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Author: Simon Pokagon
Publisher:
ISBN:
Category : History
Languages : en
Pages : 286
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Book Description
Simon Pokagon, the son of tribal patriarch Leopold Pokagon, was a talented writer, advocate for the Pokagon Potawatomi community, and tireless self-promoter. In 1899, shorty after his death, Pokagon''s novel Ogimawkwe Mitigwaki (Queen of the Woods)-only the second ever published by an American Indian-appeared. It was intended to be a testimonial to the traditions, stability, and continuity of the Potawatomi in a rapidly changing world. Read today, Queen of the Woods is evidence of the author''s desire to mark the cultural, political, and social landscapes with a memorial to the past.
Author: Simon Pokagon
Publisher:
ISBN:
Category : History
Languages : en
Pages : 286
Get Book Here
Book Description
Simon Pokagon, the son of tribal patriarch Leopold Pokagon, was a talented writer, advocate for the Pokagon Potawatomi community, and tireless self-promoter. In 1899, shorty after his death, Pokagon''s novel Ogimawkwe Mitigwaki (Queen of the Woods)-only the second ever published by an American Indian-appeared. It was intended to be a testimonial to the traditions, stability, and continuity of the Potawatomi in a rapidly changing world. Read today, Queen of the Woods is evidence of the author''s desire to mark the cultural, political, and social landscapes with a memorial to the past.
Author: Simon Pokagon
Publisher:
ISBN:
Category : Algonquian languages
Languages : en
Pages : 255
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Book Description
Author: Simon Pokagon
Publisher: Graphic Arts Books
ISBN: 1513288415
Category : Fiction
Languages : en
Pages : 124
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Book Description
O-gî-mäw-kwě Mit-i-gwä-kî (1899) is a novel by Simon Pokagon. Published posthumously, the novel is a semi-autobiographical story of adventure, romance, and tragedy set in the American Midwest. O-gî-mäw-kwě Mit-i-gwä-kî reflects the themes and concerns that shaped Pokagon’s life as a writer and activist, including the devastating effects of alcohol on Native Americans and the increasing pressures of modernization on indigenous tradition. Both personal and political, O-gî-mäw-kwě Mit-i-gwä-kî is a vastly underappreciated novel by a pioneering Native American author. “On my return home from Twinsburg, Ohio, where I had attended the white man’s school for several years, I had an innate desire to retire into the wild woods, far from the haunts of civilization, and there enjoy myself with bow and arrow, hook and line, as I had done before going to school.” After years of hard work at some of the most prestigious institutions in the Midwest, Simon Pokagon longs to return to the places and people of his youth. On his journey home, he reconnects with his old friend Bertrand, who takes him into the woods to hunt, fish, and build a birch canoe. Back with his tribe, Simon goes looking for his sweetheart Lonidaw, who agrees to marry him. Together, they build a new wigwam and live a hunter gatherer lifestyle, sustaining themselves on a diet of fish and wild rice. While their early days together are idyllic, they face tragedy later in life as their children—now grown—suffer from the effects of alcoholism. With a beautifully designed cover and professionally typeset manuscript, this edition of Simon Pokagon’s O-gî-mäw-kwě Mit-i-gwä-kî is a classic work of Native American literature reimagined for modern readers.
Author: Simon Pokagon
Publisher:
ISBN:
Category : Algonquian languages
Languages : en
Pages : 0
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Book Description
Author: Simon Pokagon
Publisher:
ISBN:
Category : Algonquian languages
Languages : en
Pages : 0
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Book Description
Author: Simon Pokagon
Publisher: Forgotten Books
ISBN: 9780331952391
Category :
Languages : en
Pages : 274
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Book Description
Excerpt from O-Gi-Maw-Kwě Mit-I-Gwa-Ki (Queen of the Woods): Also Brief Sketch of the Algaic Language Chief Pokagon's return home from the white man's school - Calls on his old friend Bertrand Requests the old man to take his mother, him self, and the family dog to some wild retreat to spend the summer The river trip by boat up the stream Osprey and fish locked together They reach the place the old man had selected for their summer home The Wigwam-fort and its romantic surroundings The old man's return home Pokagon sees him off He kills a deer - On his return to Wigwam with deer, hears his mother singing in her native tongue - The chief's enjoyment in their wild retreat. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Simon Pokagon
Publisher: MSU Press
ISBN: 1609172175
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Simon Pokagon, the son of tribal patriarch Leopold Pokagon, was a talented writer, advocate for the Pokagon Potawatomi community, and tireless self-promoter. In 1899, shorty after his death, Pokagon's novel Ogimawkwe Mitigwaki (Queen of the Woods)—only the second ever published by an American Indian—appeared. It was intended to be a testimonial to the traditions, stability, and continuity of the Potawatomi in a rapidly changing world. Read today, Queen of the Woods is evidence of the author's desire to mark the cultural, political, and social landscapes with a memorial to the past and a monument to a future that included the Pokagon Potawatomi as distinct and honored people. This new edition offers a reprint of the original 1899 novel with the author's introduction to the language and culture of his people. In addition, new accompanying materials add context through a cultural biography, literary historical analysis, and linguistic considerations of the unusual text.
Author: Simon Pokagon
Publisher: Mint Editions
ISBN: 9781513283395
Category : Fiction
Languages : en
Pages : 152
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Book Description
O-gî-mäw-kwě Mit-i-gwä-kî (1899) is a novel by Simon Pokagon. Published posthumously, the novel is a semi-autobiographical story of adventure, romance, and tragedy set in the American Midwest. O-gî-mäw-kwě Mit-i-gwä-kî reflects the themes and concerns that shaped Pokagon's life as a writer and activist, including the devastating effects of alcohol on Native Americans and the increasing pressures of modernization on indigenous tradition. Both personal and political, O-gî-mäw-kwě Mit-i-gwä-kî is a vastly underappreciated novel by a pioneering Native American author. "On my return home from Twinsburg, Ohio, where I had attended the white man's school for several years, I had an innate desire to retire into the wild woods, far from the haunts of civilization, and there enjoy myself with bow and arrow, hook and line, as I had done before going to school." After years of hard work at some of the most prestigious institutions in the Midwest, Simon Pokagon longs to return to the places and people of his youth. On his journey home, he reconnects with his old friend Bertrand, who takes him into the woods to hunt, fish, and build a birch canoe. Back with his tribe, Simon goes looking for his sweetheart Lonidaw, who agrees to marry him. Together, they build a new wigwam and live a hunter gatherer lifestyle, sustaining themselves on a diet of fish and wild rice. While their early days together are idyllic, they face tragedy later in life as their children--now grown--suffer from the effects of alcoholism. With a beautifully designed cover and professionally typeset manuscript, this edition of Simon Pokagon's O-gî-mäw-kwě Mit-i-gwä-kî is a classic work of Native American literature reimagined for modern readers.
Author: James H. Cox
Publisher: University of Oklahoma Press
ISBN: 0806185465
Category : Fiction
Languages : en
Pages : 354
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Book Description
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
Author: Margaret Crumpton Winter
Publisher: LSU Press
ISBN: 0807149543
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
American Narratives takes readers back to the turn of the twentieth century to reintroduce four writers of varying ethnic backgrounds whose works were mostly ignored by critics of their day. With the skill of a literary detective, Molly Crumpton Winter recovers an early multicultural discourse on assimilation and national belonging that has been largely overlooked by literary scholars. At the heart of the book are close readings of works by four nearly forgotten artists from 1890 to 1915, the era often termed the age of realism: Mary Antin, a Jewish American immigrant from Russia; Zitkala- a, a Sioux woman originally from South Dakota; Sutton E. Griggs, an African American from the South; and Sui Sin Far, a biracial, Chinese American female writer who lived on the West Coast. Winter's treatment of Antin's The Promised Land serves as an occasion for a reexamination of the concept of assimilation in American literature, and the chapter on Zitkala- a is the most comprehensive analysis of her narratives to date. Winter argues persuasively that Griggs should have long been a more visible presence in American literary history, and the exploration of Sui Sin Far reveals her to be the embodiment of the varied and unpredictable ways that diversity of cultures came together in America. In American Narratives, Winter maintains that the writings of these four rediscovered authors, with their emphasis on issues of ethnicity, identity, and nationality, fit squarely in the American realist tradition. She also establishes a multiethnic dialogue among these writers, demonstrating ways in which cultural identity and national belonging are peristently contested in this literature.
