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Author: Gavriel Shapiro
Publisher: Penn State University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Nikolai Gogol and the Baroque Cultural Heritage considers Gogol's entire oeuvre, including his letters, notebooks, and drawings, as well as all relevant secondary literature, and exhaustively examines sources of Baroque influence on him, tracing them back to the oeuvre itself. This study draws on the most recent achievements of interdisciplinary scholarship, paying special attention to the interaction of the visual and the verbal and of high and popular cultural strata, so characteristic of the Baroque and at the same time so important to the understanding of Gogol's poetics. --From publisher's description.
Author: Gavriel Shapiro
Publisher: Penn State University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Get Book Here
Book Description
Nikolai Gogol and the Baroque Cultural Heritage considers Gogol's entire oeuvre, including his letters, notebooks, and drawings, as well as all relevant secondary literature, and exhaustively examines sources of Baroque influence on him, tracing them back to the oeuvre itself. This study draws on the most recent achievements of interdisciplinary scholarship, paying special attention to the interaction of the visual and the verbal and of high and popular cultural strata, so characteristic of the Baroque and at the same time so important to the understanding of Gogol's poetics. --From publisher's description.
Author: Yuliya Ilchuk
Publisher: University of Toronto Press
ISBN: 1487537875
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
One of the great writers of the nineteenth century, Nikolai Gogol was born and raised in Ukraine before he was lionized and canonized in Russia. The ambiguities within his subversive, ironic works are matched by those that surround the debate over his national identity. This book presents a completely new assessment of the problem: rather than adopting the predominant "either/or" perspective – wherein Gogol is seen as either Ukrainian or Russian – it shows how his cultural identity was a product of negotiation with imperial and national cultural codes and values. By examining Gogol’s ambivalent self-fashioning, language performance, and textual practices, this book shows how Gogol played with both imperial and local sources of identity and turned his hybridity into a project of subtle cultural resistance. Ilchuk provides a comprehensive account of assimilation and hybridization of Ukrainians in the Russian empire, arguing that Russia’s imperial culture has depended on Ukraine and the participation of Ukrainian intellectuals in its development. Ilchuk also introduces innovative computer-assisted methods of textual analysis to demonstrate the palimpsest-like quality of Gogol’s texts and national identity.
Author: Stephen Moeller-Sally
Publisher: Northwestern University Press
ISBN: 0810118807
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
The evolution of Russian authorship as exemplified by Gogol's social and aesthetic reception from 1829 to 1952.Nikolai Gogol's claim to the title of national literary classic is incontestable. Since his lifetime, every generation of Russian writers and readers has had to come to terms somehow with his ingeniously suggestive and comically virtuosic art. An exemplar for popular audiences no less than for the intelligentsia, Gogol was pressed into service under the tsarist and Soviet regimes for causes both aesthetic and political, official and unofficial. In Gogol's Afterlife, Stephen Moeller-Sally explores how he achieved this peculiar brand of cultural authority and later maintained it, despite dramatic shifts in the organization of Russian literature and society.Beginning with Gogol's debut and extending well into the twentieth century, this elegantly written and meticulously researched work offers nothing short of a sociology of modern Russian literature. Together with the history of Gogol's social and aesthetic reception, it describes the institutional evolution of Russian literature and the changing relationship of the Russian writer to nation, state, and society. Moeller-Sally puts a wealth of historical material under a finely calibrated critical lens to show how the rise of the reading public in nineteenth-century Russia prepared the ground for a popular nationalism centered around the literary classics.Part I charts the historical and cultural currents that shaped Gogol's reputation among the educated classes of late Imperial Russia, devoting particular attention to the models of authorship Gogol himself devised in response to his changing audience and developingauthorial mission. Part II takes a panoramic view of the social milieu in which Gogol's status evolved, describing the intelligentsia's efforts to propagate his life and works among the newly literate populations of post-Reform Ru
Author: Oleh S. Ilnytzkyj
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111373266
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Russian culture and Slavic Studies maintain that Gogol is an incontrovertible Russian writer. To call him a Ukrainian is to encounter deep skepticism. Oddly, the grounds of his "Russianness" are rarely made explicit and even less often examined critically. This book address these problems. It shows, for example, how scholars assume that language and theme make Gogol Russian. How others call him Russian by denying Ukrainians status as a separate nation, while still others avoid explanations altogether by representing him as a typical Russian in a national culture and literature. This book challenges such paradigms, situating Gogol within an "imperial culture," where Russian and Ukrainian elites shared intellectual pursuits but clashed over rival national projects. It reveals Gogol as a Ukrainian Russian-language Imperial Writer, a person who embraced an emergent Ukrainian movement while remaining a loyal imperial subject. This book will appeal to Russianists and Ukrainianists, anyone interested in questions of identity, cultural politics, and colonialism. It provides ample context and background, making it suitable for students. Readers who enjoy Taras Bulba will be drawn to the chapter that dispels the myth of its "Russianness."
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455783
Category : History
Languages : en
Pages : 1304
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Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Author: Urs Heftrich
Publisher: Academic Studies PRess
ISBN: 1644697645
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
This monograph is nothing less than a bold attempt at solving the riddle of Gogol’s novel Dead Souls that even inspired a staging of Dead Souls at Schauspiel Stuttgart. Heftrich gives a comprehensive, coherent answer to the question of the novel’s meaning by meticulously laying bare its structure. The first part of the monograph is dedicated to one section of Gogol’s novel that has been neglected by virtually all critics - a clue that leads to a strictly ethical reading of Gogol’s epic. Gogol, as it emerges, constructed Dead Souls strictly according to a moral pattern. It is amazing to discover how flawlessly Dead Souls is built in this regard. The novel thus proves to be a true descendant of medieval romance with its inseparable interrelation between ethics and epics.
Author: Andrei Bely
Publisher: Northwestern University Press
ISBN: 0810125900
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
When one great author engages another, as Andrei Bely so brilliantly does in Gogol’s Artistry, the result is inevitably a telling portrait of both writers. So it is in Gogol’s Artistry. Translated into English for the first time, this idiosyncratic, exhaustive critical study is as interesting for what it tells us about Bely’s thought and method as it is for its insights into the oeuvre of his literary predecessor. Bely’s argument in this book is that Gogol’s earlier writing should be given more consideration than most critics have granted. Employing what might be called a scientific perspective, Bely considers how often certain colors appear; he diagrams sentences and discusses Gogol’s prose in terms of mathematical equations. The result, as strange and engaging as Bely’s best fiction, is also an innovative, thorough, and remarkably revealing work of criticism.
Author: Julie W. De Sherbinin
Publisher: Northwestern University Press
ISBN: 9780810114043
Category : Christianity in literature
Languages : en
Pages : 226
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Book Description
Chekhov and Russian Religious Culture is an innovative study of the Virgin Mary and the "saintly harlots"--Mary of Egypt and Mary Magdalene--as a cultural paradigm encoded in Chekhov's prose. De Sherbinin establishes the authority of the Marian paradigm in nineteenth-century Russian culture with a comprehensive overview of salient religious and literary texts, then offers critical readings of more than fifteen Chekhov stories, including key works such as "Peasants," "Peasant Women," and "My Life." De Sherbinin argues that Chekhov inverts and displaces the Christian meanings of Marian texts in order to reveal a vasy array of problematized relationships to the canonized figures. This illuminating semiotic reading of Chekhov explores questions of female identity as it probes the mindset of Russian Orthodox popular culture.
Author: Patt Leonard
Publisher: M.E. Sharpe
ISBN: 9781563247514
Category : History
Languages : en
Pages : 740
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Book Description
This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs.
Author: Cate Watson
Publisher: BRILL
ISBN: 9087906420
Category : Education
Languages : en
Pages : 151
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Book Description
Reflexive research and the (re)turn to the baroque. (Or, How I learned to stop worrying and love the university) seeks an answer to the question posed by Gilles Deleuze, ‘Why do we desire what oppresses us?" The book presents a narrative conceived within a baroque framework which attempts, with a proper sense of irony, to reveal the truth about the academy, and the way in which, as institution, it constructs our desires. The book also sets out a methodology for exploring questions related to identity and discourses and discusses how a sense of baroque, characterised as belonging to the epistemology of the Wunderkammer (the baroque cabinet of curiosities) and the ontology of the fold (as elaborated by Deleuze), challenges current assumptions about the nature of research and our understanding of the world. Reflexive research and the (re)turn to the baroque is a contribution to the growing body of research located within the baroque, conceptualised not as a discrete historical period, but as a recurring cultural phenomenon, which presents as counter to the prevailing orthodoxy: To the baroque mind the world is not conceived in logical Cartesian terms. To the contrary, it is full of contradictions. The baroque mind, moreover is acutely aware of the conflict between illusion and reality, and paradox and complexity are accepted as almost natural phenomena. (Leo Forkey) It is essential reading (writes the author) for qualitative researchers and students concerned to develop innovative approaches in their work, as well as for those with an interest in identities and processes of identification.
