New Perspectives on Women and Comedy PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download New Perspectives on Women and Comedy PDF full book. Access full book title New Perspectives on Women and Comedy by Regina Barreca. Download full books in PDF and EPUB format.
Author: Regina Barreca
Publisher: Routledge
ISBN: 100057931X
Category : Literary Criticism
Languages : en
Pages : 226
Get Book Here
Book Description
First published in 1992, the twenty-one original essays in this volume explore the way women have used humor to break down cultural stereotypes between the genders. Examples from literature and the performing arts deal with humor and violence, humor and disability, humor and the supposition of women’s shame, lesbian and ethnic humor, and particularly women’s responses to men’s humor. The essayists present traditional issues from new perspectives and take us from Italy in the Renaissance to today’s New York comedy clubs. They may make you laugh; they may make you nervous. They will certainly make you reevaluate the importance of placing women at the center of a discussion of comedy.
Author: Regina Barreca
Publisher: Routledge
ISBN: 100057931X
Category : Literary Criticism
Languages : en
Pages : 226
Get Book Here
Book Description
First published in 1992, the twenty-one original essays in this volume explore the way women have used humor to break down cultural stereotypes between the genders. Examples from literature and the performing arts deal with humor and violence, humor and disability, humor and the supposition of women’s shame, lesbian and ethnic humor, and particularly women’s responses to men’s humor. The essayists present traditional issues from new perspectives and take us from Italy in the Renaissance to today’s New York comedy clubs. They may make you laugh; they may make you nervous. They will certainly make you reevaluate the importance of placing women at the center of a discussion of comedy.
Author: Regina Barreca
Publisher: Routledge
ISBN: 1000579247
Category : Literary Criticism
Languages : en
Pages : 284
Get Book Here
Book Description
First published in 1988, the 19 original essays (and three "Sylvia" cartoons) included in this volume deal with the gender-specific nature of comedy. This pioneering collection observes the creation of women’s comedy from a wide range of standpoints: political, sociological, psychoanalytical, linguistic, and historical. The writers explore the role of women’s comedy in familiar and unfamiliar territory, from Austen to Weldon, from Behn to Wasserstein. The questions they raise will lead to a redefinition of the genre itself.
Author: Eileen Gillooly
Publisher: University of Chicago Press
ISBN: 9780226294018
Category : Language Arts & Disciplines
Languages : en
Pages : 282
Get Book Here
Book Description
Like sex, Eileen Gillooly argues, humor has long been viewed as a repressed feature of nineteenth-century femininity. However, in the works of writers such as Jane Austen, George Eliot, Elizabeth Gaskell, Anthony Trollope, and Henry James, Gillooly finds an understated, wryly amusing perspective that differs subtly but significantly in rhetoric, affect, and politics from traditional forms of comic expression. Gillooly shows how such humor became, for mostly female writers at the time, an unobtrusive and prudent means of expressing discontent with a culture that was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as "masculine," then for Gillooly, the passivity, indirection, and sympathy of the humor she discusses render it "feminine." She goes on to disclose how the humorous tactics employed by writers from Burney to Wharton persist in the work of Barbara Pym, Anita Brookner, and Penelope Fitzgerald. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.
Author: Sheila Moeschen
Publisher: Running Press Adult
ISBN: 0762466626
Category : Performing Arts
Languages : en
Pages : 329
Get Book Here
Book Description
A celebration of the most groundbreaking women in comedy who used humor to shake up the status quo and change perceptions of gender and comedy forever. The League of Extraordinarily Funny Women celebrates the outstanding contributions of fifty women in comedy past and present. From legends like Lucille Ball, Joan Rivers, and Tina Fey to current comedy heroes like Issa Rae, Lena Waithe, Abbi Jacobson, and Tig Notaro, this beautifully illustrated book charts a rich lineage of women using humor to speak truth to power, tangle with sensitive subjects, challenge the status quo, and do anything but sit still and stay quiet when laughs are on the line. Some of these women broke boundaries as pioneers on stage as well as in front of and behind the camera. Others penned their way into the history of American humor, redrawing the boundaries of writers' rooms to include diverse voices and perspectives. Through their collective work as stand-ups, sketch and improv comics, humor writers, and slapstick film stars, these women formed a network forged by creativity, guts, and a deep love of what comedy can do and be. In the process, they continue to pass their knowledge and insights from woman to woman, from funny generation to funny generation, offering support, inspiration, and, above all, laughter.
Author: Finney
Publisher: Routledge
ISBN: 1134304668
Category : Performing Arts
Languages : en
Pages : 377
Get Book Here
Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ben La Farge
Publisher: Springer
ISBN: 1137465689
Category : Literary Criticism
Languages : en
Pages : 146
Get Book Here
Book Description
Moving effortlessly from Greek to Shakespearean tragedies, to nineteenth and twentieth-century British, American and Russian drama, and fiction and contemporary television, this study sheds new light on the art of comedy.
Author: Caty Borum Chattoo
Publisher: University of California Press
ISBN: 0520299779
Category : Social Science
Languages : en
Pages : 295
Get Book Here
Book Description
Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age.
Author: Lori Landay
Publisher: University of Pennsylvania Press
ISBN: 9780812216516
Category : Family & Relationships
Languages : en
Pages : 274
Get Book Here
Book Description
Women have been tricking men for thousands of years, and female tricksters have been appearing in classic and popular texts at least since the Thousand and One Nights. While there are many studies of tricksters, few have focused on the chicanery of women, and none have dealt with the ways in which the female trickster is constructed in America. Madcaps, Screwballs, and Con Women is the first book to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with such nineteenth-century novels as Capitola the Madcap and moving through twentieth-century novels, films, radio, and television shows, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity. She considers texts of the 1920s such as Elinor Glyn's It and Anita Loos's Gentlemen Prefer Blondes; films of Mae West, as well as other Depression-era and wartime film comedy; the postwar television series I Love Lucy; and such contemporary texts as "Roseanne," "Ellen," and "Batman." In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery.
Author: Amy E. Seham
Publisher: Univ. Press of Mississippi
ISBN: 1496802020
Category : Social Science
Languages : en
Pages : 292
Get Book Here
Book Description
On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer. American improv-comedy burst onto the scene in the 1950s with Chicago's the Compass Players (best known for the brilliant comedy duo Mike Nichols and Elaine May) and the Second City, which launched the careers of many popular comedians, including Gilda Radner, John Belushi, and Mike Myers. Chicago continues to be a mecca for young performers who travel from faraway places to study improv. At the same time, the techniques of Chicago improv have infiltrated classrooms, workshops, rehearsals, and comedy clubs across North and South America, Europe, Australia, and Japan. Improv's influence is increasingly evident in contemporary films and in interactive entertainment on the internet. Drawing on the experiences of working improvisers, Whose Improv Is It Anyway? provides a never-before-published account of developments beyond Second City's mainstream approach to the genre. This fascinating history chronicles the origins of "the Harold," a sophisticated new "long-form" style of improv developed in the '80s at ImprovOlympic and details the importance and pitfalls of ComedySports. Here also is a backstage glimpse at the Annoyance Theatre, best known on the national scene for its production of The Real Live Brady Bunch. Readers will get the scoop on the recent work of players who, feeling excluded by early improv's "white guys in ties," created such independent groups as the Free Associates and the African American troupe Oui Be Negroes. There is far more to the art of improv than may be suggested by the sketches on Saturday Night Live or the games on Whose Line Is It Anyway? This history, an insider's look at the evolution of improv-comedy in Chicago, reveals the struggles, the laughter, and the ideals of mutual support, freedom, and openness that have inspired many performers. It explores the power games, the gender inequities, and the racial tensions that can emerge in improvised performance, and it shares the techniques and strategies veteran players use to combat these problems. Improv art is revealed to be an art of compromise, a fragile negotiation between the poles of process and product. The result, as shown here, can be exciting, shimmering, magical, and not exclusively the property of any troupe or actor.
Author: Barbara Levy
Publisher: Routledge
ISBN: 1134385935
Category : Performing Arts
Languages : en
Pages : 198
Get Book Here
Book Description
This engaging and accessible book examines the world of seven contemporary, popular American women writers and their individual use of wit as a subtle and effective strategy to engage, or "control", the reader. A chapter is devoted to each of the seven writers - Lisa Alther, Rita Mae Brown, Nora Ephron, Shirley Jackson, Alison Lurier, Grace Paley, and Anne Tyler - and discusses their writings and their use of wit in the context of their lives. An opening chapter frames wit and control in psychological realities, and a concluding chapter summarizes the power of wit. A bibliography of the writers' works is also included, making this an ideal introduction and companion to these writers and their works.
