Author: Robert Freedman
Publisher: Algora Publishing
ISBN: 0875867146
Category : Business & Economics
Languages : en
Pages : 218
Book Description
Let me place on your radar screen an issue that for most people goes by unnoticed. Every day it is there for all of us to see and hear - if we can just notice it for that first time. This is the rising use of media, the use of media in abusive, penetrating ways. Our freedom to choose whether or not we consume that media is taken away from us. With their business model coming under pressure from shrinking audiences, media companies seek to regain their footing by forcing people to consume TV and other digital content outside the home by turning public and private settings into captive-audience platforms. In this book Robert Freedman looks at how consumers are putting up resistance to being held captive to TV on buses, trains, elevators, taxis, subways, office lobbies, schools, stores, and street corners.
Noise Wars
Author: Robert Freedman
Publisher: Algora Publishing
ISBN: 0875867146
Category : Business & Economics
Languages : en
Pages : 218
Book Description
Let me place on your radar screen an issue that for most people goes by unnoticed. Every day it is there for all of us to see and hear - if we can just notice it for that first time. This is the rising use of media, the use of media in abusive, penetrating ways. Our freedom to choose whether or not we consume that media is taken away from us. With their business model coming under pressure from shrinking audiences, media companies seek to regain their footing by forcing people to consume TV and other digital content outside the home by turning public and private settings into captive-audience platforms. In this book Robert Freedman looks at how consumers are putting up resistance to being held captive to TV on buses, trains, elevators, taxis, subways, office lobbies, schools, stores, and street corners.
Publisher: Algora Publishing
ISBN: 0875867146
Category : Business & Economics
Languages : en
Pages : 218
Book Description
Let me place on your radar screen an issue that for most people goes by unnoticed. Every day it is there for all of us to see and hear - if we can just notice it for that first time. This is the rising use of media, the use of media in abusive, penetrating ways. Our freedom to choose whether or not we consume that media is taken away from us. With their business model coming under pressure from shrinking audiences, media companies seek to regain their footing by forcing people to consume TV and other digital content outside the home by turning public and private settings into captive-audience platforms. In this book Robert Freedman looks at how consumers are putting up resistance to being held captive to TV on buses, trains, elevators, taxis, subways, office lobbies, schools, stores, and street corners.
Noise Wars
Author: Robert Freedman
Publisher: Algora Publishing
ISBN: 0875867154
Category : Social Science
Languages : en
Pages : 205
Book Description
Let me place on your radar screen an issue that for most people goes by unnoticed. Every day it is there for all of us to see and hear? if we can just notice it for that first time. This is the rising use of media, the use of media in abusive, penetrating ways. Our freedom to choose whether or not we consume that media is taken away from us. & br / & br /With their business model coming under pressure from shrinking audiences, media companies seek to regain their footing by forcing people to consume TV and other digital content outside the home by turning public and private settings into captive-
Publisher: Algora Publishing
ISBN: 0875867154
Category : Social Science
Languages : en
Pages : 205
Book Description
Let me place on your radar screen an issue that for most people goes by unnoticed. Every day it is there for all of us to see and hear? if we can just notice it for that first time. This is the rising use of media, the use of media in abusive, penetrating ways. Our freedom to choose whether or not we consume that media is taken away from us. & br / & br /With their business model coming under pressure from shrinking audiences, media companies seek to regain their footing by forcing people to consume TV and other digital content outside the home by turning public and private settings into captive-
"Noise Wars": the EU's "hushkit Regulation"
Author: Andreas Knorr
Publisher:
ISBN:
Category : Airplanes
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Airplanes
Languages : en
Pages : 36
Book Description
Fight Your Own War
Author: Jennifer Wallis
Publisher:
ISBN: 9781909394407
Category : Noise music
Languages : en
Pages : 0
Book Description
The first book devoted to power electronics, written by artists, fans, and critics. Power electronics is a genre of industrial or 'noise' music that utilises feedback and synthesizers to produce an intense, loud, challenging sound. Fight Your Own War is the first ever English-language book primarily devoted to power electronics, bringing together essays and reviews that explore the current state of the genre, from early development through to live performance, listener experience, artist motivation, gender and subcultures, such as 'Japanoise'.
Publisher:
ISBN: 9781909394407
Category : Noise music
Languages : en
Pages : 0
Book Description
The first book devoted to power electronics, written by artists, fans, and critics. Power electronics is a genre of industrial or 'noise' music that utilises feedback and synthesizers to produce an intense, loud, challenging sound. Fight Your Own War is the first ever English-language book primarily devoted to power electronics, bringing together essays and reviews that explore the current state of the genre, from early development through to live performance, listener experience, artist motivation, gender and subcultures, such as 'Japanoise'.
Sounds of War
Author: Annegret Fauser
Publisher: Oxford University Press
ISBN: 0199323763
Category : Music
Languages : en
Pages : 385
Book Description
What role did music play in the United States during World War II? How did composers reconcile the demands of their country and their art as America mobilized both militarily and culturally for war? Annegret Fauser explores these and many other questions in the first in-depth study of American concert music during World War II. While Dinah Shore, Duke Ellington, and the Andrew Sisters entertained civilians at home and G.I.s abroad with swing and boogie-woogie, Fauser shows it was classical music that truly distinguished musical life in the wartime United States. Classical music in 1940s America had a ubiquitous cultural presence--whether as an instrument of propaganda or a means of entertainment, recuperation, and uplift--that is hard to imagine today, and Fauser suggests that no other war enlisted culture in general and music in particular so consciously and unequivocally as World War II. Indeed, the day after the attack on Pearl Harbor, Group Theatre director Harold Clurman wrote to his cousin, Aaron Copland: "So you're back in N.Y. . . ready to defend your country in her hour of need with lectures, books, symphonies!" Copland was in fact involved in propaganda missions of the Office of War Information, as were Marc Blitzstein, Elliott Carter, Henry Cowell, Roy Harris, and Colin McPhee. It is the works of these musical greats--as well as many other American and exiled European composers who put their talents to patriotic purposes--that form the core of Fauser's enlightening account. Drawing on music history, aesthetics, reception history, and cultural history, Sounds of War recreates the remarkable sonic landscape of the World War II era and offers fresh insight to the role of music during wartime.
Publisher: Oxford University Press
ISBN: 0199323763
Category : Music
Languages : en
Pages : 385
Book Description
What role did music play in the United States during World War II? How did composers reconcile the demands of their country and their art as America mobilized both militarily and culturally for war? Annegret Fauser explores these and many other questions in the first in-depth study of American concert music during World War II. While Dinah Shore, Duke Ellington, and the Andrew Sisters entertained civilians at home and G.I.s abroad with swing and boogie-woogie, Fauser shows it was classical music that truly distinguished musical life in the wartime United States. Classical music in 1940s America had a ubiquitous cultural presence--whether as an instrument of propaganda or a means of entertainment, recuperation, and uplift--that is hard to imagine today, and Fauser suggests that no other war enlisted culture in general and music in particular so consciously and unequivocally as World War II. Indeed, the day after the attack on Pearl Harbor, Group Theatre director Harold Clurman wrote to his cousin, Aaron Copland: "So you're back in N.Y. . . ready to defend your country in her hour of need with lectures, books, symphonies!" Copland was in fact involved in propaganda missions of the Office of War Information, as were Marc Blitzstein, Elliott Carter, Henry Cowell, Roy Harris, and Colin McPhee. It is the works of these musical greats--as well as many other American and exiled European composers who put their talents to patriotic purposes--that form the core of Fauser's enlightening account. Drawing on music history, aesthetics, reception history, and cultural history, Sounds of War recreates the remarkable sonic landscape of the World War II era and offers fresh insight to the role of music during wartime.
Sound Alignments
Author: Michael K. Bourdaghs
Publisher: Duke University Press
ISBN: 1478013141
Category : History
Languages : en
Pages : 205
Book Description
In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it. Contributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang
Publisher: Duke University Press
ISBN: 1478013141
Category : History
Languages : en
Pages : 205
Book Description
In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it. Contributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang
A Course on Tug-of-War Games with Random Noise
Author: Marta Lewicka
Publisher: Springer Nature
ISBN: 3030462099
Category : Mathematics
Languages : en
Pages : 258
Book Description
This graduate textbook provides a detailed introduction to the probabilistic interpretation of nonlinear potential theory, relying on the recently introduced notion of tug-of-war games with noise. The book explores both basic and more advanced constructions, carefully explaining the parallel between linear and nonlinear cases. The presentation is self-contained with many exercises, making the book suitable as a textbook for a graduate course, as well as for self-study. Extensive background and auxiliary material allow the tailoring of courses to individual student levels.
Publisher: Springer Nature
ISBN: 3030462099
Category : Mathematics
Languages : en
Pages : 258
Book Description
This graduate textbook provides a detailed introduction to the probabilistic interpretation of nonlinear potential theory, relying on the recently introduced notion of tug-of-war games with noise. The book explores both basic and more advanced constructions, carefully explaining the parallel between linear and nonlinear cases. The presentation is self-contained with many exercises, making the book suitable as a textbook for a graduate course, as well as for self-study. Extensive background and auxiliary material allow the tailoring of courses to individual student levels.
War and State Making
Author: Karen A. Rasler
Publisher: Taylor & Francis
ISBN: 1000339041
Category : Business & Economics
Languages : en
Pages : 272
Book Description
Originally published in 1989, this is an empirical study of the impact of global war on the expansion and shaping of nation-states. Individual chapters examine the effects of such wars, and the preparation for them, on debt financing, expansion, military spending, welfare spending, GNP and domestic violence. The authors conclude that by virtue of the changes they spurn, global wars are inherently ‘accelerators of social change’.
Publisher: Taylor & Francis
ISBN: 1000339041
Category : Business & Economics
Languages : en
Pages : 272
Book Description
Originally published in 1989, this is an empirical study of the impact of global war on the expansion and shaping of nation-states. Individual chapters examine the effects of such wars, and the preparation for them, on debt financing, expansion, military spending, welfare spending, GNP and domestic violence. The authors conclude that by virtue of the changes they spurn, global wars are inherently ‘accelerators of social change’.
Listening to War
Author: J. Martin Daughtry
Publisher:
ISBN: 0199361495
Category : History
Languages : en
Pages : 361
Book Description
A landmark work within the study of conflict, sound studies, and ethnomusicology, Listening to War offers a broad theorization of sound, violence, music, listening and place, while also providing a discrete window into the lives of individual Iraqis and Americans struggling to orient themselves within the fog of war.
Publisher:
ISBN: 0199361495
Category : History
Languages : en
Pages : 361
Book Description
A landmark work within the study of conflict, sound studies, and ethnomusicology, Listening to War offers a broad theorization of sound, violence, music, listening and place, while also providing a discrete window into the lives of individual Iraqis and Americans struggling to orient themselves within the fog of war.
Extreme Music
Author: Michael Tau
Publisher: Feral House
ISBN: 1627311297
Category : Music
Languages : en
Pages : 340
Book Description
Expand your aural and sensory experiences with Extreme Music. An exploration of tomorrow’s sounds (and silences) today. Michael Tau had spent years obsessed by the extremes of musical expression. Extreme Music: Silence to Noise and Everything In Between is the culmination of decades of research into the sounds (and silences) that comprise the outer limits and conceptual expressions that stretch the definition of music. Tau defines and categorizes these recorded sounds into sections that allow fans and newcomers to explore the fascinating world of musicians who defy convention. He explores a wide range of extremes including volume, speed, and vulgarity to packaging, recording methods, unplayable media, outdated technologies, and digital pioneers. He asks and answers the questions: Are all sounds music? Is silence music? Is a plate of rotting food once cataloged, packaged and sold by a distributor qualify as music? Extreme Music includes over 100 interviews with makers and musicians as Tau uses his background in psychiatry to help readers understand what motivates people to create and listen to non-mainstream music. As a fan of multiple avant-garde musical genres, Tau uncovers the pleasures (and sometimes pain and frustration) found at the outré fringes of music. Extreme Music is the ideal guide for curious seekers, die-hard fans, and cultural investigators. Features images and curated links to samples of music.
Publisher: Feral House
ISBN: 1627311297
Category : Music
Languages : en
Pages : 340
Book Description
Expand your aural and sensory experiences with Extreme Music. An exploration of tomorrow’s sounds (and silences) today. Michael Tau had spent years obsessed by the extremes of musical expression. Extreme Music: Silence to Noise and Everything In Between is the culmination of decades of research into the sounds (and silences) that comprise the outer limits and conceptual expressions that stretch the definition of music. Tau defines and categorizes these recorded sounds into sections that allow fans and newcomers to explore the fascinating world of musicians who defy convention. He explores a wide range of extremes including volume, speed, and vulgarity to packaging, recording methods, unplayable media, outdated technologies, and digital pioneers. He asks and answers the questions: Are all sounds music? Is silence music? Is a plate of rotting food once cataloged, packaged and sold by a distributor qualify as music? Extreme Music includes over 100 interviews with makers and musicians as Tau uses his background in psychiatry to help readers understand what motivates people to create and listen to non-mainstream music. As a fan of multiple avant-garde musical genres, Tau uncovers the pleasures (and sometimes pain and frustration) found at the outré fringes of music. Extreme Music is the ideal guide for curious seekers, die-hard fans, and cultural investigators. Features images and curated links to samples of music.