealing gowns were beginning to be faintly unsymmetrical. These carried thick volumes of Thomas Aquinas and Henry James and Cardinal Mercier and Immanuel Kant and many bulging note-books filled with lecture data.
Cruikshank's Water Colours
Author: George Cruikshank
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059285074
Category : Art
Languages : en
Pages : 934
Book Description
It is fair to characterise the three suites of original water-colour drawings, as executed by our artist, as unique examples of the great George Cruikshank's special individual proficiency as an exponent of this branch of technical dexterity. More-over, it may be regarded as a fortunate circumstance that the three works, here reproduced with amazing fidelity in facsimile, represent happily the very chefs d'oeuvre of his wonderful productions; in their respective categories, preserving the best examples of his remarkable genius as an imaginative creator of vivid pictures, alike stirring and animated, and representing at one glance his vast dramatic powers, his mastery of the humorous side of life, and the intensity he was consistently able to infuse into terrible and tragic scenes. It is noteworthy that the inimitable artist George Cruikshank but rarely pro-duced finished water-colour drawings; the bulk of his prolific and familiarly rec-ognised designs for book illustrations were mostly dainty pencil sketches, occa-sionally finished in pen and ink. It is a problem difficult to solve satisfactorily whether, beyond the three memorable instances of the works here reproduced in facsimile, there are in existence any other complete suites of original illustrations by George Cruikshank—that is to say, fully executed by his master hand as finished water-colour drawings. Tinted sketches may be found in the prized possessions of Cruikshank collectors, and spirited studies for many of his favourite and most successful subjects have been cleverly touched in with watercolours; for instance, such as certain of his original drawings as designed for the illustrations of Harri-son Ainsworth's Tower of London, and the clever historical and picturesque series of Windsor Castle designs; these are, however, to be regarded as exceptional cases, for the bulk of these most successful and popular designs were carefully executed in pencil, or occasionally outlined with the pen, and highly finished with washes of warm sepia. It is worthy of recollection that Cruikshank was a most dexterous artist in this monochrome branch, his earlier artistic experiences having been al-most exclusively in the walk of aqua-tinted etchings; all his early book illustrations, his caricatures, and satirical plates—social or political—were uniformly etched by his hand in the most spirited fashion, after his ready sketches and rough studies, and when the outline etching was bitten in, Cruikshank elaborately worked out his colour suggestions, for light and shade, with a brush over the first-etched outline, in tones of sepia or Indian ink, for the guidance of the professional 'aquatinters'—the school of artists to whose trained skill was entrusted the task of completing these plates to produce the effect of highly finished washed drawings in mono-chrome. By this, his youthful practice, George Cruikshank had acquired remarka-ble dexterity, his original pen-and-ink designs, and the outline etchings, after his earlier book illustrations, being worked up in monochrome to the dainty finish of delicate miniatures, in which art both his father Isaac and his brother Isaac Robert were first-class proficients, as he himself has recorded with pride in describing the special gifts and qualifications which distinguished the Cruikshank family.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059285074
Category : Art
Languages : en
Pages : 934
Book Description
It is fair to characterise the three suites of original water-colour drawings, as executed by our artist, as unique examples of the great George Cruikshank's special individual proficiency as an exponent of this branch of technical dexterity. More-over, it may be regarded as a fortunate circumstance that the three works, here reproduced with amazing fidelity in facsimile, represent happily the very chefs d'oeuvre of his wonderful productions; in their respective categories, preserving the best examples of his remarkable genius as an imaginative creator of vivid pictures, alike stirring and animated, and representing at one glance his vast dramatic powers, his mastery of the humorous side of life, and the intensity he was consistently able to infuse into terrible and tragic scenes. It is noteworthy that the inimitable artist George Cruikshank but rarely pro-duced finished water-colour drawings; the bulk of his prolific and familiarly rec-ognised designs for book illustrations were mostly dainty pencil sketches, occa-sionally finished in pen and ink. It is a problem difficult to solve satisfactorily whether, beyond the three memorable instances of the works here reproduced in facsimile, there are in existence any other complete suites of original illustrations by George Cruikshank—that is to say, fully executed by his master hand as finished water-colour drawings. Tinted sketches may be found in the prized possessions of Cruikshank collectors, and spirited studies for many of his favourite and most successful subjects have been cleverly touched in with watercolours; for instance, such as certain of his original drawings as designed for the illustrations of Harri-son Ainsworth's Tower of London, and the clever historical and picturesque series of Windsor Castle designs; these are, however, to be regarded as exceptional cases, for the bulk of these most successful and popular designs were carefully executed in pencil, or occasionally outlined with the pen, and highly finished with washes of warm sepia. It is worthy of recollection that Cruikshank was a most dexterous artist in this monochrome branch, his earlier artistic experiences having been al-most exclusively in the walk of aqua-tinted etchings; all his early book illustrations, his caricatures, and satirical plates—social or political—were uniformly etched by his hand in the most spirited fashion, after his ready sketches and rough studies, and when the outline etching was bitten in, Cruikshank elaborately worked out his colour suggestions, for light and shade, with a brush over the first-etched outline, in tones of sepia or Indian ink, for the guidance of the professional 'aquatinters'—the school of artists to whose trained skill was entrusted the task of completing these plates to produce the effect of highly finished washed drawings in mono-chrome. By this, his youthful practice, George Cruikshank had acquired remarka-ble dexterity, his original pen-and-ink designs, and the outline etchings, after his earlier book illustrations, being worked up in monochrome to the dainty finish of delicate miniatures, in which art both his father Isaac and his brother Isaac Robert were first-class proficients, as he himself has recorded with pride in describing the special gifts and qualifications which distinguished the Cruikshank family.
One of Ours
Author: Willa Cather
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566394
Category : Fiction
Languages : en
Pages : 491
Book Description
One of Ours is a novel by Willa Cather which won the 1923 Pulitzer Prize. It tells the story of the life of Claude Wheeler, a native of Nebraska around the turn of the 20th century. The son of a successful mid-western farmer and an intensely pious mother, thus guaranteed a comfortable livelihood, Claude Wheeler nonetheless views himself as a victim of his father's success and his own inexplicable malaise. One of Ours is a portrait of a peculiarly American personality: it is the story of a young man born after the American frontier has vanished, yet whose quintessentially American restlessness seeks redemption on a frontier far bloodier and more distant than that which his forefathers had already tamed.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566394
Category : Fiction
Languages : en
Pages : 491
Book Description
One of Ours is a novel by Willa Cather which won the 1923 Pulitzer Prize. It tells the story of the life of Claude Wheeler, a native of Nebraska around the turn of the 20th century. The son of a successful mid-western farmer and an intensely pious mother, thus guaranteed a comfortable livelihood, Claude Wheeler nonetheless views himself as a victim of his father's success and his own inexplicable malaise. One of Ours is a portrait of a peculiarly American personality: it is the story of a young man born after the American frontier has vanished, yet whose quintessentially American restlessness seeks redemption on a frontier far bloodier and more distant than that which his forefathers had already tamed.
Inimitable Jeeves
Author: P. G. Wodehouse
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566769
Category : Fiction
Languages : en
Pages : 270
Book Description
Inimitable Jeeves is a semi-novel collecting Jeeves stories by P. G. Wodehouse. The novel combined 11 previously published stories, of which the first six and the last were split in two, to make a book of 18 chapters. It is now often printed in 11 chapters, mirroring the original stories. All the stories had previously appeared in The Strand Magazine in the UK, between December 1921 and November 1922, except for one, "Jeeves and the Chump Cyril", which had appeared in the Strand in August 1918. That story had appeared in the Saturday Evening Post (US) in June 1918. All the other stories appeared in Cosmopolitan in the US between December 1921 and December 1922. This was the second collection of Jeeves stories, after My Man Jeeves(1919); the next collection would be Carry On, Jeeves, in 1925. All of the short stories are connected and most of them involve Bertie's friend Bingo Little, who is always falling in love.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566769
Category : Fiction
Languages : en
Pages : 270
Book Description
Inimitable Jeeves is a semi-novel collecting Jeeves stories by P. G. Wodehouse. The novel combined 11 previously published stories, of which the first six and the last were split in two, to make a book of 18 chapters. It is now often printed in 11 chapters, mirroring the original stories. All the stories had previously appeared in The Strand Magazine in the UK, between December 1921 and November 1922, except for one, "Jeeves and the Chump Cyril", which had appeared in the Strand in August 1918. That story had appeared in the Saturday Evening Post (US) in June 1918. All the other stories appeared in Cosmopolitan in the US between December 1921 and December 1922. This was the second collection of Jeeves stories, after My Man Jeeves(1919); the next collection would be Carry On, Jeeves, in 1925. All of the short stories are connected and most of them involve Bertie's friend Bingo Little, who is always falling in love.