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Author: Barbara McCandless
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Karl Struss (1886-1981) was a master of both still and motion picture photography. A native of New York City, he first studied photography with Clarence White and soon mastered the tenets of pictorialism. Alfred Stieglitz featured his work in a 1910 exhibition and a 1912 issue of Camera Work and invited Struss to become a member - as it turned out, the last member - of the Photo-Secession. New York to Hollywood: The Photography of Karl Struss surveys this consummate artist's long career with the camera, including his pioneering color photography using the autochrome process, his photographic explorations of New York and Europe before War World I, his images of Hollywood stars and western landscapes and seascapes, and his motion picture work. Essayist Bonnie Yochelson surveys his early work in New York, Richard Koszarski his career in cinematography, and Barbara McCandless examines how Struss' background and early work not only led him to Hollywood but greatly contributed to the artistry of the still-young film industry there. John and Susan Edwards Harvith, who rediscovered Struss' work in the 1970's and interviewed him at length in his later years, round out the portrait of both the man and the artist.
Author: Barbara McCandless
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Karl Struss (1886-1981) was a master of both still and motion picture photography. A native of New York City, he first studied photography with Clarence White and soon mastered the tenets of pictorialism. Alfred Stieglitz featured his work in a 1910 exhibition and a 1912 issue of Camera Work and invited Struss to become a member - as it turned out, the last member - of the Photo-Secession. New York to Hollywood: The Photography of Karl Struss surveys this consummate artist's long career with the camera, including his pioneering color photography using the autochrome process, his photographic explorations of New York and Europe before War World I, his images of Hollywood stars and western landscapes and seascapes, and his motion picture work. Essayist Bonnie Yochelson surveys his early work in New York, Richard Koszarski his career in cinematography, and Barbara McCandless examines how Struss' background and early work not only led him to Hollywood but greatly contributed to the artistry of the still-young film industry there. John and Susan Edwards Harvith, who rediscovered Struss' work in the 1970's and interviewed him at length in his later years, round out the portrait of both the man and the artist.
Author: Giuliana Muscio
Publisher: Fordham Univ Press
ISBN: 0823279391
Category : Performing Arts
Languages : en
Pages : 455
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Book Description
This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian Giuliana Muscio investigates the significant influence of Italian immigrant actors, musicians, and directors on Hollywood cinema. Using a provocative interdisciplinary approach, Muscio demonstrates how these artists and workers preserved their cultural and performance traditions, which led to innovations in the mode of production and in the use of media technologies. In doing so, she sheds light on the work of generations of artists, as well as the cultural evolution of “Italian-ness” in America over the past century. Muscio examines the careers of Italian performers steeped in an Italian theatrical culture that embraced high and low, tragedy and comedy, music, dance, acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
Author: Richard Koszarski
Publisher: Rutgers University Press
ISBN: 9780813542935
Category : Motion picture industry
Languages : en
Pages : 592
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Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
Author: Eve Babitz
Publisher: New York Review of Books
ISBN: 1590178912
Category : Fiction
Languages : en
Pages : 352
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Book Description
Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is.
Author: Kody Christiansen
Publisher:
ISBN: 9781941969885
Category :
Languages : en
Pages :
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Book Description
"Dreams can often turn into heartbreak. Just ask Kaleb, a renowned female illusionist whose tumultuous journey from Texas to New York to Hollywood, and back again, serves as the catalyst for this tragic but ultimately inspiring true story. Appearing on national television as his alter ego "Sarah Summers," Kaleb immerses himself in the Hollywood celebrity culture, including heavy drug and alcohol abuse. He uses his talents to beguile women while confusing men. When he falls in love with a famous rock star, his world is turned upside down. Every peak Kaleb reaches in the entertainment world is followed by stumbles into many self-imposed despairing valleys. A series of tragic events sends him back to New York where his world becomes even darker and more ominous as this once enchanting creature turns into a homeless alcoholic struggling through New York City's shelter system. Kaleb's determination to turn his life around and resurrect his entertainment career is hard fought and awe inspiring." This is the true story of my life. Some names have been changed to protect those involved.
Author: Michael Lindsay-Hogg
Publisher: Knopf
ISBN: 0307594688
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and the allegations that Orson Welles was his real father.
Author: Giuliana Muscio
Publisher: Fordham University Press
ISBN: 0823279405
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Napoli/New York/Hollywood is an absorbing investigation of the significant impact that Italian immigrant actors, musicians, and directors—and the southern Italian stage traditions they embodied—have had on the history of Hollywood cinema and American media, from 1895 to the present day. In a unique exploration of the transnational communication between American and Italian film industries, media or performing arts as practiced in Naples, New York, San Francisco, and Los Angeles, this groundbreaking book looks at the historical context and institutional film history from the illuminating perspective of the performers themselves—the workers who lend their bodies and their performance culture to screen representations. In doing so, the author brings to light the cultural work of families and generations of artists that have contributed not only to American film culture, but also to the cultural construction and evolution of “Italian-ness” over the past century. Napoli/New York/Hollywood offers a major contribution to our understanding of the role of southern Italian culture in American cinema, from the silent era to contemporary film. Using a provocative interdisciplinary approach, the author associates southern Italian culture with modernity and the immigrants’ preservation of cultural traditions with innovations in the mode of production and in the use of media technologies (theatrical venues, music records, radio, ethnic films). Each chapter synthesizes a wealth of previously under-studied material and displays the author’s exceptional ability to cover transnational cinematic issues within an historical context. For example, her analysis of the period from the end of World War I until the beginning of sound in film production in the end of the 1920s, delivers a meaningful revision of the relationship between Fascism and American cinema, and Italian emigration. Napoli/New York/Hollywood examines the careers of those Italian performers who were Italian not only because of their origins but because their theatrical culture was Italian, a culture that embraced high and low, tragedy and comedy, music, dance and even acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
Author: John Bengtson
Publisher: Santa Monica Press
ISBN: 1595808884
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
Immensely popular and prolific, Harold Lloyd sold more movie tickets during the Golden Age of Comedy than any other comedian. From Coney Island to Catalina Island, and from Brooklyn to Beverly Hills, Lloyd’s movies captured visions of silent-era America unequaled on the silver screen. A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy, and Speedy, and matches them with archival photographs, vintage maps, and scores of then-and-now comparison photographs, illuminating both Lloyd’s comedic genius, and the burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films. The book represents John Bengtson’s completion of his trilogy of works focusing on the three great geniuses of silent film comedy (Keaton, Chaplin, and Lloyd) in what Oscar-winning historian Kevin Brownlow calls “a new art form.”
Author: John Clifford
Publisher: University Press of Florida
ISBN: 0813072018
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
A talented young dancer and his brilliant teacher In this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine’s Apprentice is the story of Clifford—an exceptionally talented artist—and the guiding inspiration for his life’s work in dance. Growing up in Hollywood with parents in show business, Clifford acted in television productions such as The Danny Kaye Show, The Dinah Shore Show, and Death Valley Days. He recalls the beginning of his obsession with ballet: At age 11 he was cast as the Prince in a touring production of The Nutcracker. The director was none other than the legendary Balanchine, who would eventually invite Clifford to New York City and shape his career as both a mentor and artistic example. During his dazzling tenure with the New York City Ballet, Clifford danced the lead in 47 works, several created for him by Balanchine, Jerome Robbins, and others. He partnered famous ballerinas including Gelsey Kirkland and Allegra Kent. He choreographed eight ballets for the company, his first at age 20. He performed in Russia, Germany, France, and Canada. Afterward, he returned to the West Coast to found the Los Angeles Ballet, where he continued to innovate based on the Balanchine technique. In this book, Clifford provides firsthand insight into Balanchine’s relationships with his dancers, including Suzanne Farrell. Examining his own attachment to his charismatic teacher, Clifford explores questions of creative influence and integrity. His memoir is a portrait of a young dancer who learned and worked at lightning speed, who pursued the calls of art and genius on both coasts of America and around the world.
Author: Stephen Schochet
Publisher: Hollywood Stories
ISBN: 0963897276
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Just when you thought you've heard everything about Hollywood comes a totally original new book - a special blend of biography, history and lore. Hollywood Stories is packed with wild, wonderful short tales about famous stars, movies, directors and many others who have been part of the world's most fascinating, unpredictable industry! Full of funny moments and twist endings, Hollywood Stories features an amazing, icons and will keep you totally entertained!
