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Author: K. LaMothe
Publisher: Springer
ISBN: 1403977267
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
This book investigates the role Nietzsche's dance images play in his project of "revaluing all values" alongside the religious rhetoric and subject matter evident in the work of Isadora Duncan and Martha Graham, who found justification and guidance in Nietzsche's texts for developing dance as a medium of religious expression.
Author: K. LaMothe
Publisher: Springer
ISBN: 1403977267
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
This book investigates the role Nietzsche's dance images play in his project of "revaluing all values" alongside the religious rhetoric and subject matter evident in the work of Isadora Duncan and Martha Graham, who found justification and guidance in Nietzsche's texts for developing dance as a medium of religious expression.
Author: Georg Stauth
Publisher: Wiley-Blackwell
ISBN: 9780631154075
Category : Social Science
Languages : en
Pages : 254
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Book Description
Author: Kimerer L. LaMothe
Publisher: Columbia University Press
ISBN: 023153888X
Category : Philosophy
Languages : en
Pages : 305
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Book Description
Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.
Author: Georges Liébert
Publisher: University of Chicago Press
ISBN: 0226480879
Category : Music
Languages : en
Pages : 302
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Book Description
He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness."--Jacket.
Author: Philipa Rothfield
Publisher: Routledge
ISBN: 1000079678
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
Dance and the Corporeal Uncanny takes the philosophy of the body into the field of dance, through the lens of subjectivity and via its critique. It draws on dance and performance as its dedicated field of practice to articulate a philosophy of agency and movement. It is organized around two conceptual paradigms - one phenomenological (via Merleau-Ponty), the other an interpretation of Nietzschean philosophy, mediated through the work of Deleuze. The book draws on dance studies, cultural critique, ethnography and postcolonial theory, seeking an interdisciplinary audience in philosophy, dance and cultural studies.
Author: Uri Wernik
Publisher: Rowman & Littlefield
ISBN: 1498528686
Category : Psychology
Languages : en
Pages : 259
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Book Description
Friedrich Nietzsche declared himself to be “a psychologist who has not his peer.” Nietzschean Psychology and Psychotherapy: The New Doctors of the Soul illustrates why he was correct and indicates that he was also a soul doctor “who has not his peer.” He is usually unknown to psychologists and treated by philosophers as if he was a philosopher who, as such, wrote about some issues relating to the philosophy of mind. This book acquaints psychologists with Nietzsche and introduces him to philosophers in a new light. It presents Nietzsche’s contributions to psychology, wisdom of life, and psychotherapy dispersed throughout his writings. It hails him the “Overturner,” demonstrating how he overturned many of our notions about love, crime, happiness, morality, language, consciousness, logic, memory, emotions, happiness, and self-actualizing. He is portrayed as the precursor and champion of action-, chance-, and acceptance-oriented self-help and therapy, far from being, as is often claimed, a proponent of depth-, dynamic- or insight-oriented psychotherapy.
Author: Susan Jones
Publisher: OUP Oxford
ISBN: 0191009431
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
This book explores the complex relationship between literature and dance in the era of modernism. During this period an unprecedented dialogue between the two art forms took place, based on a common aesthetics initiated by contemporary discussions of the body and gender, language, formal experimentation, primitivism, anthropology, and modern technologies such as photography, film, and mechanisation. The book traces the origins of this relationship to the philosophical antecedents of modernism in the nineteenth century and examines experimentation in both art forms. The book investigates dance's impact on the modernists' critique of language and shows the importance to writers of choreographic innovations by dancers of the fin de siècle, of the Ballets Russes, and of European and American experimentalists in non-balletic forms of modern dance. A reciprocal relationship occurs with choreographic use of literary text. Dance and literature meet at this time at the site of formal experiments in narrative, drama, and poetics, and their relationship contributes to common aesthetic modes such as symbolism, primitivism, expressionism, and constructivism. Focussing on the first half of the twentieth century, the book locates these transactions in a transatlantic field, giving weight to both European and American contexts and illustrating the importance of dance as a conduit of modernist preoccupations in Europe and the US through patterns of influence and exchange. Chapters explore the close interrelationships of writers and choreographers of this period including Mallarmé, Nietzsche, Yeats, Conrad, Woolf, Lawrence, Pound, Eliot, and Beckett, Fuller, Duncan, Fokine, Nijinsky, Massine, Nijinska, Balanchine, Tudor, Laban, Wigman, Graham, and Humphrey, and recover radical experiments by neglected writers and choreographers from David Garnett and Esther Forbes to Andrée Howard and Oskar Schlemmer.
Author: Salim Kemal
Publisher: Cambridge University Press
ISBN: 9780521522724
Category : Philosophy
Languages : en
Pages : 372
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Book Description
This collection of essays examines Nietzsche's aesthetic account of the origins and ends of philosophy.
Author: Sondra Horton Fraleigh
Publisher: University of Pittsburgh Pre
ISBN: 9780822971702
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
In her remarkable book, Sondra Horton Fraleigh examines and describes dance through her consciousness of dance as an art, through the experience of dancing, and through the existential and phenomenological literature on the lived body. She describes, with performance photographs, specific imagery in dance masterworks by Doris Humphrey, Anna Sokolow, Viola Farber, Nina Weiner, and Garth Fagan.
Author: Andrew Huddleston
Publisher:
ISBN: 0198823673
Category : Philosophy
Languages : en
Pages : 206
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Book Description
Andrew Huddleston presents a striking challenge to the standard view of Nietzsche as the champion of the great individual, and preoccupied with his own quasi-artistic self-cultivation. Huddleston focuses on Nietzsche's idea of a flourishing culture to bring out the deep social and collectivist character of his thought.
