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Author: Tessel M. Bauduin
Publisher: Springer
ISBN: 3319764993
Category : Religion
Languages : en
Pages : 280
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Book Description
Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Rainer Maria Rilke, August Strindberg, W.B. Yeats, Joséphin Péladan and the artist Jan Švankmaier, as well as in avant-garde film, post-war Greek Surrealism, and Scandinavian Retrogardism. Combining the theoretical and methodological foundations of the field of Esotericism Studies with those of Literary Studies, Art History, and Cinema Studies, this volume provides in-depth and nuanced perspectives upon the relationship between Occultism and Modernism in the Western arts from the nineteenth century to the present day.
Author: Tessel M. Bauduin
Publisher: Springer
ISBN: 3319764993
Category : Religion
Languages : en
Pages : 280
Get Book Here
Book Description
Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Rainer Maria Rilke, August Strindberg, W.B. Yeats, Joséphin Péladan and the artist Jan Švankmaier, as well as in avant-garde film, post-war Greek Surrealism, and Scandinavian Retrogardism. Combining the theoretical and methodological foundations of the field of Esotericism Studies with those of Literary Studies, Art History, and Cinema Studies, this volume provides in-depth and nuanced perspectives upon the relationship between Occultism and Modernism in the Western arts from the nineteenth century to the present day.
Author: John Francis Moffitt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: John F. Moffitt
Publisher: State University of New York Press
ISBN: 0791486907
Category : Religion
Languages : en
Pages : 512
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Book Description
Acknowledged as the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.
Author: Tessel M. Bauduin
Publisher: Routledge
ISBN: 135137902X
Category : Art
Languages : en
Pages : 639
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Book Description
This volume examines the relationship between occultism and Surrealism, specifically exploring the reception and appropriation of occult thought, motifs, tropes and techniques by Surrealist artists and writers in Europe and the Americas, from the 1920s through the 1960s. Its central focus is the specific use of occultism as a site of political and social resistance, ideological contestation, subversion and revolution. Additional focus is placed on the ways occultism was implicated in Surrealist discourses on identity, gender, sexuality, utopianism and radicalism.
Author: Luciano Chessa
Publisher: Univ of California Press
ISBN: 0520270630
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
“Luigi Russolo is increasingly being recognized as an important figure in 20th century art and music, and his work deserves to be better understood. Chessa’s archival research and readings of esoteric or otherwise little-known texts are impressive, and he offers a convincing account of the influence of the occult on Russolo and the Futurists in general. This book alters our conception of Russolo, Futurism, and the early artistic avant-garde.”—Christoph Cox, Hampshire College “This book is timely, and merits the attention of a wider audience. Luigi Russolo, futurista makes a compelling argument that radically revises our views on a major creative figure of the twentieth century. Luciano Chessa provides vast amounts of information on the ideas and trends that influenced the Futurists, and offers a wealth of insight and observations that point the way for further research on avant-garde music and art in the twentieth century.”—Paul DeMarinis, Department of Art and Art History, Stanford University
Author: John Bramble
Publisher: Springer
ISBN: 1137465786
Category : History
Languages : en
Pages : 197
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Book Description
This study of modernism's high imperial, occult-exotic affiliations presents many well-known figures from the period 1880-1960 in a new light. Modernism and the Occult traces the history of modernist engagement with 'irregular', heterodox and imported knowledge.
Author: R. Bruce Elder
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554580285
Category : Art
Languages : en
Pages : 518
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Book Description
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.
Author: Celia Rabinovitch
Publisher: Westview Press
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
A vital new interpretation of the personalities, historical forces and intellectual paradigms that created Surrealist art
Author: Nadia Choucha
Publisher: Inner Traditions / Bear & Co
ISBN: 9780892813735
Category : Art
Languages : en
Pages : 156
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Book Description
"Searching for a deeper understanding of the power and influence of surrealist art, Nadia Choucha clearly confirms that many surrealists and their predecessors were steeped in magical ideas. The Theosophical involvement of Kandinsky, the visionary paintings of Salvador Dali, the alchemy of Pablo Picasso, and the shamanism of Max Ernst and Leonora Carrington all demonstrate the fundamental and dynamic impact of magic and mysticism on surrealism. Surrealist artists believed that society had much to learn from the unconditioned, spontaneous forms of art produced by spiritual mediums, children, untutored artists, and the insane. In their attempt to tap the unconscious regions of the mind, the surrealists borrowed imagery from alchemy, the Tarot, Gnosticism, Tantra, and other esoteric traditions and sought inspiration from ancient myths, 'irrational' thought, and ethnic art. Enhanced by both color and black-and-white reproductions of fine art, Choucha's account explains the intimate connections between occult and surrealist philosophies and provides an essential key to the mysteries of the surrealist movement and the forces that give it life" --Back cover.
Author: Alan Ramón Clinton
Publisher: Peter Lang
ISBN: 9780820469430
Category : Art
Languages : en
Pages : 242
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Book Description
In the late nineteenth and early twentieth centuries, technology and spirituality formed uncanny alliances in countless manifestations of automatism. From Victorian mediums to the psychiatrists who studied them, from the Fordist assembly line to the Hollywood studios that adopted its practices, from Surrealism on the left to Futurism and Vorticism on the right, the unpredictable paths of automatic practice and ideology present a means by which to explore both the utopian and dystopian possibilities of technological and cultural innovation. Focusing on the poetry of T. S. Eliot, Ezra Pound, and William Butler Yeats, Alan Ramon Clinton argues that, given the wide-reaching influence of automatism, as much can be learned from these writers' means of production as from their finished products. At a time when criticism has grown polarized between political and aesthetic approaches to high modernism, this book provocatively develops its own automatic procedures to explore the works of these writers as fields rich in potential choices, some more spectral than others.
