Author: A. Rosenkranz
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 212
Book Description
Novello's Catalogue of Orchestral Music
Author: A. Rosenkranz
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 212
Book Description
The Complete Catalogue of Music Published by Novello, Ewer and Co
Author: Novello, Ewer and Co., firm, music publishers, London & New York
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 302
Book Description
The Complete Catalogue of Music Published by Novello & Company, Ltd
Author: Novello & Co
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 812
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 812
Book Description
Directory of Choral-orchestral Music
Author: Michael Rosewall
Publisher: Taylor & Francis
ISBN: 0415980046
Category : Choruses with orchestra
Languages : en
Pages : 634
Book Description
First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 0415980046
Category : Choruses with orchestra
Languages : en
Pages : 634
Book Description
First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.
Orchestral Music
Author: David Daniels
Publisher: Scarecrow Press
ISBN: 146166425X
Category : Music
Languages : en
Pages : 634
Book Description
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Publisher: Scarecrow Press
ISBN: 146166425X
Category : Music
Languages : en
Pages : 634
Book Description
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Handel's Oratorio Joshua, in Vocal Score ... Arranged by V. Novello
Author: George Frideric Handel
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
Book Description
Handel's Oratorio"Solomon"... in Vocal Score, with a Separate Accompaniment for the Organ Or Pianoforte Arranged by V. Novello
Author: George Frideric Handel
Publisher:
ISBN:
Category :
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 258
Book Description
The Musical Times and Singing-class Circular
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1028
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1028
Book Description
Handel's Oratorio Israel in Egypt ... in Vocal Score ... Arranged by V. Novello
Author: George Frideric Handel
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
Orchestrating the Nation
Author: Douglas W. Shadle
Publisher:
ISBN: 0199358648
Category : History
Languages : en
Pages : 345
Book Description
During the nineteenth century, nearly one hundred symphonies were written by over fifty composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise, author Douglas W. Shadle explores the stunning stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream. Throughout the century, Americans longed for a distinct national musical identity. As the most prestigious of all instrumental genres, the symphony proved to be a potent vehicle in this project as composers found inspiration for their works in a dazzling array of subjects, including Niagara Falls, Hiawatha, and Western pioneers. With a wealth of musical sources at his disposal, including never-before-examined manuscripts, Shadle reveals how each component of the symphonic enterprise-from its composition, to its performance, to its immediate and continued reception by listeners and critics-contributed to competing visions of American identity. Employing an innovative transnational historical framework, Shadle's narrative covers three continents and shows how the music of major European figures such as Beethoven, Schumann, Wagner, Liszt, Brahms, and Dvorák exerted significant influence over dialogues about the future of American musical culture. Shadle demonstrates that the perceived authority of these figures allowed snobby conductors, capricious critics, and even orchestral musicians themselves to thwart the efforts of American symphonists despite widespread public support of their music. Consequently, these works never entered the performing canons of American orchestras. An engagingly written account of a largely unknown repertoire, Orchestrating the Nation shows how artistic and ideological debates from the nineteenth century continue to shape the culture of American orchestral music today.
Publisher:
ISBN: 0199358648
Category : History
Languages : en
Pages : 345
Book Description
During the nineteenth century, nearly one hundred symphonies were written by over fifty composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise, author Douglas W. Shadle explores the stunning stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream. Throughout the century, Americans longed for a distinct national musical identity. As the most prestigious of all instrumental genres, the symphony proved to be a potent vehicle in this project as composers found inspiration for their works in a dazzling array of subjects, including Niagara Falls, Hiawatha, and Western pioneers. With a wealth of musical sources at his disposal, including never-before-examined manuscripts, Shadle reveals how each component of the symphonic enterprise-from its composition, to its performance, to its immediate and continued reception by listeners and critics-contributed to competing visions of American identity. Employing an innovative transnational historical framework, Shadle's narrative covers three continents and shows how the music of major European figures such as Beethoven, Schumann, Wagner, Liszt, Brahms, and Dvorák exerted significant influence over dialogues about the future of American musical culture. Shadle demonstrates that the perceived authority of these figures allowed snobby conductors, capricious critics, and even orchestral musicians themselves to thwart the efforts of American symphonists despite widespread public support of their music. Consequently, these works never entered the performing canons of American orchestras. An engagingly written account of a largely unknown repertoire, Orchestrating the Nation shows how artistic and ideological debates from the nineteenth century continue to shape the culture of American orchestral music today.