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Publisher: University of Illinois Press
ISBN: 0252090020
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.
Author:
Publisher: University of Illinois Press
ISBN: 0252090020
Category : Performing Arts
Languages : en
Pages : 250
Get Book Here
Book Description
Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.
Author: C. Fred Judson
Publisher: Routledge
ISBN: 0429716508
Category : Political Science
Languages : en
Pages : 252
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Book Description
This volume provides is a look at the social function of myth during two distinct phases of the Cuban revolutionary process. The first period spanned the years of armed struggle, from 1953 through 1958, a time during which the rebel leadership prevailed. Moving onto the years between 1959 and 1963, the achievements during the revolutionary war, and particularly the deeds of the Rebel Army, in which sacrifice and measure of heroism whose function was to sustain morale and consciousness.
Author: Paco Ignacio Taibo (II)
Publisher: Macmillan
ISBN: 9780312206529
Category : Biography & Autobiography
Languages : en
Pages : 710
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Book Description
Mexican novelist and historian Paco Ignacio Taibo II here captures the life and character of Che Guevara, the preeminent Latin-American revolutionary of the late twentieth century. The symbol of radical egalitarianism and the war against social injustice, Guevara was gunned down in the jungles of southeastern Bolivia in 1967, his death surrounded by questions that remain unanswered. In the years since he died, fascination with Che and his independent and pragmatic brand of Guerilla Marxism have become increasingly focused. Taibo, whose extensive contacts in Latin American political activism gives him unprecedented access to hitherto untapped sources, probes Che's life with a storyteller's pen and an historian's judgment. Delving into vast archives to which few researchers have entry, Taibo investigates the mystery and myth surrounding Che's life, careers, and ideals.
Author: Jaime Rodríguez Matos
Publisher: Fordham Univ Press
ISBN: 0823274098
Category : Political Science
Languages : en
Pages : 334
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Book Description
In this book, Jaime Rodríguez Matos proposes the “formless” as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodríguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodríguez Matos takes the writing and thought of José Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition—a time of the absence of time, in which the absence of time no longer means eternity.
Author: José Bell Lara
Publisher: BRILL
ISBN: 9004415734
Category : Social Science
Languages : en
Pages : 345
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Book Description
The book makes accessible a selection of speeches and television appearances by Fidel Castro during the first two years of the Cuban Revolution. Readers can trace the evolution of this legendary leader’s radical political thought and analyze his extraordinary capacity for overcoming adverse political and ideological circumstances in a constant movement towards a socialist ideal. The work is organized chronologically with introductory presentations prepared by Cuban experts José Bell, Tania Caram and Delia Luisa López and includes a glossary and bibliography. The methodology of this work is original and includes material from 1959 not previously published elsewhere.
Author: Ramon L. Bonachea
Publisher: Transaction Publishers
ISBN: 1412820901
Category : History
Languages : en
Pages : 332
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Book Description
The Cuban Insurrection Is an In-depth study of the first stage of the Cuban Revolution, the years from 1952 to 1959. The volume depicts the origins of the conflict, details the middle years, and ends with Fidel Castro's victorious arrival In Havana on January 8, 1959. Based on a wealth of hitherto unpublished original material, including confidential military reports, letters from various leaders of the insurrection and data gathered from Interviews held In Cuba and abroad, the book Is a descriptive historical analysis of the struggle against military dictator Fulgencio Batista. The authors challenge the traditional premise that Cuba's Insurrection began in the rural areas and only later expanded into urban areas. Instead they argue that the insurrectionary struggle was based upon combined urban-rural guerrilla warfare against the regular army. Basically, The Cuban Insurrection treats two major movements Involved In the struggle—The Directorio Revolucionario and the M-26-7—and examines the growth, ideology, conflicts, and military strategies of their respective rural and urban organizations. The book Includes a detailed analysis of combat, strikes, uprisings, and expeditions. Original maps and charts illustrate battles, maneuvers, and guerrilla political structures.
Author: Santiago Colás
Publisher: Duke University Press
ISBN: 0822382660
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism. Focusing on literature, Colás uses Julio Cortázar’s Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig’s Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia’s Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás’s examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences. Offering a new voice in the debate over postmodernity, one that challenges that debate’s leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern.
Author: Desmond Manderson
Publisher: University of Toronto Press
ISBN: 1442630337
Category : Law
Languages : en
Pages : 376
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Book Description
In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. Proceeding chronologically, the volume offers leading analyses of the juncture between legal and visual culture as witnessed from the fifteenth to the twenty-first centuries. Editor Desmond Manderson provides a contextual introduction that draws out and articulates three central themes: visual representations of the law, visual technologies in the law, and aesthetic critiques of law. A ground breaking contribution to an increasingly vibrant field of inquiry, Law and the Visual will inform the debate on the relationship between legal and visual culture for years to come.
Author: Carlos Tablada Pérez
Publisher: Pathfinder
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 310
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Book Description
Che Guevaras teoretiske bidrag til opbygningen af socialismen på Cuba 1959-1966, mens han var medlem af den cubanske revolutionsregering
Author: Che Guevara
Publisher:
ISBN:
Category : Bolivia
Languages : en
Pages : 264
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Book Description
