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Author: C.C. Barfoot
Publisher: BRILL
ISBN: 9004483179
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Author: Jane Austen
Publisher:
ISBN: 9781986942386
Category :
Languages : en
Pages : 314
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Book Description
Persuasion:For her last novel's plot, Austen returns to the tensions of inheritance; but the once satisfactory solution-security on a landed estate-no longer applies. Here, Anne, the unappreciated middle daughter of the Elliots, has new choices to make, between the customs and traditions in which she was brought up and the excitement of the unknown.Northanger Abbey:Northanger Abbey is both a perfectly aimed literary parody and a withering satire of the commercial aspects of marriage among the English gentry at the turn of the nineteenth century. But most of all, it is the story of the initiation into life of its na ve but sweetly appealing heroine, Catherine Morland, a willing victim of the contemporary craze for Gothic literature who is determined to see herself as the heroine of a dark and thrilling romance.
Author: C.C. Barfoot
Publisher: BRILL
ISBN: 9004483179
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Author: William Baker
Publisher: Infobase Publishing
ISBN: 1438108494
Category : Literary Criticism
Languages : en
Pages : 657
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Book Description
Jane Austen has been one of the world's most popular writers for 200 years and is best known for her works Pride and Prejudice, Emma, and Sense and Sensibility.
Author: Sarah Raff
Publisher: Oxford University Press
ISBN: 0199760330
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Raff traces Austen's increasingly libidinal narrative presence, while simultaneously offering analysis of her biography that connects prose and life.
Author: Katrin Berndt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110649896
Category : Literary Criticism
Languages : en
Pages : 593
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Book Description
The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.
Author: Thomas Keymer
Publisher:
ISBN: 0198861907
Category : Biography & Autobiography
Languages : en
Pages : 183
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Book Description
Jane Austen is one of the most widely-read novelists in the English language, and one of very few pre-Victorian writers to have a large popular following. This book situates Austen in the literary and historical context of her time, and combines critical introductions to each of her six major novels with an exploration of key themes of her work.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 650
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Book Description
Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 1132
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Book Description
Author:
Publisher: Arihant Publications India limited
ISBN: 9326191974
Category :
Languages : en
Pages : 497
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Book Description
Author: Kathryn Sutherland
Publisher: OUP Oxford
ISBN: 9780191555367
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Through three intertwined histories Jane Austen's Textual Lives offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides a conspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in all three. Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R. W. Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way. Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, Jane Austen's textual identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions.
