Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Nietzsche in the Early Work of Thomas Mann
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Nietzsche in the Early Work of Thomas Mann
Author: Roger Archibald Nicholls
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 119
Book Description
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 119
Book Description
Nietzsche in the Early Work of Thomas Mann
Author: R.A. Nicholls
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Nietzsche in the Early Work of Thomas Mann
Author: Roger Archibal Nicholls
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Nietzsche in the Early Works of Thomas Mann
Author: Roger Archibald Nicholls
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Nietzsche in the Early Work of Thomas Mann. By R.A. Nicholls. Berkeley and Los Angeles; University of California Press, 1955
Author: Wolfgang Leppmann
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
Nietzsche in the Early Work of Thomas Mann
Author: Roger Archibald Nicholls
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
Book Description
Thomas Mann and Friedrich Nietzsche
Author: Caroline Joan Picart
Publisher: Rodopi
ISBN: 9789042005570
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Traditional interpretations of Thomas Mann's relation to Nietzsche's writings plot out a simple relation of earlier adulation and later rejection. The book argues that Mann's disavowal of Nietzsche's influence was, in the words of T.J. Reed, a necessary political act when the repudiation of Nietzsche's more hysterical doctrines required such a response. Using a genealogical method, the book traces how Mann labors ambivalently under the shadow of Nietzsche's writings on his own political artistry through a detailed analysis of Mann's Death in Venice, Dr. Faustus, the Joseph tetralogy, and Confessions of Felix Krull, Confidence Man. Using the recurring Nietzschean themes of eroticism, death, music, and laughter as a guide, it arrives at a rough picture of how Mann both takes up and discontinues Nietzsche's poetic heritage. The book derives the vision of the interrelationships binding these four leitmotiv elements from Dürer's magic square as depicted in Melancholia I. The link with Dürer is far from arbitrary because Mann directly aligned Nietzschean insight with Dürer's world of passion, sympathy with suffering, the macabre stench of rotting flesh, and Faustian melancholy.
Publisher: Rodopi
ISBN: 9789042005570
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Traditional interpretations of Thomas Mann's relation to Nietzsche's writings plot out a simple relation of earlier adulation and later rejection. The book argues that Mann's disavowal of Nietzsche's influence was, in the words of T.J. Reed, a necessary political act when the repudiation of Nietzsche's more hysterical doctrines required such a response. Using a genealogical method, the book traces how Mann labors ambivalently under the shadow of Nietzsche's writings on his own political artistry through a detailed analysis of Mann's Death in Venice, Dr. Faustus, the Joseph tetralogy, and Confessions of Felix Krull, Confidence Man. Using the recurring Nietzschean themes of eroticism, death, music, and laughter as a guide, it arrives at a rough picture of how Mann both takes up and discontinues Nietzsche's poetic heritage. The book derives the vision of the interrelationships binding these four leitmotiv elements from Dürer's magic square as depicted in Melancholia I. The link with Dürer is far from arbitrary because Mann directly aligned Nietzschean insight with Dürer's world of passion, sympathy with suffering, the macabre stench of rotting flesh, and Faustian melancholy.
R.A. Nicholls; Nietzsche in the Early Work of Thomas Mann. University of California Publications in Modern Philology, Vol. XLV. Berkeley: University of California Press, 1955
Author: André von Gronicka
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
Book Description
Thomas Mann and Friedrich Nietzsche
Author: Caroline Joan (Kay) S. Picart
Publisher: BRILL
ISBN: 9004494944
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Traditional interpretations of Thomas Mann's relation to Nietzsche's writings plot out a simple relation of earlier adulation and later rejection. The book argues that Mann's disavowal of Nietzsche's influence was, in the words of T.J. Reed, a necessary political act when the repudiation of Nietzsche's more hysterical doctrines required such a response. Using a genealogical method, the book traces how Mann labors ambivalently under the shadow of Nietzsche's writings on his own political artistry through a detailed analysis of Mann's Death in Venice, Dr. Faustus, the Joseph tetralogy, and Confessions of Felix Krull, Confidence Man. Using the recurring Nietzschean themes of eroticism, death, music, and laughter as a guide, it arrives at a rough picture of how Mann both takes up and discontinues Nietzsche's poetic heritage. The book derives the vision of the interrelationships binding these four leitmotiv elements from Dürer's magic square as depicted in Melancholia I. The link with Dürer is far from arbitrary because Mann directly aligned Nietzschean insight with Dürer's world of passion, sympathy with suffering, the macabre stench of rotting flesh, and Faustian melancholy.
Publisher: BRILL
ISBN: 9004494944
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Traditional interpretations of Thomas Mann's relation to Nietzsche's writings plot out a simple relation of earlier adulation and later rejection. The book argues that Mann's disavowal of Nietzsche's influence was, in the words of T.J. Reed, a necessary political act when the repudiation of Nietzsche's more hysterical doctrines required such a response. Using a genealogical method, the book traces how Mann labors ambivalently under the shadow of Nietzsche's writings on his own political artistry through a detailed analysis of Mann's Death in Venice, Dr. Faustus, the Joseph tetralogy, and Confessions of Felix Krull, Confidence Man. Using the recurring Nietzschean themes of eroticism, death, music, and laughter as a guide, it arrives at a rough picture of how Mann both takes up and discontinues Nietzsche's poetic heritage. The book derives the vision of the interrelationships binding these four leitmotiv elements from Dürer's magic square as depicted in Melancholia I. The link with Dürer is far from arbitrary because Mann directly aligned Nietzschean insight with Dürer's world of passion, sympathy with suffering, the macabre stench of rotting flesh, and Faustian melancholy.