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Author: STEPHEN C. COMPTON
Publisher:
ISBN: 9781625451231
Category : Art
Languages : en
Pages : 0
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Book Description
A clever collaboration between potter, Herman C. Cole, and artist and entrepreneur, Anna M. Graham, led to the creation of Hillside Pottery in 1927. Located along the banks of the Neuse River near Smithfield, in Johnston County, North Carolina, the operation catered to passing motorists on Highway 22 between Northern homes and Florida vacations and to New York and other out-of-state merchants. Brought up in one of the state's most celebrated pottery-making families, Cole had all the required skills to make quality products while Graham drew sketches of shapes to be completed and found Northern vendors to buy the wares. In addition, Cole called upon some of North Carolina's most talented turners to keep up with customer demand. By 1931, Hillside's name was changed to Smithfield Art Pottery, making it clear that this was not a jug factory. Additional potters were employed, multiple kilns were constructed, including two enormous bottle kilns, and as many as 2,000 pieces were shipped weekly. The recent discovery of never-before-published photographs and drawings makes possible the telling of the complete story of the pottery with two names.
Author: STEPHEN C. COMPTON
Publisher:
ISBN: 9781625451231
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A clever collaboration between potter, Herman C. Cole, and artist and entrepreneur, Anna M. Graham, led to the creation of Hillside Pottery in 1927. Located along the banks of the Neuse River near Smithfield, in Johnston County, North Carolina, the operation catered to passing motorists on Highway 22 between Northern homes and Florida vacations and to New York and other out-of-state merchants. Brought up in one of the state's most celebrated pottery-making families, Cole had all the required skills to make quality products while Graham drew sketches of shapes to be completed and found Northern vendors to buy the wares. In addition, Cole called upon some of North Carolina's most talented turners to keep up with customer demand. By 1931, Hillside's name was changed to Smithfield Art Pottery, making it clear that this was not a jug factory. Additional potters were employed, multiple kilns were constructed, including two enormous bottle kilns, and as many as 2,000 pieces were shipped weekly. The recent discovery of never-before-published photographs and drawings makes possible the telling of the complete story of the pottery with two names.
Author: Marion Nicholl Rawson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Author: Stephen C. Compton
Publisher: America Through Time
ISBN: 9781634990172
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
A history of Pottery in North Carolina's Seagrove area where more than one hundred potters craft pottery today.
Author: North Carolina. Board of Agriculture
Publisher:
ISBN:
Category : North Carolina
Languages : en
Pages : 572
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Book Description
Author: Mark Hewitt
Publisher: UNC Press Books
ISBN: 9780807829929
Category : Art
Languages : en
Pages : 300
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Book Description
Traces the history of North Carolina pottery from the nineteenth century to the present day, demonstrating the intriguing historic and aesthetic relationships that link pots produced in North Carolina to pottery traditions in Europe and Asia, in New England, and in the neighboring state of South Carolina.
Author: Stephen C. Compton
Publisher: Alban Books
ISBN: 9781566992794
Category : Religion
Languages : en
Pages : 204
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Book Description
Not only do new church starts in significant numbers bring systemic change and renewal to mainline denominations, but new church development brings similar change to individual aging congregations in their vicinity. Author Stephen Compton argues that a decline in new church starts in the last half of the 20th century was the major contributor to the decline of mainline church groups--not liberalism or lack of faith, as is often cited. He shows in this book how introducing considerable numbers of new congregations into these old denominations can cause these venerable institutions to revisit the meaning of "church" and "congregation," develop a clearer vision of their collective mission, and grow in their ability to bring about positive change in the world. In effect, he contends, new churches in an aging organization do not merely make it grow. They make it change in ways that make it more effective in its mission and ministries. This book will appeal to leaders across denominational lines, including those not ordinarily called "mainline," and especially to pastors and leaders of older congregations.
Author: Dorothy La Motta
Publisher:
ISBN: 9780578315492
Category :
Languages : en
Pages :
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Book Description
A compilation of prose and poetry from Johnston County, North Carolina
Author: Jack Barth
Publisher: Fireside Books
ISBN:
Category : Automobile travel
Languages : en
Pages : 232
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Book Description
A trivia-filled odyssey across America that tells the reader, for example, where to see the world's largest twine ball and how to locate the Lawrence Welk museum.
Author: Rand McNally and Company
Publisher:
ISBN:
Category : Puerto Rico
Languages : en
Pages : 294
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Book Description
Covers 2,000 points of interest, U.S., Puerto Rico, Virgin Islands.
Author: Alice North
Publisher: The Monacelli Press, LLC
ISBN: 1580935923
Category : Art
Languages : en
Pages : 353
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Book Description
The first book to tell the stories of some of the most revered living Japanese ceramists of the century, tracing the evolution of modern and contemporary craft and art in Japan, and the artists’ considerable influence, which far transcends national borders. Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists is the first book to present conversations with some of the most important living Japanese ceramic artists. Tracing the evolution of modern and contemporary craft and art in Japan, this groundbreaking volume highlights sixteen individuals whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition for their work, these sixteen artists have been little known in terms of their personal stories. Ranging in age from sixty-three to ninety-three, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time in Listening to Clay, they not only describe their distinctive processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but exclusionary potting traditions opened to new practitioners and kinds of practices. Listening to Clay includes conversations with artists born into pottery-making families, as well as with some of the first women admitted to the ceramics department of Tokyo University of the Arts, telling a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world. Each artist is represented by an entry including a brief introduction, a portrait, selected examples of their work, and an intimate interview conducted by the authors over several in-person visits from 2004 to 2019. At the core of each story is the artist’s personal relationship to clay, often described as a collaboration with the material rather than an imposing of intention. The oldest artist interviewed, Hayashi Yasuo, enlisted in the army during WWII at age fifteen and trained as a kamikaze pilot. He was born into a family that had fired ceramics in cooperative kilns for generations, but he rejected traditional modes and went on to be the first artist in Japan to make truly abstract ceramic sculpture. In the late 1960s, another artist, Mishima Kimiyo, developed a technique of silkscreening on clay and began making ceramic newspapers to comment on the proliferation of the media. She became fascinated with trash, recreating it out of clay, and worked in relative obscurity for decades until she had a major exhibition in Tokyo in 2015. Featuring a preface by curator, writer, and historian Glenn Adamson, and a foreword by Monika Bincsik, the Associate Curator for Japanese Decorative Arts at The Metropolitan Museum of Art, Listening to Clay has been a project more than fifteen years in the making for authors Alice and Halsey North, respected and knowledgeable collectors and patrons of contemporary Japanese ceramics, and Louise Allison Cort, Curator Emerita of Ceramics, National Museum of Asian Art, Smithsonian Institution. The book also includes conversations with five important dealers of contemporary Japanese ceramics who have played and are playing a critical role in introducing the work of these artists to the world, several detailed appendices, and a glossary of terms, relevant people, and relationships. Listening to Clay is a long-overdue and insightful book that, for the first time, spotlights some of Japan’s most celebrated contemporary ceramic artists through personal, idiosyncratic accounts of their day-to-day lives, giving special access to their creative process and artistic development.
