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Author: Alfred Foucher
Publisher:
ISBN:
Category : Gandhara (India)
Languages : en
Pages : 62
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Book Description
Author: Alfred Foucher
Publisher:
ISBN:
Category : Gandhara (India)
Languages : en
Pages : 62
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Book Description
Author: Alfred Foucher
Publisher:
ISBN:
Category : Khyber Pakhtunkhwa (Pakistan)
Languages : en
Pages : 39
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Book Description
Author: Xuanzang
Publisher:
ISBN: 9788121238366
Category : Gandhara (Pakistan and Afghanistan)
Languages : en
Pages : 39
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Book Description
![Notes on the Ancient Geography of Gandhara. A commentary on a chapter of Hiuan Tsang. By A. Foucher. Translated by H. Hargreaves. [With illustrations and a map.]. PDF](https://books.google.com/books/content/images/frontcover/r0JGMwEACAAJ?fife=w80-h100)
Author: India. Archaeologial Survey
Publisher:
ISBN:
Category : Gandhara (India)
Languages : en
Pages : 39
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Book Description
Author: Alfred Charles Auguste Foucher
Publisher:
ISBN:
Category :
Languages : en
Pages : 39
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Author: Alfred Foucher
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author: Wannaporn Rienjang
Publisher: Archaeopress
ISBN: 1789691877
Category : Art
Languages : en
Pages : 186
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Book Description
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.
Author: W. B. Fisher
Publisher: Cambridge University Press
ISBN: 9780521246934
Category : Iran
Languages : en
Pages : 998
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Book Description
Surveys Iranian history and culture and its contribution to the civilization of the world. Covers religious, philosophical, political, economic, scientific and artistic elements in Iranian civilization.
Author: B. G. Sidharth
Publisher: Simon and Schuster
ISBN: 1594775230
Category : Body, Mind & Spirit
Languages : en
Pages : 122
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Book Description
A leading astronomer proves that India had a thriving civilization capable of sophisticated astronomy long before Greece, Egypt, or any other world culture. • Provides conclusive evidence that the Rig Veda is 12,000 years old. • Establishes actual dates and places for many of the events in the Hindu epics. For more than a century scholars have debated the antiquity of the Vedas and their related literature, the Brahmanas and Puranas. Relying upon a host of assumptions from linguistic theory, anthropology, and archaeology, they have agreed upon 1500 b.c. as the earliest possible date for the Rig Veda, itself the oldest extant example of Indo-European literature. But in this groundbreaking book, astronomer B. G. Sidharth proves conclusively that the earliest portions of the Rig Veda can be dated as far back as 10,000 b.c. By deciphering the astronomical events and alignments contained in mythical and symbolic form in these ancient texts, Sidharth calls into question many if not all of the assumptions governing Indo-European prehistory. He explores such subjects as the astronomical significance of many Hindu deities and myths, the system of lunar asterisms used to mark time, the identity of the Asvins, and the sophisticated calendar of the ancients that harmonized solar and lunar cycles. Sidharth provides incontrovertible evidence that such "advanced" astronomical concepts as precession, heliocentrism, and the eclipse cycle are encoded in these ancient texts, passages of which make perfect sense only if these astronomical keys are known. Based on internal evidence in the Mahabharata and Ramayana, he also becomes the first to establish likely dates--and even places--for the events described in these famous epics. The Celestial Key to the Vedas is sure to astonish anyone concerned with astronomy, India, or the roots of civilization.
Author: Miranda Shaw
Publisher: Princeton University Press
ISBN: 0691168547
Category : Religion
Languages : en
Pages : 586
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Book Description
"The Indian Buddhist world abounds with goddesses--voluptuous tree spirits, maternal nurturers, potent healers and protectors, transcendent wisdom figures, cosmic mothers of liberation, and dancing female Buddhas. Despite their importance in Buddhist thought and practice, these female deities have received relatively little scholarly attention, and no comprehensive study of the female pantheon has been available. Buddhist Goddesses of India is the essential and definitive guide to divinities that, as Miranda Shaw writes, "operate from transcendent planes of bliss and awareness for as long as their presence may benefit living beings." Beautifully illustrated, the book chronicles the histories, legends, and artistic portrayals of nineteen goddesses and several related human figures and texts. Drawing on a sweeping range of material, from devotional poetry and meditation manuals to rituals and artistic images, Shaw reveals the character, powers, and practice traditions of the female divinities. Interpretations of intriguing traits such as body color, stance, hairstyle, clothing, jewelry, hand gestures, and handheld objects lend deep insight into the symbolism and roles of each goddess. In addition to being a comprehensive reference, this book traces the fascinating history of these goddesses as they evolved through the early, Mahayana, and Tantric movements in India and found a place in the pantheons of Tibet and Nepal."--Publisher's website.
