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Author: James F. Austin
Publisher: Yale University Press
ISBN: 0300118228
Category : Language Arts & Disciplines
Languages : en
Pages : 162
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Book Description
"On the occasion of the fiftieth anniversary of the French Nouvelle Vague, this volume of Yale French studies aims to take the pulse of French and Francophone cinema today by exploring the national, transnational, and post-colonial spaces of twenty-first-century France."--From publisher description.
Author: James F. Austin
Publisher: Yale University Press
ISBN: 0300118228
Category : Language Arts & Disciplines
Languages : en
Pages : 162
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Book Description
"On the occasion of the fiftieth anniversary of the French Nouvelle Vague, this volume of Yale French studies aims to take the pulse of French and Francophone cinema today by exploring the national, transnational, and post-colonial spaces of twenty-first-century France."--From publisher description.
Author: Sharif Gemie
Publisher: Cambridge Scholars Publishing
ISBN: 1443864161
Category : History
Languages : en
Pages : 153
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Book Description
The wars of the twentieth century uprooted people on a previously unimaginable scale to the extent that being a refugee became an increasingly widespread experience. With the arrival of refugees, governments of host countries had to mediate between divided national populations: some wished to welcome those arriving in search of refuge; others preferred a strategy of exclusion or even expulsion. At the same time, refugees had to manage conflicts of the self as they responded to the loss of nationhood, families, socio-political networks, material goods, and arguably also a sense of belonging or home. While return migration was usually perceived by governments and refugees alike as the best solution to the dilemmas of forced displacement, consensus about the timing and dynamics of how this would actually occur was very difficult to achieve. In practice, the return of refugees to their countries of origin rarely, if ever, produced a wholly satisfactory outcome. Conflicts clearly resulted in forced displacement, but it is equally true that forced displacement created conflicts. The complex inter-relationship of conflict, return migration and the sometimes chimerical, but still compelling search for a sense of home is the central preoccupation of the contributors to the two volumes of the Coming Home? series. Scholars from history, literature, cultural studies and sociology explore the tensions between nation-states and migrants as they have anticipated, implemented or challenged the process of return migration during the twentieth and twenty-first centuries. The first volume – Coming Home? Conflict and Return Migration in the Aftermath of Europe’s Twentieth-Century Civil Wars – covers the period of the Spanish Civil War to the Cold War with a focus on Western, Central and Eastern Europe. This book shifts attention to the colonial and post-colonial framework of the French-North African nexus.
Author: James S. Williams
Publisher: Manchester University Press
ISBN: 1526102226
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)
Author: James F. Austin
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 180
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Book Description
"On the occasion of the fiftieth anniversary of the French Nouvelle Vague, this volume of Yale French studies aims to take the pulse of French and Francophone cinema today by exploring the national, transnational, and post-colonial spaces of twenty-first-century France."--From publisher description.
Author: Oliver Brett
Publisher: Springer
ISBN: 3319967010
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
This book explores the space of queer documentary through the modernist optic of Marcel Proust’s ‘lieu factice’ (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary in France and Italy, from the beginning of the new millennium onwards, is seen to re-write the coherence of ‘place’ through a range of emerging queer realities. Proposing the post-queer as a way of contending with the spatial dynamics of these contexts, analysis of key texts positions place as mourned, conceded and intersectional. The performance of place as agency is considered through the notional film, the radical archive of documentary, the enactment of politics, queer indeterminacy and a phenomenology of the object, the frame and queer mobility. The central themes of family, gender, dis/location, in/visibility and re/presentation question blind investment in the integrity of being emplaced.
Author: Kristin Lené Hole
Publisher: Routledge
ISBN: 1317408047
Category : Social Science
Languages : en
Pages : 672
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Book Description
Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.
Author: Jonathan Ervine
Publisher: University of Wales Press
ISBN: 1783165537
Category : Art
Languages : en
Pages : 251
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Book Description
This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France’s Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge clichés about these areas. The conclusion assesses what these films show about contemporary French political cinema.
Author: Rebecca J. DeRoo
Publisher: Univ of California Press
ISBN: 0520279409
Category : Art
Languages : en
Pages : 248
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Book Description
"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history"--Provided by publisher.
Author: Toni Pressley-Sanon
Publisher: Lexington Books
ISBN: 0739198793
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This comprehensive collection of essays dedicated to the work of filmmaker Raoul Peck is the first of its kind. The essays, interview, and keynote addresses collected in Raoul Peck: Power, Politics, and the Cinematic Imagination focus on the ways in which power and politics traverse the work of Peck and are central to his cinematic vision. At the heart of this project is the wish to gather diverse interpretations of Raoul Peck’s films in a single volume. The essays included herein are written by scholars from different disciplines and are placed alongside Peck’s own articulations around the nature of power and politics. Raoul Peck: Power, Politics, and the Cinematic Imagination provides an introduction to Peck’s better-known films, interpretations of his rarely seen and recently released early films, and original analyses of his more recent films. It endeavors to explore the ways in which the dual themes of power and politics inform the work of Peck by taking a multidisciplinary approach to contextualizing his filmography. It culls contributions from scholars who write from a wide range of disciplines including history, film studies, literary studies, postcolonial studies, French and Francophone studies and African studies. The result is a volume that offers divergent perspectives and frames of expertise by which to understand Peck’s oeuvre that continues to expand and deepen.
Author: Mohit Chandna
Publisher: Leuven University Press
ISBN: 946270273X
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Colonialism advanced its project of territorial expansion by changing the very meaning of borders and space. The colonial project scripted a unipolar spatial discourse that saw the colonies as an extension of European borders. In his monograph, Mohit Chandna engages with narrations of spatial conflicts in French and Francophone literature and film from the nineteenth to the early twenty-first century. In literary works by Jules Verne, Ananda Devi, and Patrick Chamoiseau, and film by Michael Haneke, Chandna analyzes the depiction of ever-changing borders and spatial grammar within the colonial project. In so doing, he also examines the ongoing resistance to the spatial legacies of colonial practices that act as omnipresent enforcers of colonial borders. Literature and film become sites that register colonial spatial paradigms and advance competing narratives that fracture the dominance of these borders. Through its analyses Spatial Boundaries, Abounding Spaces shows that colonialism is not a finished project relegated to our past. Colonialism is present in the here and now, and exercises its power through the borders that define us.
