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Author: John Boston
Publisher: Wildside Press LLC
ISBN: 1479409820
Category : Fiction
Languages : en
Pages : 395
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Book Description
In the mid-1960s, British science fiction and fantasy were convulsed by the "New Wave." This movement emerged from the SF magazines edited by John Carnell. Such brilliant NEW WORLDS and SCIENCE FANTASY writers as J. G. Ballard, Brian W. Aldiss, John Brunner, and Michael Moorcock heralded the rise of this new kind of fantastic fiction. John Boston and Damien Broderick's concluding volume of their critical trilogy examines the history and development of these important magazines--and the fiction that they championed. By the end of this period (1964), Carnell had set the stage for that major development in UK science fiction--the new wave adventures of the transformed NEW WORLDS, under the editorship of Moorcock--and had himself shifted gear into the next mode of SF publishing as editor of the paperback anthology series, New Writings in SF. Boston and Broderick's series will become the definitive critical histories of these important British magazines. Complete with indices of names and titles cited.
Author: John Boston
Publisher: Wildside Press LLC
ISBN: 1479409820
Category : Fiction
Languages : en
Pages : 395
Get Book Here
Book Description
In the mid-1960s, British science fiction and fantasy were convulsed by the "New Wave." This movement emerged from the SF magazines edited by John Carnell. Such brilliant NEW WORLDS and SCIENCE FANTASY writers as J. G. Ballard, Brian W. Aldiss, John Brunner, and Michael Moorcock heralded the rise of this new kind of fantastic fiction. John Boston and Damien Broderick's concluding volume of their critical trilogy examines the history and development of these important magazines--and the fiction that they championed. By the end of this period (1964), Carnell had set the stage for that major development in UK science fiction--the new wave adventures of the transformed NEW WORLDS, under the editorship of Moorcock--and had himself shifted gear into the next mode of SF publishing as editor of the paperback anthology series, New Writings in SF. Boston and Broderick's series will become the definitive critical histories of these important British magazines. Complete with indices of names and titles cited.
Author: John Boston
Publisher: Wildside Press LLC
ISBN: 1434447200
Category : Fiction
Languages : en
Pages : 333
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Book Description
Building New Worlds is a history of a pivotal decades-long episode in the birth and growth of today's science fiction. Enthralling and amusing, it's written with affection and wit. This is no dry, modishly theorized academic analysis. Nor is it a rah-rah celebration of the "Good Old Days." Here is a candid and astute reader's response to a magazine that, by today's standards, was often comically bad--but was also immensely important in its time, and improved, like the Little Engine (or maybe Starship) That Could. New Worlds is best remembered today as the fountainhead of the New Wave of audacious experimental SF in the second half of the 1960s, under editor Michael Moorcock. But these first pioneering issues, from 1946-59, were edited by the magazine’s founder, John "Ted" Carnell (1912-72). Carnell was a pillar of the old-style UK SF establishment, but gamely supportive of innovators--most famously, of the brilliant J. G. Ballard, Brian W. Aldiss, and John Brunner, whose early work he nurtured. The story of how New Worlds got started, survived, and got better is essential to the history of the genres of the fantastic in the UK--and indeed, the world. And huge fun to read. Watch for the companion volumes, New Worlds: Before the New Wave, and Strange Highways, dealing with New World's companion magazine, Science Fantasy.
Author: John Boston
Publisher:
ISBN: 9781479400416
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
In the mid-1960s, British science fiction and fantasy were convulsed by the "New Wave." This movement emerged from the SF magazines edited by John Carnell. Such brilliant NEW WORLDS and SCIENCE FANTASY writers as J. G. Ballard, Brian W. Aldiss, John Brunner, and Michael Moorcock heralded the rise of this new kind of fantastic fiction. John Boston and Damien Broderick's concluding volume of their critical trilogy examines the history and development of these important magazines--and the fiction that they championed. By the end of this period (1964), Carnell had set the stage for that major development in UK science fiction--the new wave adventures of the transformed NEW WORLDS, under the editorship of Moorcock--and had himself shifted gear into the next mode of SF publishing as editor of the paperback anthology series, New Writings in SF. Boston and Broderick's series will become the definitive critical histories of these important British magazines. Complete with indices of names and titles cited.
Author: Gerry Canavan
Publisher: Cambridge University Press
ISBN: 1316733017
Category : Literary Criticism
Languages : en
Pages :
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Book Description
The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.
Author: Richard Neupert
Publisher: Univ of Wisconsin Press
ISBN: 0299217035
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Author: Ann-Marie Einhaus
Publisher: Cambridge University Press
ISBN: 1316033597
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
This Companion provides an accessible overview of short fiction by writers from England, Scotland, Ireland, Wales, and other international sites. A collection of international experts examine the development of the short story in a variety of contexts from the early nineteenth century to the present. They consider how dramatic changes in the publishing landscape during this period - such as the rise of the fiction magazine and the emergence of new opportunities in online and electronic publishing - influenced the form, covering subgenres from detective fiction to flash fiction. Drawing on a wealth of critical scholarship to place the short story in the English literary tradition, this volume will be an invaluable guide for students of the short story in English.
Author: Gerry Canavan
Publisher: Cambridge University Press
ISBN: 1316240274
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
The Cambridge Companion to American Science Fiction explores the relationship between the ideas and themes of American science fiction and their roots in the American cultural experience. Science fiction in America has long served to reflect the country's hopes, desires, ambitions, and fears. The ideas and conventions associated with science fiction are pervasive throughout American film and television, comics and visual arts, games and gaming, and fandom, as well as across the culture writ large. Through essays that address not only the history of science fiction in America but also the influence and significance of American science fiction throughout media and fan culture, this companion serves as a key resource for scholars, teachers, students, and fans of science fiction.
Author: Patrick Russell
Publisher: Bloomsbury Publishing
ISBN: 1838718133
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Britain emerged from war a changed country, facing new social, industrial and cultural challenges. Its documentary film tradition – established in the 1930s and 1940s around legendary figures such as Grierson, Rotha and Jennings – continued evolving, utilising technical advances, displaying robust aesthetic concerns, and benefiting from the entry into the industry of wealthy commercial sponsors. Thousands of films were seen by millions worldwide. Received wisdom has been that British documentary went into swift decline after the war, resurrected only by Free Cinema and the arrival of television documentary. Shadows of Progress demolishes these simplistic assumptions, presenting instead a complex and nuanced picture of the sponsored documentary in flux. Patrick Russell and James Piers Taylor explore the reasons for the period's critical neglect, and address the sponsorship, production, distribution and key themes of British documentary. They paint a vivid picture of institutions – from public bodies to multinational industries – constantly redefining their relationships with film as a form of enlightened public relations. Many of the issues that these films addressed could not be more topical today: the rise of environmentalism; the balance of state and industry, individual and community; a nation and a world travelling from bust to boom and back again. In the second part of the book, contributors from the curatorial and academic world provide career biographies of key film-makers of the period. From Lindsay Anderson's lesser-known early career to neglected film-makers like John Krish, Sarah Erulkar, Eric Marquis and Derrick Knight, a kaleidoscopic picture is built up of the myriad relationships of artist and sponsor.
Author: Geoffrey Nowell-Smith
Publisher: OUP Oxford
ISBN: 0191518182
Category : Performing Arts
Languages : en
Pages : 847
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Book Description
The Oxford History of World Cinema is the most authoritative, up-to-date history of the Cinema ever undertaken. It traces the history of the twentieth-century's most enduringly popular entertainment form, covering all aspects of its development, stars, studios, and cultural impact. The book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the Avant-Garde, and from Hollywood to Hong Kong, with an international team of distinguished film historians telling the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel. Other chapters outline the evolution of national cinemas round the world - the varied and distinctive filmic traditions that have developed alongside Hollywood. Also included are over 140 special inset features on the film-makers and personalities - Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman - who have had an enduring impact in popular memory and cinematic lore. With over 300 illustrations, a full bibliography, and an extensive index, The Oxford History of World Cinema is an invaluable and entertaining guide and resource for the student and general reader.
Author: Mark Bould
Publisher: Taylor & Francis
ISBN: 1040042953
Category : Literary Criticism
Languages : en
Pages : 537
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Book Description
The New Routledge Companion to Science Fiction provides an overview of the study of science fiction across multiple academic fields. It offers a new conceptualisation of the field today, marking the significant changes that have taken place in sf studies over the past 15 years. Building on the pioneering research in the first edition, the collection reorganises historical coverage of the genre to emphasise new geographical areas of cultural production and the growing importance of media beyond print. It also updates and expands the range of frameworks that are relevant to the study of science fiction. The periodisation has been reframed to include new chapters focusing on science fiction produced outside the Anglophone context, including South Asian, Latin American, Chinese and African diasporic science fiction. The contributors use both well- established critical and theoretical approaches and embrace a range of new ones, including biopolitics, climate crisis, critical ethnic studies, disability studies, energy humanities, game studies, medical humanities, new materialisms and sonic studies. This book is an invaluable resource for students and established scholars seeking to understand the vast range of engagements with science fiction in scholarship today.
