Light and Color in the Italian Renaissance Theory of Art PDF Download
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Author: Moshe Barasch
Publisher: New York : New York University Press
ISBN: 9780814709955
Category : Color in art
Languages : en
Pages : 232
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Book Description
Author: Moshe Barasch
Publisher: New York : New York University Press
ISBN: 9780814709955
Category : Color in art
Languages : en
Pages : 232
Get Book Here
Book Description
Author: Jacob De Gheyn
Publisher:
ISBN:
Category : History
Languages : en
Pages : 256
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Book Description
Jacob de Gheyn's 'Exercise of Armes' was an immense success when first published in 1607. It is a fascinating seventeenth-century military manual, designed to instruct contemporary soldiers how to handle arms effectively, and correctly, and it makes for a unique glimpse into warfare as waged in the Thirty Years War and the English Civil War. The manual uses illustrations to clearly demonstrate drills for soldiers employing calivers and muskets. It shows how to load and fire, or merely carry, a matchlock piece. In addition detailed illustrations show the various movements and postures to be adopted during use of the pike. There are 117 illustrations contained in this book and all are fine examples of seventeenth-century art. Each image is detailed and evocative and students of military history and military costume are sure to find them of immense interest. Jacob de Gheyn's manual is an important insight into how the armies of Europe operated in the field in the seventeenth century, but it is also an attractive book of considerable charm and character.
Author: Alison Brown
Publisher: Cambridge University Press
ISBN: 110848946X
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
Uses Piero de' Medici's life as a prism to throw new light on the crisis in Renaissance Italy that revolutionised culture and political thinking.
Author: Jeremy Bangs
Publisher: BRILL
ISBN: 900442055X
Category : History
Languages : en
Pages : 580
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Book Description
Colonial government, Pilgrims, the New England town, Native land, the background of religious toleration, and the changing memory recalling the Pilgrims – all are examined and stereotypical assumptions overturned in 15 essays by the foremost authority on the Pilgrims and Plymouth Colony. Thorough research revises the story of colonists and of the people they displaced. Bangs’ book is required reading for the history of New England, Plymouth Colony, Massachusetts Natives, the Mennonite contribution to religious toleration in Europe and New England, and the history of commemoration, from paintings and pageants to living history and internet memes. If Pilgrims were radical, so is this book.
Author: Serge Bramly
Publisher: Penguin
ISBN: 0140231757
Category : Biography & Autobiography
Languages : en
Pages : 521
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Book Description
"A considerable work of assimilative scholarship and common sense...races along merrily."—The Boston Globe A lively biography of the high genius of the renaissance, Leonardo da Vinci French writer Serge Bramly's classic work of biography portrays Leonard da Vinci as a genius torn by inner conflicts. Using contemporary sources including Leonardo's notebooks and annotated erotic drawings, he presents a complete portrait of the man as well as his genius.
Author: Daniel Quinn
Publisher:
ISBN: 9781893956445
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 778
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Book Description
A world list of books in the English language.
Author: Charles Dempsey
Publisher: UNC Press Books
ISBN: 9780807826164
Category : Art
Languages : en
Pages : 316
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Book Description
The figure of the putto (often portrayed as a mischievous baby) made frequent appearances in the art and literature of Renaissance Italy. Commonly called spiritelli, or sprites, putti embodied a minor species of demon, in their nature neither good
Author: Nathalie Mandel
Publisher:
ISBN: 9782759402052
Category :
Languages : en
Pages : 0
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Book Description
Memling, Van Eyck, Antonello da Messina, Raphael, Holbein, Titian, Leonardo . . . these are the greatest names of the Renaissance which symbolize the ultimate in artistic achievement. Now their work is reproduced in this spectacular, luxury volume printed on cotton paper and exquisitely presented in a brown and turquoise linen case. Whether Italian, Flemish, or German, all were masters of the portrait, a style that was popular and much appreciated during the fifteenth and sixteenth centuries. The genius of these artists allowed them to overcome the limits of the genre and inscribe the art of portraiture into the universal history of mankind. Sharply focused and featuring meticulously researched illustrations, this beautiful book is the first of its kind to shed light on some of the most familiar images in art history. 70 illustrations
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
