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Author: Bianca Sommerland
Publisher: Independently Published
ISBN:
Category : Fiction
Languages : en
Pages : 0
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Book Description
One chance. One mistake. And Axton Hawthorn's already reached his limit. As a courtless shadow fae on his own, with only his skills as a thief to keep him alive, Axton has nothing to fight for besides his freedom. Until he's imprisoned for his crimes, then has his prison break foiled by an order of supernaturals who keep exposure from humans to a minimum-or something like that. He wasn't really paying attention until the last part. His choices are simple. Join them or die. Yeah...he'll look for another option until they give him a damn good reason not to. Edric 'King' Kingston should never have been allowed into the High Guard in The Géillsin. Hellhounds are meant to be chained in the apocalyptic demon realm, not secretly protecting the human one as a high ranking soldier. Leading reluctant young law breakers and teaching them to use their skills for the good of their kind isn't what he would've signed up for, but it's all he has left to give to prove he's not the cursed creature he was born as. He owes his life to one man. To a moment when someone saw more in him. The only way to pay that debt is to make sure the man's son survives. Falling for Axton would be a very bad idea. He's reckless and defiant. Forces the order to make new rules he can't work his way around. But Edric can't look away from the trainwreck he's brought to the doorstep of the place that represents everything he believes in. And hope Axton's presence will even their odds against forces threatening to destroy everything they've built. While the man he can't stay away from seems determined to watch it burn.
Author: Bianca Sommerland
Publisher: Independently Published
ISBN:
Category : Fiction
Languages : en
Pages : 0
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Book Description
One chance. One mistake. And Axton Hawthorn's already reached his limit. As a courtless shadow fae on his own, with only his skills as a thief to keep him alive, Axton has nothing to fight for besides his freedom. Until he's imprisoned for his crimes, then has his prison break foiled by an order of supernaturals who keep exposure from humans to a minimum-or something like that. He wasn't really paying attention until the last part. His choices are simple. Join them or die. Yeah...he'll look for another option until they give him a damn good reason not to. Edric 'King' Kingston should never have been allowed into the High Guard in The Géillsin. Hellhounds are meant to be chained in the apocalyptic demon realm, not secretly protecting the human one as a high ranking soldier. Leading reluctant young law breakers and teaching them to use their skills for the good of their kind isn't what he would've signed up for, but it's all he has left to give to prove he's not the cursed creature he was born as. He owes his life to one man. To a moment when someone saw more in him. The only way to pay that debt is to make sure the man's son survives. Falling for Axton would be a very bad idea. He's reckless and defiant. Forces the order to make new rules he can't work his way around. But Edric can't look away from the trainwreck he's brought to the doorstep of the place that represents everything he believes in. And hope Axton's presence will even their odds against forces threatening to destroy everything they've built. While the man he can't stay away from seems determined to watch it burn.
Author: Bianca Sommerland
Publisher: Bianca Sommerland
ISBN:
Category : Fiction
Languages : en
Pages : 502
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Book Description
One chance. One mistake. And Axton Hawthorn’s already reached his limit. As a courtless shadow fae on his own, with only his skills as a thief to keep him alive, Axton has nothing to fight for besides his freedom. Until he’s imprisoned for his crimes, then has his prison break foiled by an order of supernaturals who keep exposure from humans to a minimum—or something like that. He wasn’t really paying attention until the last part. His choices are simple. Join them or die. Yeah...he’ll look for another option until they give him a damn good reason not to. Edric ‘King’ Kingston should never have been allowed into the High Guard in The Géillsin. Hellhounds are meant to be chained in the apocalyptic demon realm, not secretly protecting the human one as a high ranking soldier. Leading reluctant young law breakers and teaching them to use their skills for the good of their kind isn’t what he would’ve signed up for, but it’s all he has left to give to prove he’s not the cursed creature he was born as. He owes his life to one man. To a moment when someone saw more in him. The only way to pay that debt is to make sure the man’s son survives. Falling for Axton would be a very bad idea. He’s reckless and defiant. Forces the order to make new rules he can’t work his way around. But Edric can’t look away from the trainwreck he’s brought to the doorstep of the place that represents everything he believes in. And hope Axton’s presence will even their odds against forces threatening to destroy everything they’ve built. While the man he can’t stay away from seems determined to watch it burn.
Author: Jessie Chandler
Publisher: Bella Books
ISBN: 1642471801
Category : Fiction
Languages : en
Pages : 316
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Book Description
Placed on a medical leave of absence from her job as a special agent in the National Protection and Investigation Unit, Mikala Flynn is a woman on the edge—guilt-ridden, depressed, battling war wounds and personal demons. The world and the relationships as she knew them no longer exist. Now, the streets of New York, the bottle, and anonymous sex have become her solace. In the midst of a fire escape bender, Flynn overhears her crazy-like-a-fox grandmother and her art-world cronies planning a daring theft of a valuable historical document. Eventually Flynn crashes the party and agrees to take on the heist herself. Along the way, Flynn runs into, both literally and figuratively, her now wheelchair-bound best friend, an alluring, mysterious thief who throws multiple wrenches into the works, and the ex-love of her life. Can Flynn pull off the job without falling victim to vodka and lost love…and somehow begin to find herself again along the way?
Author: Brent Jackson
Publisher: Christian Faith Publishing, Inc.
ISBN:
Category : Fiction
Languages : en
Pages : 185
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Book Description
Lucifer has infiltrated the world with his precious Nephilim. Seeking to disrupt, destroy, and prevent the birth of the Messiah, the Prince of Darkness declares war upon the Kingdom of God and his angelic warriors, including Archangel Michael and the mighty Defender, Daniel, born of man and raised by angels. Redemption tells the story of God's great mercy and forgiveness placed upon the life of Rapha, the immortal giant, son of the mysterious angel, Hagan, as he tries to leave his life of evil and destruction behind. The Lord is not finished working through Rapha as his purpose has yet to be fulfilled. What is this purpose? What does God desire from him? Breathtaking in scope, spanning across history, Redemption: A Story of Angels and Demons offers a mesmerizing account of the great battle between good and evil, holy and unholy, light and darkness. Michael, Daniel, Rapha, and others must unite to defend and protect the family of Joseph and Mary as they struggle against the forces of evil. Darkness seems to be prevailing. Lucifer must not succeed. The story of love, honor, and ultimate redemption continues in the second installment of the Defender series. Battle lines have been drawn. Swords have been lifted. Battles will be fought. The spiritual world of angels and demons merges with the human world of Nephilim, giants, and mankind, all leading to the pivotal moment of the birth, death, and resurrection of a Savior. Which side will be victorious in the clash of God's angels against the demons of Lucifer?
Author: Stanley A. Renshon
Publisher: Routledge
ISBN: 1135193983
Category : Political Science
Languages : en
Pages : 405
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Book Description
Every new president raises many questions in the public mind. Because Barack Obama was a relative newcomer to the national political scene, he raised more questions than most. Would he prove to be a pragmatic centrist or would his politics of hope ultimately flounder on the rocky shoals of America’s deep political divisions? What of his leadership style? How would the uncommonly calm character he demonstrated on the campaign trail shape Obama’s political style as commander-in-chief? Based on extensive biographical, psychological, and political research and analysis, noted political psychologist Stanley Renshon follows Obama’s presidency through the first two years. He digs into the question of who is the real Obama and assesses the advantages and limitations that he brings to the presidency. These questions cannot be answered without recourse to psychological analysis. And they cannot be answered without psychological knowledge of presidential leadership and the presidency itself. Renshon explains that Obama’s ambition has been fueled by a desire for redemption—his own, that of his parents, and ultimately for the country he now leads, which has enormous consequences for his choices as president of a politically divided America.
Author: Karen A. Ritzenhoff
Publisher: Rowman & Littlefield
ISBN: 1442260297
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.
Author: Jill Martiniuk
Publisher: Academic Studies PRess
ISBN: 1644697319
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Wandering in Circles: Venichka’s Journey of Redemption in “Moskva-Petushki” examines the definition of redemption in Venedikt Erofeev’s Moskva-Petushki. By placing Erofeev’s poema in conversation with other travel narratives from Russia and the West, the book explores the meaning of redemption across societies and cultures, and how Erofeev creates a commentary on the possibility of redemption in a broken political and social system. Through this comparative approach to Moskva-Petushki, this work offers a new reading of the text as a journey of failed social and personal redemption.
Author: VK Ogilvie
Publisher: Balboa Press
ISBN: 1982284056
Category : Music
Languages : en
Pages : 300
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Book Description
“Of all the various acts of inequity throughout time, none was more severe than the submission forced upon the indigenous peoples of the earth by their earthly demi-god counterparts. Robbing these peoples of their God given cultural and traditional knowledge of survival, void of cultural references and alienated from their traditional survival techniques and skills, the indigenous peoples had no other choice than to accept the ways of the earthly demi-gods, which was modernity and that came with many social disadvantages, worst of all, they would become second and third class citizens in a racially divided and dystopic world. The standard procedure was the implementation of acts that were intended to impart the greatest degree of fear, the fear of death and the fear of dying; whatever methods the noble savages thought would break the barbarian savages into submission. All manner of unthinkable acts of atrocity were employed against the indigenous peoples, because the objectives of the earthly demi-gods had to be met, which was to expropriate the lands and natural resources from these savages, these ‘uncivilized’ people.” The work of Niggers Sing Redemption Songs: Reggae, The heart-beat of a people takes aim at reaffirming the psyche and glory of the Black self as of utter importance in our efforts to make our world a better place. The unconscionable disregard for the glory of the Black self and by refusing to use it, has successfully stripped away Black humanity from the Black indigenous peoples’ collective consciousness; overall leading to a ‘niggerization’ process done for the benefits of the barbaric and ignobly self-acclaimed earthly demi-gods. The Black peoples of the world must bring back the ‘Black’ love of self and all things Black, that is your redemption and then, real life will be given to you. Additionally, what was most evidently conspicuous and surprising was a revelation that had emerged from the research of this study. The study has discovered evidences, which would indicate that because of social biases, for example, racial prejudices, and out-right arrogance, coupled with miss-education and deprecated mindsets, the attitudes of many Jamaican historians, the down trodden sectors of the Jamaican society were undermined and were not given meaningful historical documentations. The academics did not document, accurately, the accounts of Afro-Jamaican culture, for instance, the Rastafarians input into the cultural history of Jamaica. Although many academics of the time were themselves Afro- Jamaican, non-sympathizers to the Rasta movement, and, in most cases, just a generation or two removed from slavery, they were non-commiserated towards their people’s history and struggles. So much so, that they did not consider the documentation of their Afro-Jamaican culture as a priority, and as such, a deficit in proper documentation of historical material exists today. This becomes quite evident in the footnotes, where due to the lack of material, there is a redundancy in reference materials Therefore, in order to add further depth to the stock of the genre of Black Liberation Literature, this work advances a redemptive process which is aimed, primarily, at every individual that has been niggerized by White supremacy and their racist systems. Therein, that each nigger would cultivate an awareness that would be congruent with his/her Black redemption, as is outlined in this literary work. Thus, that he/her would be empowered sufficiently, to rise above the White supremacist world that had ungratefully grafted him/ her and had restrained him/her to oppressive states of meaningless existences. Black people must rise above their common bound, the social degradation of niggerization, a social construct of the White racist demi-gods and to accept the fundamental merits and opportunities that a Black redemption would have provided, which is, the reconstructed Black self, with all its social advantages, because White America will not change and they will not change for the sake of niggers or will they accept niggers as Whites. Sorry, but no skin bleaching formula will change Blacks into White. The Black experience is not the undoing of the White racist demi-gods; instead, it is the doings of the reconstructed niggers towards the redemption, freedom, of Black individuals.
Author: Paul A. Jarvie
Publisher: Routledge
ISBN: 1135488517
Category : Business & Economics
Languages : en
Pages : 222
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Book Description
This book explores the relationship between Dickens’s novels and the financial system. Elements of Dickens’s work form a critique of financial capitalism. This critique is rooted in the difference between use-value and exchange-value, and in the difference between productive circulations and mere accumulation. In a money-based society, exchange-value and accumulation dominate to the point where they infect even the most important and sacred relationships between parts of society and individuals. This study explores Dickens’s critique from two very different points of view. The first is philosophical, from Aristotle’s distinction between "chrematistic" accumulation and "economic" use on money through Marx’s focus on the teleology of capitalism as death. The second view is that of nineteenth-century financial journalism, of "City" writers like David Morier Evans and M. L. Meason,, who, while functioning as "cheerleaders" for financial capitalism, also reflected some of the very real "dis-ease" associated with capital formation and accumulation. The core concepts of this critique are constant in the novels, but the critique broadens and becomes more pessimistic over time. The ill effects of living in a money-based society are presented more as the consequences of individual evil in earlier novels, while in the later books they are depicted as systemic and pervasive. Texts discussed include Nicholas Nickleby, A Christmas Carol, Little Dorrit and Our Mutual Friend.
Author: Yochai Ataria
Publisher: Springer
ISBN: 3319294040
Category : Psychology
Languages : en
Pages : 395
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Book Description
This lofty volume analyzes a circular cultural relationship: not only how trauma is reflected in cultural processes and products, but also how trauma itself acts as a critical shaper of literature, the visual and performing arts, architecture, and religion and mythmaking. The political power of trauma is seen through US, Israeli, and Japanese art forms as they reflect varied roles of perpetrator, victim, and witness. Traumatic complexities are traced from spirituality to movement, philosophy to trauma theory. And essays on authors such as Kafka, Plath, and Cormac McCarthy examine how narrative can blur the boundaries of personal and collective experience. Among the topics covered: Television: a traumatic culture. From Hiroshima to Fukushima: comics and animation as subversive agents of memory in Japan. The death of the witness in the era of testimony: Primo Levi and Georges Perec. Sigmund Freud’s Moses and Monotheism and the possibility of writing a traumatic history of religion. Placing collective trauma within its social context: the case of the 9/11 attacks. Killing the killer: rampage and gun rights as a syndrome. This volume appeals to multiple readerships including researchers and clinicians, sociologists, anthropologists, historians, and media researchers.
