Author: Nigel Barley
Publisher: Somogy Art Publishing
ISBN: 9782757209851
Category : Art
Languages : en
Pages : 0
Book Description
The Barbier-Mueller Museum invited the anthropologist Nigel Barley, a former curator at the British Museum, to take a look at the museum's Nigerian collection, which came into being over more than a hundred years, thanks to the personal and informed "eye" of the collectors Josef Mueller and Jean Paul Barbier-Mueller. Without aspiring to cover exhaustively the cultural production of Nigeria across the two millennia of its history, the Barbier-Mueller collection is very rich in several respects. Faithful to chronological continuity, it provides a sample of the production of the major cultural centers of Nigeria, shedding light on archaeological pieces from Nok, Katsina, and Sokoto, works from Ife and the kingdom of Benin, and Yoruba, Ijo, and Igbo objects, as well as items from the Cross River and the Benue Valley. By virtue of their rarity, certain pieces in the collection constitute "monuments" of African art. Others, by their emblematic force, are among its great "classics." The exhibition sets out to present these objects, including several displayed here for the first time, highlighting their aesthetic quality even while explaining, by means of the catalogue, the ethnographic context of their production and use. Nigel Barley provides new angles of approach for considering, understanding, and perhaps even better appreciating the art of Nigeria.
Nigerian Arts Revisited
Author: Nigel Barley
Publisher: Somogy Art Publishing
ISBN: 9782757209851
Category : Art
Languages : en
Pages : 0
Book Description
The Barbier-Mueller Museum invited the anthropologist Nigel Barley, a former curator at the British Museum, to take a look at the museum's Nigerian collection, which came into being over more than a hundred years, thanks to the personal and informed "eye" of the collectors Josef Mueller and Jean Paul Barbier-Mueller. Without aspiring to cover exhaustively the cultural production of Nigeria across the two millennia of its history, the Barbier-Mueller collection is very rich in several respects. Faithful to chronological continuity, it provides a sample of the production of the major cultural centers of Nigeria, shedding light on archaeological pieces from Nok, Katsina, and Sokoto, works from Ife and the kingdom of Benin, and Yoruba, Ijo, and Igbo objects, as well as items from the Cross River and the Benue Valley. By virtue of their rarity, certain pieces in the collection constitute "monuments" of African art. Others, by their emblematic force, are among its great "classics." The exhibition sets out to present these objects, including several displayed here for the first time, highlighting their aesthetic quality even while explaining, by means of the catalogue, the ethnographic context of their production and use. Nigel Barley provides new angles of approach for considering, understanding, and perhaps even better appreciating the art of Nigeria.
Publisher: Somogy Art Publishing
ISBN: 9782757209851
Category : Art
Languages : en
Pages : 0
Book Description
The Barbier-Mueller Museum invited the anthropologist Nigel Barley, a former curator at the British Museum, to take a look at the museum's Nigerian collection, which came into being over more than a hundred years, thanks to the personal and informed "eye" of the collectors Josef Mueller and Jean Paul Barbier-Mueller. Without aspiring to cover exhaustively the cultural production of Nigeria across the two millennia of its history, the Barbier-Mueller collection is very rich in several respects. Faithful to chronological continuity, it provides a sample of the production of the major cultural centers of Nigeria, shedding light on archaeological pieces from Nok, Katsina, and Sokoto, works from Ife and the kingdom of Benin, and Yoruba, Ijo, and Igbo objects, as well as items from the Cross River and the Benue Valley. By virtue of their rarity, certain pieces in the collection constitute "monuments" of African art. Others, by their emblematic force, are among its great "classics." The exhibition sets out to present these objects, including several displayed here for the first time, highlighting their aesthetic quality even while explaining, by means of the catalogue, the ethnographic context of their production and use. Nigel Barley provides new angles of approach for considering, understanding, and perhaps even better appreciating the art of Nigeria.
The Lower Niger Bronzes
Author: Philip M. Peek
Publisher: Taylor & Francis
ISBN: 1000096874
Category : Art
Languages : en
Pages : 251
Book Description
This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium. Philip M. Peek’s research provides a critical context for the better-known casting traditions of Igbo-Ukwu, Ife, and Benin. Both the necessary ores and casting skills were widely available, contrary to previous scholarly assumptions. The majority of the Lower Niger Bronzes, which we know number in the thousands, are of subjects not found elsewhere, such as leopard skull replicas, grotesque bell heads, ritual objects, and humanoid figures. Important puzzle pieces are now in place to permit a more complete reconstruction of southern Nigerian history. The book will be of interest to scholars working in art history, African studies, African history, and anthropology.
Publisher: Taylor & Francis
ISBN: 1000096874
Category : Art
Languages : en
Pages : 251
Book Description
This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium. Philip M. Peek’s research provides a critical context for the better-known casting traditions of Igbo-Ukwu, Ife, and Benin. Both the necessary ores and casting skills were widely available, contrary to previous scholarly assumptions. The majority of the Lower Niger Bronzes, which we know number in the thousands, are of subjects not found elsewhere, such as leopard skull replicas, grotesque bell heads, ritual objects, and humanoid figures. Important puzzle pieces are now in place to permit a more complete reconstruction of southern Nigerian history. The book will be of interest to scholars working in art history, African studies, African history, and anthropology.
Nigerian Scams Revisited
Author: Gary Baines
Publisher: Nova Publishers
ISBN: 9781590334874
Category : Law
Languages : en
Pages : 136
Book Description
If America can be called the land of the scam, then international con artists from Nigeria are hard at work trying to catch up. Although their pitches appear flagrantly false, they take advantage of several weaknesses in human nature like pity for the poor and also an arrogance that no Nigerian could pull one over on a sophisticated American. This new book presents representative and genuine examples of the initial scam approaches, which seem to be rousing victims from the millions of targets of this vast campaign that has been going on for years while gaining in sophistication and cunning. The cases are divided into sections by type and target of the scam.
Publisher: Nova Publishers
ISBN: 9781590334874
Category : Law
Languages : en
Pages : 136
Book Description
If America can be called the land of the scam, then international con artists from Nigeria are hard at work trying to catch up. Although their pitches appear flagrantly false, they take advantage of several weaknesses in human nature like pity for the poor and also an arrogance that no Nigerian could pull one over on a sophisticated American. This new book presents representative and genuine examples of the initial scam approaches, which seem to be rousing victims from the millions of targets of this vast campaign that has been going on for years while gaining in sophistication and cunning. The cases are divided into sections by type and target of the scam.
The Oxford Handbook of History and Material Culture
Author: Ivan Gaskell
Publisher: Oxford University Press
ISBN: 0197500137
Category : Social Science
Languages : en
Pages : 679
Book Description
Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk.
Publisher: Oxford University Press
ISBN: 0197500137
Category : Social Science
Languages : en
Pages : 679
Book Description
Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk.
Horse Magick
Author: Lawren Leo
Publisher: Weiser Books
ISBN: 1633411729
Category : Body, Mind & Spirit
Languages : en
Pages : 210
Book Description
Discover inner strength and wisdom by bringing the power of the equine spirit to life with spells, meditations, and creative visualization. Along with the bear, horses are a primary creature associated with shamanism and traditions influenced by it. They appear in 25,000-year-old cave paintings, such as those at Lascaux. They find a role in the modern African diaspora traditions such as Haitian Vodou, whose devotees are called “horses” for the spirits who ride them during trances. The spirit of the horse exists in the subconscious minds of humans and takes shape in various forms, whether as a symbol of fertility in the land, as in Celtic mythology, or as a psychopomp, which leads the dead to the next world. The horse has made its way into the current of our collective unconscious as a universal archetype. Horse Magick contains spells, rituals, chants, and meditations for many purposes, loosely based around equine imagery. Numerous traditions are represented, as are many deities, including Athena, Epona, and Baba Yaga. No contact with actual horses is required. Through the use of spells and rituals, readers are able to magickally ride to their chosen destinies and fulfill their desires. Workings involve crystals, candles, and Tarot cards, items easily accessible for most readers.
Publisher: Weiser Books
ISBN: 1633411729
Category : Body, Mind & Spirit
Languages : en
Pages : 210
Book Description
Discover inner strength and wisdom by bringing the power of the equine spirit to life with spells, meditations, and creative visualization. Along with the bear, horses are a primary creature associated with shamanism and traditions influenced by it. They appear in 25,000-year-old cave paintings, such as those at Lascaux. They find a role in the modern African diaspora traditions such as Haitian Vodou, whose devotees are called “horses” for the spirits who ride them during trances. The spirit of the horse exists in the subconscious minds of humans and takes shape in various forms, whether as a symbol of fertility in the land, as in Celtic mythology, or as a psychopomp, which leads the dead to the next world. The horse has made its way into the current of our collective unconscious as a universal archetype. Horse Magick contains spells, rituals, chants, and meditations for many purposes, loosely based around equine imagery. Numerous traditions are represented, as are many deities, including Athena, Epona, and Baba Yaga. No contact with actual horses is required. Through the use of spells and rituals, readers are able to magickally ride to their chosen destinies and fulfill their desires. Workings involve crystals, candles, and Tarot cards, items easily accessible for most readers.
Oil Culture
Author: Ross Barrett
Publisher: U of Minnesota Press
ISBN: 1452943958
Category : Nature
Languages : en
Pages : 519
Book Description
In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.
Publisher: U of Minnesota Press
ISBN: 1452943958
Category : Nature
Languages : en
Pages : 519
Book Description
In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.
Methodology, Ideology and Pedagogy of African Art
Author: Moyo Okediji
Publisher: Taylor & Francis
ISBN: 1003848893
Category : Art
Languages : en
Pages : 327
Book Description
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.
Publisher: Taylor & Francis
ISBN: 1003848893
Category : Art
Languages : en
Pages : 327
Book Description
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.
A Companion to Modern African Art
Author: Gitti Salami
Publisher: John Wiley & Sons
ISBN: 1444338374
Category : Art
Languages : en
Pages : 650
Book Description
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Publisher: John Wiley & Sons
ISBN: 1444338374
Category : Art
Languages : en
Pages : 650
Book Description
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Humor in Global Contemporary Art
Author: Mette Gieskes
Publisher: Bloomsbury Publishing
ISBN: 1350415847
Category : Art
Languages : en
Pages : 369
Book Description
Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive array of internationally based scholars covering six major continental regions, the book is organized into four distinct geographical sections: Africa and the Middle East, Asia and Oceania, South and North America, and Europe. This structure highlights the cultural specificity of each region while the book as a whole offers a critical perspective on the postcolonial, globalized art network. Reflecting on present-day processes of globalization and biennialization, which confront viewers with humorous art from a variety of cultures and countries, this book will provide readers with a culturally sensitive understanding of how humor has become vital to many contemporary artists working in an unprecedentedly interconnected world.
Publisher: Bloomsbury Publishing
ISBN: 1350415847
Category : Art
Languages : en
Pages : 369
Book Description
Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive array of internationally based scholars covering six major continental regions, the book is organized into four distinct geographical sections: Africa and the Middle East, Asia and Oceania, South and North America, and Europe. This structure highlights the cultural specificity of each region while the book as a whole offers a critical perspective on the postcolonial, globalized art network. Reflecting on present-day processes of globalization and biennialization, which confront viewers with humorous art from a variety of cultures and countries, this book will provide readers with a culturally sensitive understanding of how humor has become vital to many contemporary artists working in an unprecedentedly interconnected world.
Starbook
Author: Ben Okri
Publisher: Random House
ISBN: 1407022555
Category : Fiction
Languages : en
Pages : 432
Book Description
Starbook tells the tale of a prince and a maiden in a mythical land where a golden age is ending. Their fragile story considers the important questions we all face, exploring creativity, wisdom, suffering and transcendence in a time when imagination still ruled the world. A magnificent achievement and a modern-day parable, Starbook offers a vision of life far greater than ourselves.
Publisher: Random House
ISBN: 1407022555
Category : Fiction
Languages : en
Pages : 432
Book Description
Starbook tells the tale of a prince and a maiden in a mythical land where a golden age is ending. Their fragile story considers the important questions we all face, exploring creativity, wisdom, suffering and transcendence in a time when imagination still ruled the world. A magnificent achievement and a modern-day parable, Starbook offers a vision of life far greater than ourselves.