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Author: Mark Anderson
Publisher: A&C Black
ISBN: 1472532899
Category : Philosophy
Languages : en
Pages : 236
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Book Description
It is commonly known that Nietzsche is one of Plato's primary philosophical antagonists, yet there is no full-length treatment in English of their ideas in dialogue and debate. Plato and Nietzsche is an advanced introduction to these two thinkers, with original insights and arguments interspersed throughout the text. Through a rigorous exploration of their ideas on art, metaphysics, ethics, and the nature of philosophy, and by explaining and analyzing each man's distinctive approach, Mark Anderson demonstrates the many and varied ways they play off against one another. This book provides the background necessary to understanding the principle matters at issue between these two philosophers and to developing an awareness that Nietzsche's engagement with Plato is deeper and more nuanced than it is often presented as being.
Author: Mark Anderson
Publisher: A&C Black
ISBN: 1472532899
Category : Philosophy
Languages : en
Pages : 236
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Book Description
It is commonly known that Nietzsche is one of Plato's primary philosophical antagonists, yet there is no full-length treatment in English of their ideas in dialogue and debate. Plato and Nietzsche is an advanced introduction to these two thinkers, with original insights and arguments interspersed throughout the text. Through a rigorous exploration of their ideas on art, metaphysics, ethics, and the nature of philosophy, and by explaining and analyzing each man's distinctive approach, Mark Anderson demonstrates the many and varied ways they play off against one another. This book provides the background necessary to understanding the principle matters at issue between these two philosophers and to developing an awareness that Nietzsche's engagement with Plato is deeper and more nuanced than it is often presented as being.
Author: Daniel Came
Publisher:
ISBN: 0199545960
Category : Philosophy
Languages : en
Pages : 266
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Book Description
Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.
Author: Julian Young
Publisher: Cambridge University Press
ISBN: 9780521455756
Category : Art
Languages : en
Pages : 196
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Book Description
This is a clear and lucid account of Nietzsche's philosophy of art.
Author: Sebastian Schütze
Publisher: 5 Continents Editions
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
"Around 1900, a small group of influential patrons, critics, writers, and artists turned Weimar, the capital of the small Duchy of Sachsen-Weimar-Eisenach in present-day Germany, into a utopian centre of modern art and thought. Artists like Max Klinger, Edvard Munch, and Ludwig von Hofmann, and writers like André Gide, Hugo von Hofmannsthal, and Rainer Maria Rilke sought to create a 'New Weimar and position Friedrich Nietzsche at its head as the radical prophet of modernity. Nietzsche's profound thinking, expressive language, and poignant aphoristic style made him the ideal philosopher of modernism. It is only as an aesthetic phenomenon that existence and the world are eternally justified. With philosophical maxims, such as this from The Birth of Tragedy, Nietzsche became an extraordinary influence on artists and critics in their search for a 'new art,' a 'new man,' and, ultimately, a 'new society.' In 1902, two years after the philosopher's death, Max Klinger was commissioned to carve his portrait for the Villa Silberblick in Weimar, where the cult of Nietzsche was organized. Starting from a heavily reworked death mask, he executed the famous marble herm that still today adorns the reception room of the Nietzsche Archive. Only three monumental bronze versions were cast, one of which is now in the collection of the National Gallery of Canada. With this sculpture in focus, accompanied by a series of paintings, drawings, plaster casts, and small bronzes, 'Radical Modernism' will show how Klinger and his patrons invented the 'official' Nietzsche, transforming a highly expressionist portrait into an idealized classical cult image."--publisher.
Author: Aaron Ridley
Publisher: Routledge
ISBN: 1134375441
Category : Philosophy
Languages : en
Pages : 270
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Book Description
Nietzsche is one of the most important modern philosophers and his writings on the nature of art are amongst the most influential of the nineteenth and twentieth centuries. This GuideBook introduces and assesses: Nietzsche's life and the background to his writings on art the ideas and texts of his works which contribute to art, including The Birth of Tragedy, Human, All Too Human and Thus Spoke Zarathustra Nietzsche's continuing importance to philosophy and contemporary thought. This GuideBook will be essential reading for all students coming to Nietzsche for the first time.
Author: Philip Pothen
Publisher: Routledge
ISBN: 1351585037
Category : Philosophy
Languages : en
Pages : 340
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Book Description
This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.
Author: Salim Kemal
Publisher: Cambridge University Press
ISBN: 9780521522724
Category : Philosophy
Languages : en
Pages : 372
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Book Description
This collection of essays examines Nietzsche's aesthetic account of the origins and ends of philosophy.
Author: Stephen Snyder
Publisher: Springer
ISBN: 3319940724
Category : Philosophy
Languages : en
Pages : 301
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Book Description
This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.
Author: Anthony Mario Ludovici
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 276
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Book Description
Author: Daniel Came
Publisher: OUP Oxford
ISBN: 0191662895
Category : Philosophy
Languages : en
Pages : 266
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Book Description
Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to lie not in l'art pour l'art, but in the role that it might play in enabling us positively to 'revalue' the world and human experience. This volume brings together a number of distinguished figures in contemporary Anglo-American Nietzsche scholarship to examine his views on art and the aesthetic in the context of this wider philosophical project. All of the major themes of Nietzsche's aesthetics are discussed: art and the affirmation of life, the relationship between art and truth, music, tragedy, the nature of aesthetic experience, the role of art in Nietzsche's positive ethics, his critique of romanticism, and his ambivalent attitude towards Richard Wagner.