Author: Kailin Duan
Publisher: Chronicle Books
ISBN: 1646142233
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Our Querido list is a wonder cabinet that we are filling with treasures from around the world. Here, from China, is a gorgeous story about generosity and gratitude, adapted from a traditional Buddhist tale by Kailin Duan. Her illustration style evokes artwork contemporary to the story's origins more than a thousand years ago, found in the famous Mogao caves, (located at a religious and cultural crossroads on the Silk Road, in Gansu province, China.) The story begins deep in the Kunlun Hills with a legendary deer whose fur has nine colors. One day she hears a cry for help and rescues a drowning man. When the man asks how he could ever repay this kindness, the Nine Color Deer simply requests that the man never reveal her whereabouts. But will this promise survive a bounty offered by a King and Queen who seek the magic of the deer for their kingdom? Award-winning translator Jeremy Tiang offers readers his own gift in making Kailin Duan's interpretation sparkle in English, while Duan's illustrations speak beautifully for themselves.
Nine Color Deer
Author: Kailin Duan
Publisher: Chronicle Books
ISBN: 1646142233
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Our Querido list is a wonder cabinet that we are filling with treasures from around the world. Here, from China, is a gorgeous story about generosity and gratitude, adapted from a traditional Buddhist tale by Kailin Duan. Her illustration style evokes artwork contemporary to the story's origins more than a thousand years ago, found in the famous Mogao caves, (located at a religious and cultural crossroads on the Silk Road, in Gansu province, China.) The story begins deep in the Kunlun Hills with a legendary deer whose fur has nine colors. One day she hears a cry for help and rescues a drowning man. When the man asks how he could ever repay this kindness, the Nine Color Deer simply requests that the man never reveal her whereabouts. But will this promise survive a bounty offered by a King and Queen who seek the magic of the deer for their kingdom? Award-winning translator Jeremy Tiang offers readers his own gift in making Kailin Duan's interpretation sparkle in English, while Duan's illustrations speak beautifully for themselves.
Publisher: Chronicle Books
ISBN: 1646142233
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Our Querido list is a wonder cabinet that we are filling with treasures from around the world. Here, from China, is a gorgeous story about generosity and gratitude, adapted from a traditional Buddhist tale by Kailin Duan. Her illustration style evokes artwork contemporary to the story's origins more than a thousand years ago, found in the famous Mogao caves, (located at a religious and cultural crossroads on the Silk Road, in Gansu province, China.) The story begins deep in the Kunlun Hills with a legendary deer whose fur has nine colors. One day she hears a cry for help and rescues a drowning man. When the man asks how he could ever repay this kindness, the Nine Color Deer simply requests that the man never reveal her whereabouts. But will this promise survive a bounty offered by a King and Queen who seek the magic of the deer for their kingdom? Award-winning translator Jeremy Tiang offers readers his own gift in making Kailin Duan's interpretation sparkle in English, while Duan's illustrations speak beautifully for themselves.
The History of Chinese Animation
Author: Lijun Sun
Publisher: Routledge
ISBN: 1000416275
Category : Social Science
Languages : en
Pages : 572
Book Description
China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.
Publisher: Routledge
ISBN: 1000416275
Category : Social Science
Languages : en
Pages : 572
Book Description
China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.
The History of Chinese Animation II
Author: Lijun Sun
Publisher: Routledge
ISBN: 1000740137
Category : Social Science
Languages : en
Pages : 246
Book Description
China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works, themes, directions, artistic styles, techniques, industrial development, government support policies, business models, the nurturing of education and talent, broadcasting systems, and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.
Publisher: Routledge
ISBN: 1000740137
Category : Social Science
Languages : en
Pages : 246
Book Description
China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works, themes, directions, artistic styles, techniques, industrial development, government support policies, business models, the nurturing of education and talent, broadcasting systems, and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.
The History of Art in Wei, Jin, Southern and Northern Dynasty
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 175
Book Description
The book is the volume of “The History of Art in Wei, Jin, Southern and Northern Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 175
Book Description
The book is the volume of “The History of Art in Wei, Jin, Southern and Northern Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Digital Preservation for Heritages
Author: Dongming Lu
Publisher: Springer Science & Business Media
ISBN: 3642048625
Category : Computers
Languages : en
Pages : 229
Book Description
"Digital Preservation for Heritages: Technologies and Applications" provides a comprehensive and up-to-date coverage of digital technologies in the area of cultural heritage preservation, including digitalization, research aiding, conservation aiding, digital exhibition, and digital utilization. Processes, technical frameworks, key technologies, as well as typical systems and applications are discussed in the book. It is intended for researchers and students in the fields of computer science and technology, museology, and archaeology. Dr. Dongming Lu is a professor at College of Computer Science and Technology, Zhejiang University, China. His research area includes digital preservation for cultural heritages and digital media networks. Prof. Yunhe Pan is a member of Chinese Academy of Engineering, and also a professor at College of Computer Science and Technology, Zhejiang University, China. His research area includes digital preservation for cultural heritages, digital library, and intelligent human animation.
Publisher: Springer Science & Business Media
ISBN: 3642048625
Category : Computers
Languages : en
Pages : 229
Book Description
"Digital Preservation for Heritages: Technologies and Applications" provides a comprehensive and up-to-date coverage of digital technologies in the area of cultural heritage preservation, including digitalization, research aiding, conservation aiding, digital exhibition, and digital utilization. Processes, technical frameworks, key technologies, as well as typical systems and applications are discussed in the book. It is intended for researchers and students in the fields of computer science and technology, museology, and archaeology. Dr. Dongming Lu is a professor at College of Computer Science and Technology, Zhejiang University, China. His research area includes digital preservation for cultural heritages and digital media networks. Prof. Yunhe Pan is a member of Chinese Academy of Engineering, and also a professor at College of Computer Science and Technology, Zhejiang University, China. His research area includes digital preservation for cultural heritages, digital library, and intelligent human animation.
A Deer of Nine Colors
Author: Shanghai Animation and Film Studio
Publisher: Shanghai Press
ISBN: 9781602209763
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Kids will love this colorfully illustrated Chinese fairytale. In ancient times, a man drowning in a river was rescued by a deer shaded with nine colors. In exchange for his life, the man promises not to talk about the deer's whereabouts. Later, the man reached an imperial palace where the king insisted on hunting down the deer to make clothes out of the deer skin. The man could not resist the opportunity for profit and led them to the same spot as before. He falls back into the water, hoping the deer would show up to rescue him. But this time, the man drowns and the warriors' arrows turn to dust, leaving the deer unharmed.
Publisher: Shanghai Press
ISBN: 9781602209763
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Kids will love this colorfully illustrated Chinese fairytale. In ancient times, a man drowning in a river was rescued by a deer shaded with nine colors. In exchange for his life, the man promises not to talk about the deer's whereabouts. Later, the man reached an imperial palace where the king insisted on hunting down the deer to make clothes out of the deer skin. The man could not resist the opportunity for profit and led them to the same spot as before. He falls back into the water, hoping the deer would show up to rescue him. But this time, the man drowns and the warriors' arrows turn to dust, leaving the deer unharmed.
Supreme Conceited God
Author: Zhi BiFu
Publisher: Funstory
ISBN: 1649480350
Category : Fiction
Languages : en
Pages : 1167
Book Description
The female emperor stood guard in the air while the Sacred Emperor controlled the cycle of reincarnation. Below the great Dao, the nine clans competed with each other while countless others wept blood. It was the same day in March. Stars were gathering in the sky. A teenager who never returned to the mountain walked out. The curtain of the era slowly opened. [Previous Chapter] [Table of Contents] [Next Chapter] Close]
Publisher: Funstory
ISBN: 1649480350
Category : Fiction
Languages : en
Pages : 1167
Book Description
The female emperor stood guard in the air while the Sacred Emperor controlled the cycle of reincarnation. Below the great Dao, the nine clans competed with each other while countless others wept blood. It was the same day in March. Stars were gathering in the sky. A teenager who never returned to the mountain walked out. The curtain of the era slowly opened. [Previous Chapter] [Table of Contents] [Next Chapter] Close]
Chinese Animation
Author: Rolf Giesen
Publisher: McFarland
ISBN: 1476615527
Category : Performing Arts
Languages : en
Pages : 792
Book Description
With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).
Publisher: McFarland
ISBN: 1476615527
Category : Performing Arts
Languages : en
Pages : 792
Book Description
With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).
Comics Art in China
Author: John A. Lent
Publisher: Univ. Press of Mississippi
ISBN: 1496811755
Category : Literary Criticism
Languages : en
Pages : 493
Book Description
International Convention of Asia Scholars 2019 Book Prize – Best Art Publication In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.
Publisher: Univ. Press of Mississippi
ISBN: 1496811755
Category : Literary Criticism
Languages : en
Pages : 493
Book Description
International Convention of Asia Scholars 2019 Book Prize – Best Art Publication In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.
Cross-Cultural Design. Applications in Learning, Arts, Cultural Heritage, Creative Industries, and Virtual Reality
Author: Pei-Luen Patrick Rau
Publisher: Springer Nature
ISBN: 3031060474
Category : Computers
Languages : en
Pages : 550
Book Description
The four-volume set LNCS 13311 - 13314 constitutes the refereed proceedings of the 14th International Conference on Cross-Cultural Design, CCD 2022, which was held as part of HCI International 2022 and took place virtually during June 26 - July 1, 2022. The papers included in the HCII-CCD volume set were organized in topical sections as follows: Part I: Cross-Cultural Interaction Design; Collaborative and Participatory Cross-Cultural Design; Cross-Cultural Differences and HCI; Aspects of Intercultural Design Part II: Cross-Cultural Learning, Training, and Education; Cross-Cultural Design in Arts and Music; Creative Industries and Cultural Heritage under a Cross-Cultural Perspective; Cross-Cultural Virtual Reality and Games Part III: Intercultural Business Communication; Intercultural Business Communication; HCI and the Global Social Change Imposed by COVID-19; Intercultural Design for Well-being and Inclusiveness Part IV: Cross-Cultural Product and Service Design; Cross-Cultural Mobility and Automotive UX Design; Design and Culture in Social Development and Digital Transformation of Cities and Urban Areas; Cross-Cultural Design in Intelligent Environments.
Publisher: Springer Nature
ISBN: 3031060474
Category : Computers
Languages : en
Pages : 550
Book Description
The four-volume set LNCS 13311 - 13314 constitutes the refereed proceedings of the 14th International Conference on Cross-Cultural Design, CCD 2022, which was held as part of HCI International 2022 and took place virtually during June 26 - July 1, 2022. The papers included in the HCII-CCD volume set were organized in topical sections as follows: Part I: Cross-Cultural Interaction Design; Collaborative and Participatory Cross-Cultural Design; Cross-Cultural Differences and HCI; Aspects of Intercultural Design Part II: Cross-Cultural Learning, Training, and Education; Cross-Cultural Design in Arts and Music; Creative Industries and Cultural Heritage under a Cross-Cultural Perspective; Cross-Cultural Virtual Reality and Games Part III: Intercultural Business Communication; Intercultural Business Communication; HCI and the Global Social Change Imposed by COVID-19; Intercultural Design for Well-being and Inclusiveness Part IV: Cross-Cultural Product and Service Design; Cross-Cultural Mobility and Automotive UX Design; Design and Culture in Social Development and Digital Transformation of Cities and Urban Areas; Cross-Cultural Design in Intelligent Environments.