Nollywood Stars

Nollywood Stars PDF Author: Noah A. Tsika
Publisher: Indiana University Press
ISBN: 0253015804
Category : Social Science
Languages : en
Pages : 380

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Book Description
“A revelation. It will introduce readers to one of the most significant global centers of film production, Nigeria . . . an important work . . . Essential.” —Choice In this comprehensive study of Nollywood stardom around the world, Noah A. Tsika explores how the industry’s top on-screen talents have helped Nollywood to expand beyond West Africa and into the diaspora to become one of the globe’s most prolific and diverse media producers. Carrying VHS tapes and DVDs onto airplanes and publicizing new methods of film distribution, the stars are active agents in the global circulation of Nollywood film. From Omotola Jalade-Ekeinde’s cameo role on VH1’s popular series Hit the Floor to Oge Okoye’s startling impersonation of Lady Gaga, this book follows Nollywood stars from Lagos to London, Ouagadougou, Cannes, Paris, Porto-Novo, Sekondi-Takoradi, Dakar, Accra, Atlanta, Houston, New York, and Los Angeles. Tsika tracks their efforts to integrate into various entertainment cultures, but never to the point of effacing their African roots. “Tsika breaks new ground in showing that Nollywood stars are not the passive creations of an industry, but rather have been essential conditions of its existence and phenomenal success.” —Jacquelyn Southern, Center for Urban & Global Studies, Trinity College “There is no doubt that this is a pioneering book, one that raises important questions about the transnational and transmedial dimensions of an emergent, corporate culture of stardom and models an entirely new approach to the study of African movies and media.” —African Studies Review “Makes a convincing case that one cannot fully understand Nollywood without a thorough and rigorous examination of its stars.” —Christina Lane, University of Miami

Nollywood Stars

Nollywood Stars PDF Author: Noah A. Tsika
Publisher: Indiana University Press
ISBN: 0253015804
Category : Social Science
Languages : en
Pages : 380

Get Book Here

Book Description
“A revelation. It will introduce readers to one of the most significant global centers of film production, Nigeria . . . an important work . . . Essential.” —Choice In this comprehensive study of Nollywood stardom around the world, Noah A. Tsika explores how the industry’s top on-screen talents have helped Nollywood to expand beyond West Africa and into the diaspora to become one of the globe’s most prolific and diverse media producers. Carrying VHS tapes and DVDs onto airplanes and publicizing new methods of film distribution, the stars are active agents in the global circulation of Nollywood film. From Omotola Jalade-Ekeinde’s cameo role on VH1’s popular series Hit the Floor to Oge Okoye’s startling impersonation of Lady Gaga, this book follows Nollywood stars from Lagos to London, Ouagadougou, Cannes, Paris, Porto-Novo, Sekondi-Takoradi, Dakar, Accra, Atlanta, Houston, New York, and Los Angeles. Tsika tracks their efforts to integrate into various entertainment cultures, but never to the point of effacing their African roots. “Tsika breaks new ground in showing that Nollywood stars are not the passive creations of an industry, but rather have been essential conditions of its existence and phenomenal success.” —Jacquelyn Southern, Center for Urban & Global Studies, Trinity College “There is no doubt that this is a pioneering book, one that raises important questions about the transnational and transmedial dimensions of an emergent, corporate culture of stardom and models an entirely new approach to the study of African movies and media.” —African Studies Review “Makes a convincing case that one cannot fully understand Nollywood without a thorough and rigorous examination of its stars.” —Christina Lane, University of Miami

Stars in World Cinema

Stars in World Cinema PDF Author: Andrea Bandhauer
Publisher: Bloomsbury Publishing
ISBN: 1786739895
Category : Art
Languages : en
Pages : 272

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Book Description
Deflecting the attention from Hollywood, Stars in World Cinema fills an important gap in the study of film by bringing together Star Studies and World Cinema. A team of international scholars here bring their expertise and in-depth knowledge of world cultures and cinema to the study of stars and stardom from six continents, exploring their cultures, their local history and their global relevance. Chapters look at the role of acting, music, singing, painting and martial arts in the making of stars from Australia's indigenous population, Austria, China, Egypt, France, Germany, Greece, India, Iran, Japan, North and South Korea, Nigeria, the Philippines, the former Soviet Union, Spain, North and South America. Since the very beginnings of cinema, actors and stars have been central to its history and have been one of the medium's defining characteristics. They have also been fundamental to the marketing of cinema and have played a major part in the reception of films in many cultures. Stars in World Cinema examines stardom and the circulation of stars across borders, analysing how local star systems or non-systems construct stardom around the world. Contributors put into practice their local knowledge of history, language and cultural systems, to consider issues of hybridity, boundary crossing, the mobility of stardom, and embodied spectatorship, in order to further the understanding of stars in light the of recent interest in reception theory. Rooted in a multidisciplinary and polycentric approach, this book throws light on unexpected connections between stars and stardoms from different parts of the world, cutting across chronology, geographies and film history.

Angri

Angri PDF Author: Priscillia M. Manjoh
Publisher: LIT Verlag
ISBN: 3643964277
Category : Fiction
Languages : en
Pages : 452

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Book Description
‘A highly original, insightful, thought-provoking and enjoyable novel’Kashim I. Tala, VC. American Institute of Cameroon‘An exciting, inspiring, and much anticipated novel’Africa Positive Magazine, GermanyWith her second novel Angri, Priscillia M. Manjoh fashions a contemporary narrative style that, not unlike Voltaire’s satirical eighteenth-century ‘Candide: Or Optimism’, straddles tonalities of epic and realist literature—a style she calls ‘faction’, a mix of fact and fiction. Moving through the landscape of her troubled, and traumatised country in Africa, the protagonist, Joey Muki, tries to make sense of division, disaster and atrocity, all the while working towards encouraging emerging solidarities, addressing justice and responsibility. Amidst the debris of armed insurrection, violence, and arrogance, Angri is about the will of women to act on their political cultures and social livelihoods.Dr. Norman Saadi Nikro, Leibniz-Zentrum Moderner Orient, Berlin Germany Priscillia M. Manjoh was born and raised in Cameroon and presently resides in Berlin Germany.

African Film Cultures

African Film Cultures PDF Author: Añuli Agina
Publisher: Cambridge Scholars Publishing
ISBN: 1527500578
Category : Performing Arts
Languages : en
Pages : 267

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Book Description
The growing body of films in and around Africa, and the seemingly incongruent growth in African film scholarship, suggests the need for new perspectives, approaches and insights into film cultures in Africa. Although it is impossible to capture the entire diversity of existing African film cultures, this collection, which has resulted from African film conferences organized by the University of Westminster, United Kingdom, has recognized the significance and urgency of this task. The book offers a unique engagement with widened African film ‘cultures’ in the context of diverse peoples, histories, geographies, languages and changing film production cultures shaped by audiences and users at home and in the diaspora. The volume is a significant contribution to the processes of representing the self and other, as well as the emergence of alternative, non-official dialogues, circulation and consumption, including on social media. Students, researchers, film policy makers, film producers, distributors and anyone else with an interest in African screen media will find in the book useful and readable analyses of socio-political factors that affect and are shaped by African film.

African Media Space and Globalization

African Media Space and Globalization PDF Author: Unwana Samuel Akpan
Publisher: Springer Nature
ISBN: 303135060X
Category : Social Science
Languages : en
Pages : 445

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Book Description
This book surveys the African media industry, examining various sections of the media at the elite level. Drawing on contributors from diverse regions and media and communication disciplines, the book provides definitive analyses of the switch from analogue to digital broadcasting in select African countries. This timely and relevant collection of essays covers trending topics in communication and media studies, as scholars globally continue to examine the impact of digital technology on media practice, training, and education. The contributors offer rich perspectives on crucial issues, blending practice and scholarship as former media practitioners and academics come together to fill a major gap in media practice and education in Africa. This book is a must-read for anyone interested in the intersection of globalization and African media.

Marketing the Arts

Marketing the Arts PDF Author: Finola Kerrigan
Publisher: Taylor & Francis
ISBN: 1000788148
Category : Business & Economics
Languages : en
Pages : 311

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Book Description
With contributions from international scholars of marketing and consumer studies, this renowned text engages directly with a range of contemporary themes, including: The importance of arts consumption and its socio-cultural, political, and economic dimensions The impact of new technologies, platforms, and alternative artforms on the art market The importance of the aesthetic experience itself and how to research it The value of arts-based methods The art versus commerce debate The artist as entrepreneur The role of the arts marketer as market-maker This fully updated new edition covers digital trends in the arts and emerging technologies, including virtual reality, streaming services, and branded entertainment. It also broadens the scope of investigation beyond the West looking to film in emerging markets such as China, music in Sub-Saharan Africa, and indigenous art in Australia. Alongside in-depth theoretical analysis, this edition of Marketing the Arts takes inspiration from the creativity inherent in current artistic practice to demonstrate a plurality of approaches and methodologies. Marketing the Arts: Breaking Boundaries is core reading for advanced undergraduate and postgraduate students studying arts marketing and management. Online resources include chapter-by-chapter PowerPoint slides and questions for class discussion.

Deconstructing Images of the Global South Through Media Representations and Communication

Deconstructing Images of the Global South Through Media Representations and Communication PDF Author: Endong, Floribert Patrick C.
Publisher: IGI Global
ISBN: 1522598235
Category : Social Science
Languages : en
Pages : 469

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Book Description
The human condition has continued to improve phenomenally in today’s world with the development of technology and medicine. This includes developing countries in areas such as Africa, Asia, and South America. Despite the emergence of economy, education, and infrastructure in these regions, media outlets continue to forego their advancements in favor of the negativities that plague these states such as poverty, hunger, and corruption. There is a need to research international media portrayals of the less developed world to ascertain the myth that these areas are still struggling. Deconstructing Images of the Global South Through Media Representations and Communication provides emerging research exploring the theoretical and practical aspects of how global media analyzes developing countries. Featuring coverage on a broad range of topics such as cultural affirmation, online platforms, and audience perception, this book is ideally designed for communications specialists, journalists, broadcasters, newscasters, conflict photographers, media practitioners, policymakers, international relation experts, column writers/editors, students, politicians, government officials, researchers, and academicians seeking current research on the world’s perception of developing countries through media coverage.

Violence in Popular Culture

Violence in Popular Culture PDF Author: Laura L. Finley
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 290

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Book Description
A comprehensive resource, this book reviews current and historical examples of violence in film, television, radio, music, music videos, video games, and novels. Despite decades of attention and various attempts to enact legislation that limits violence in American popular culture, it remains ubiquitous across films, television, radio, music, music videos, video games, and popular fiction. Studies have shown that programs marketed to children are often remarkably violent and that viewing or otherwise consuming such violence has numerous negative effects on children's psychological health. This book sheds light on the scholarship related to violence in popular culture and compares historical and current examples, analyzing popular shows such as Game of Thrones, video games such as Mortal Kombat, young adult fiction including the trilogy The Hunger Games, and more. Not only does Violence in American Popular Culture provide a comprehensive review of the research about the effects of violence in media, but it also offers detailed assessments of violent content in various expressions of popular culture. In addition, it invites readers to compare violence in American popular culture with that globally via entries on violence in popular culture outside the United States. An appendix of additional resources and primary sources gives readers further tools for deepening their understanding of this complex and controversial issue.

The Comic Imagination in Modern African Literature and Cinema

The Comic Imagination in Modern African Literature and Cinema PDF Author: Maik Nwosu
Publisher: Routledge
ISBN: 1317374924
Category : Literary Criticism
Languages : en
Pages : 156

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Book Description
This book is a seminal study that significantly expands the interdisciplinary discourse on African literature and cinema by exploring Africa’s under-visited carnivalesque poetics of laughter. Focusing on modern African literature as well as contemporary African cinema, particularly the direct-to-video Nigerian film industry known as Nollywood, the book examines the often-neglected aesthetics of the African comic imagination. In modern African literature, which sometimes creatively traces a path back to African folklore, and in Nollywood — with its aesthetic relationship to Onitsha Market Literature — the pertinent styles range from comic simplicitas to comic magnitude with the facilitation of language, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a comic preference or tendency that is attributable, in different contexts, to a purposeful comic sensibility or an unstructured but ingrained or virtual comic mode. In the best instances of this comic vision, the characteristic laughter or lightness can facilitate a revaluation or reappreciation of the world, either because of the aesthetic structure of signification or the consequent chain of signification. This referentiality or progressive signification is an important aspect of the poetics of laughter as the African comic imagination variously reflects, across genres, both the festival character of comedy and its pedagogical value. This book marks an important contribution to African literature, postcolonial literature, world literature, comic imagination, poetics, critical theory, and African cinema.

Prostitution and Sex Work in Global Cinema

Prostitution and Sex Work in Global Cinema PDF Author: Danielle Hipkins
Publisher: Springer
ISBN: 3319646087
Category : Performing Arts
Languages : en
Pages : 300

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Book Description
This volume brings together international scholars to engage in the question of how film has represented a figure that for many is simply labelled ‘prostitute’. The prostitute is one of the most enduring female figures. She has global historical resonance and stories, images and narratives surrounding her, and her experiences, circulate transnationally. As this book will explore, the broad term prostitute can cover a variety of experiences and representations that are both repressive and also have the potential to empower women and disrupt cultural expectations. The contributors aim to consider how frequently 19th-century narratives of female prostitution—hence the label ‘fallen women’—are still recycled in contemporary visual contexts, and to understand how widespread, and in what contexts, the destigmatization of female sex work is underway on screen.