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Author: Regina Barreca
Publisher: Routledge
ISBN: 100057931X
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
First published in 1992, the twenty-one original essays in this volume explore the way women have used humor to break down cultural stereotypes between the genders. Examples from literature and the performing arts deal with humor and violence, humor and disability, humor and the supposition of women’s shame, lesbian and ethnic humor, and particularly women’s responses to men’s humor. The essayists present traditional issues from new perspectives and take us from Italy in the Renaissance to today’s New York comedy clubs. They may make you laugh; they may make you nervous. They will certainly make you reevaluate the importance of placing women at the center of a discussion of comedy.
Author: Regina Barreca
Publisher: Routledge
ISBN: 100057931X
Category : Literary Criticism
Languages : en
Pages : 226
Get Book
Book Description
First published in 1992, the twenty-one original essays in this volume explore the way women have used humor to break down cultural stereotypes between the genders. Examples from literature and the performing arts deal with humor and violence, humor and disability, humor and the supposition of women’s shame, lesbian and ethnic humor, and particularly women’s responses to men’s humor. The essayists present traditional issues from new perspectives and take us from Italy in the Renaissance to today’s New York comedy clubs. They may make you laugh; they may make you nervous. They will certainly make you reevaluate the importance of placing women at the center of a discussion of comedy.
Author: Regina Barreca
Publisher: Routledge
ISBN: 1000579247
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
First published in 1988, the 19 original essays (and three "Sylvia" cartoons) included in this volume deal with the gender-specific nature of comedy. This pioneering collection observes the creation of women’s comedy from a wide range of standpoints: political, sociological, psychoanalytical, linguistic, and historical. The writers explore the role of women’s comedy in familiar and unfamiliar territory, from Austen to Weldon, from Behn to Wasserstein. The questions they raise will lead to a redefinition of the genre itself.
Author: Eileen Gillooly
Publisher: University of Chicago Press
ISBN: 9780226294018
Category : Language Arts & Disciplines
Languages : en
Pages : 282
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Book Description
Like sex, Eileen Gillooly argues, humor has long been viewed as a repressed feature of nineteenth-century femininity. However, in the works of writers such as Jane Austen, George Eliot, Elizabeth Gaskell, Anthony Trollope, and Henry James, Gillooly finds an understated, wryly amusing perspective that differs subtly but significantly in rhetoric, affect, and politics from traditional forms of comic expression. Gillooly shows how such humor became, for mostly female writers at the time, an unobtrusive and prudent means of expressing discontent with a culture that was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as "masculine," then for Gillooly, the passivity, indirection, and sympathy of the humor she discusses render it "feminine." She goes on to disclose how the humorous tactics employed by writers from Burney to Wharton persist in the work of Barbara Pym, Anita Brookner, and Penelope Fitzgerald. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.
Author: Finney
Publisher: Routledge
ISBN: 1134304668
Category : Performing Arts
Languages : en
Pages : 377
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Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Regina Barreca
Publisher: Routledge
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
The 19 original essays (and three Sylvia cartoons) included in this volume deal with the gender-specific nature of comedy. The collection observes the creation of women's comedy from a wide range of standpoints: political, sociological, psychoanalytical, linguistic, and historical. The writers explore the role of women's comedy in familiar and unfamilair territory, from Austen to Weldon, from Behn to Wasserstein. The questions they raise will lead to a redefinition of the genre itself.
Author: Delia Chiaro
Publisher: Routledge
ISBN: 1317804155
Category : Social Science
Languages : en
Pages : 361
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Book Description
In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with scholars from various fields undertaking research in these areas. The first publications that emerged in the field of gender studies came out of disciplines such as philosophy, history, and literature, while early works in the area of humor studies initially concentrated on language, linguistics, and psychology. Since then, both fields have flourished, but largely independently. This book draws together and focuses the work of scholars from diverse disciplines on intersections of gender and humor, giving voice to approaches in disciplines such as film, television, literature, linguistics, translation studies, and popular culture.
Author: Suzanne Lavin
Publisher: Routledge
ISBN: 1135934444
Category : Humor
Languages : en
Pages : 162
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Book Description
This work examines the dramatic changes in America women's comedy performance in the years 1955-1995.The study focuses on the standup of Phyllis Diller and Roseanne andon the character comedy of Lily Tomlin. As the historical arc of women's comedy unfolds, it outlines a change from the traditional vaudevillian style of standup, as represented by Diller (50s-70s), to a more satiric comedy represented by Tomlin (60s-80s) and Roseanne (80s-90s).
Author: Antonis Petrides
Publisher: Cambridge Scholars Publishing
ISBN: 152755158X
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
PIERIDES II, Series Editors: Philip Hardie and Stratis Kyriakidis The re-emergence of Menander from the landfills of Egypt in the late-19th century and the subsequent discovery of the Bodmer Codex in the 1950s caused a sensation among scholars. After a period in which the primary editing and reconstruction of the substantially preserved plays and fragments was the main line of criticism, scholars were finally in a position to take a deep breath and look at Menander and New Comedy, both Greek and Roman, in wider contexts of interpretation and with fresh perspectives drawn from innovative work both in Classical and more modern studies. This book aims to showcase these new approaches to postclassical comedy. The individual contributions, six in total, approach New Comedy as theatrical performance, but also as a dynamic player in the socio-political discourses of the polis culture that gave birth to it. The chapters highlight continuities as well as discontinuities with the cultural and literary past of Athens and the Greek world, but mostly emphasise the progressiveness of New Comedy as a genre and its importance for the nascent culture of Hellenism and Rome thereafter. Blume’s introductory chapter tells the story of Menander’s re-emergence from the tenebrae in full detail. The other five chapters are dual in nature: expositional of a method, but also practical examples of it. They are arranged in a fashion which underlines the major theoretical underpinnings of New Comedy studies, as they are being developed in the present: Cultural Studies (David Konstan and Susan Lape), Intertextuality and Performance (Antonis K. Petrides and Rosanna Omitowoju), and Reception in Rome (Sophia Papaioannou).
Author: Jennifer Wagner-Lawlor
Publisher: Routledge
ISBN: 1351790528
Category : Business & Economics
Languages : en
Pages : 395
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Book Description
This title was first published in 2000: "Comedy" and "humour" are not words most associate with the Victorian period, yet their culture was rife with laughter and irony. The 12 essays in this volume reanimate this "comic spirit" by exploring the humour in its social context. While previous studies of humour in the period focus on the age's own ongoing interest in the old distinction in comic theory between wit and humour, this volume aims to show how inadequate this distinction is in accounting for the many types of Victorian comic representation. The essays turn from linguistic or psychological analyses of humour towards the social production of humour and the cultural dynamics which underlie it.
Author: Sheila Moeschen
Publisher: Running Press Adult
ISBN: 0762466626
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
A celebration of the most groundbreaking women in comedy who used humor to shake up the status quo and change perceptions of gender and comedy forever. Step aside, Seinfeld. It's time for the brave, hilarious women of comedy to finally get the recognition they deserve. The people who say women aren't funny are actually saying something else: that humor in the hands of women is radical and scary. Nevertheless, women have persisted for generations now, deploying their wit in game-changing ways. The League of Extraordinarily Funny Women is a beautifully illustrated book that showcases fifty women -- past and present -- who use humor to deliver cutting social commentary, tangle with sensitive subjects, challenge traditional ideas about femininity, and, above all, do anything but sit still and stay quiet when laughs are on the line. The result is a sisterhood of empowering and often under-recognized figures who have gone on to become standups, writers, and actresses, including Mae West, Lucille Ball, Gilda Radner, Tina Fey, Amy Sedaris, Wanda Sykes, Ellen DeGeneres, Mindy Kaling, Jessica Williams, and many more.
