Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521483216
Category : Drama
Languages : en
Pages : 108
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Book Description
New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558419
Category : Drama
Languages : en
Pages : 108
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet. Topics covered in number 44 include: 'Spectatorial Theory in the Age of the Media Culture', and 'The Company You Keep: Subversive Thoughts on the Impact of the Playwright and the Performer'.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558426
Category : Drama
Languages : en
Pages : 98
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521448130
Category : Drama
Languages : en
Pages : 108
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521565028
Category : Drama
Languages : en
Pages : 108
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521626903
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: John Wyver
Publisher: Bloomsbury Publishing
ISBN: 1350006602
Category : Drama
Languages : en
Pages : 289
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Book Description
No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company. Starting with Richard III filmed in the Shakespeare Memorial Theatre before World War One, the RSC's accomplishments continue today with highly successful live cinema broadcasts. The Wars of the Roses (BBC, 1965), Peter Brook's film of King Lear (1971), Channel 4's epic version of Nicholas Nickleby (1982) and Hamlet with David Tennant (BBC, 2009) are among their most iconic adaptations. Many other RSC productions live on as extracts in documentaries, as archival recordings, in trailers and in other fragmentary forms. Screening the Royal Shakespeare Company explores this remarkable history of collaborations between stage and screen and considers key questions about adaptation that concern all those involved in theatre, film and television. John Wyver is a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon, and is uniquely well-placed to provide a vivid account of the company's television and film productions. He contributes an award-winning practitioner's insight into screen adaptation's numerous challenges and rich potential.
Author: Tetsuo Kishi
Publisher: Taylor & Francis
ISBN: 1040128912
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
Extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late nineteenth-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.
Author: Professor Graham Ley
Publisher: Royal College of General Practitioners
ISBN: 0859899640
Category : History
Languages : en
Pages : 285
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Book Description
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of ‘the contemporary’. The theatre is attractive for its history and also for its lively present. These essays explore aspects of historical performance in ancient Greece, and link thoughts on its significance to wider reflections on cultural theory from around the world and performance in the contemporary postmodern era, concluding with ideas on the new theatre of the diaspora. Each section of the book includes a short introduction; the essays and shorter interventions take various forms, but all are concerned with theatre, with practical aspects of theatre and theoretical dimensions of its study. The subjects range from ancient Greece to the present day, and include speculations on the origin of ancient tragic acting, the kinds of festival performance in ancient Athens, how performance is reflected in the tragic scripts, the significance of the presence of the chorus, technology and the ancient theatre, comparative thinking on Greek, Indian and Japanese theory, a critique of the rhetoric of performance theory and of postmodernism, reflections on modernism and theatre, and on the importance of adaptation to theatre, studies of the theatre and diaspora in Britain.
Author: Franz Mehring
Publisher: New York, Critics group
ISBN:
Category : German drama
Languages : en
Pages : 72
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Book Description
