New England Landscape History in American Poetry PDF Download
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Author:
Publisher: Cambria Press
ISBN: 1621968642
Category :
Languages : en
Pages : 238
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Book Description
Author:
Publisher: Cambria Press
ISBN: 1621968642
Category :
Languages : en
Pages : 238
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Book Description
Author: Robert Thorson
Publisher: Bloomsbury Publishing USA
ISBN: 0802719201
Category : History
Languages : en
Pages : 307
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Book Description
There once may have been 250,000 miles of stone walls in America's Northeast, stretching farther than the distance to the moon. They took three billion man-hours to build. And even though most are crumbling today, they contain a magnificent scientific and cultural story-about the geothermal forces that formed their stones, the tectonic movements that brought them to the surface, the glacial tide that broke them apart, the earth that held them for so long, and about the humans who built them. Stone walls layer time like Russian dolls, their smallest elements reflecting the longest spans, and Thorson urges us to study them, for each stone has its own story. Linking geological history to the early American experience, Stone by Stone presents a fascinating picture of the land the Pilgrims settled, allowing us to see and understand it with new eyes.
Author: Betsy Melvin
Publisher: UPNE
ISBN: 9781584650676
Category : History
Languages : en
Pages : 88
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Book Description
"A happy and unexpected coordination of images, linguistic and photographic." -- Jay Parini Inspired by the writings of Robert Frost and his view of man and the natural world, professional photographers Betsy and Tom Melvin present beautiful, and sometimes poignant, scenes of the New England landscape in some of its many moods and seasons. Each full-page color photograph is accompanied by a poem, verse, or phrase from Frost which, though often familiar, may provoke us to savor the New England environment anew. The imaginative pairing of photographs and text also conjures up some of the same ambiguity, profundity, and freshness continually offered in Frost's poems.
Author: Lauret Savoy
Publisher: Catapult
ISBN: 1619026686
Category : History
Languages : en
Pages : 240
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Book Description
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.
Author: Richard William Judd
Publisher:
ISBN: 9781625341013
Category : Human ecology
Languages : en
Pages : 0
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Book Description
8. Conserving Urban Ecologies -- 9. Saving Second Nature -- Notes -- Index -- About the Author -- Back Cover
Author: Andrew Delbanco
Publisher: Harvard University Press
ISBN: 9780674006034
Category : History
Languages : en
Pages : 518
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Book Description
From John Winthrop and Anne Bradstreet to Emerson, Hawthorne, Dickinson, and Thoreau to Robert Frost, Wallace Stevens, Robert Lowell, Anne Sexton, and John Updike, this anthology provides a collective self-portrait of the New England mind from the Puritans to the present. 9 halftones.
Author: Charles Wells Moulton
Publisher:
ISBN:
Category :
Languages : en
Pages : 812
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Book Description
Author: John Cotton
Publisher:
ISBN:
Category : Catechisms
Languages : en
Pages : 52
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Book Description
Author: Roger Sedarat
Publisher:
ISBN: 9781604977424
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
As the first region in America, New England offers a locus in which to better understand the emergence of poetic voices closely identified with the experience of their surroundings. Tracking these voices in the verse of four seminal poets over the course of roughly one hundred years allows for a thorough survey of common links as to how speakers respond to historical shifts as well as how they view the landscape in the context of a shared literary tradition.Though scholars have explored the relationship between the work of these four poets and the New England region, the primal lyric tension that ultimately defines the voices that readers have come to identify as "Dickinson" or "Lowell" warrant closer investigation. No study has yet to use Lacanian psychoanalysis to read the speakers of this verse in the context of historical changes in their surroundings. This post-structural reading allows for arguably the closest consideration as to how voices take shape in the New England region based upon how the various speakers view the landscape they inhabit through a version of Emerson's perspective via his paradoxically "transparent eyeball" an invisible presence that remains in the foreground because of rhetoric that describes it. For these speakers, history as well as literary tradition serves as such rhetorical covering, which in part offers a new way of considering how they come to sound like they come from "New England" by their visual experience of the environment.In connecting what has become rather standard post-structural theory to the practical relevance of local New England history, this book strives to bridge a recurring divide in literary study. Using Lacanian psychoanalysis to look specifically at the poetic speakers in part makes such an interdisciplinary examination possible. To "see New Englandly" ironically means to be seen by the formative historical effects of New England. Cultural movements shaping the experience of the speakers' surroundings thus inform their conscious and unconscious desires as they in turn project such desires onto the land. The paradox of Emersonian vision especially central to the poetry of Wallace Stevens, wherein transparency gets covered with textual awareness, comes to exemplify this regional view taken by the speakers in the verse of the other poets here as well. The connection of Emerson's transparent eyeball in the New England landscape to the Lacanian gaze offers a means to extend a fundamental trope for lyric vision in the region. Such a critical and theoretical link especially in Stevens's verse offers a revision of readings by scholars like Harold Bloom and Richard Poirier who, though recognizing the importance of Emerson's eyeball as a metaphor of visual priority, have refrained from examining its full implications in a collective body of American literature.The insights that follow such an analysis perhaps make the strongest contribution to the existing scholarship of New England poetry by broadening the scope of the region and the reach of the historical effects that define it. The site of the Lacanian b ance-defined as the gap between nature and the symbolic-which ultimately defines the speakers' inherent self-division, consistently charges the poetry with the greatest tension, paradoxically linking speakers to New England by threatening to disrupt their imaginative connection to their surroundings. This recurring gap around which vision and rhetoric move ultimately make the speakers of Stevens and the other three poets more regional than any slight reference to pine trees, barns, or graveyards.This is an important book for readers interested in American poetry (especially the writings of Ralph Waldo Emerson, Emily Dickinson, Robert Frost, Wallace Stevens, and Robert Lowell), psychoanalysis and literature, deconstructive analyses of modern poetry, and New England regional history.
Author: Tyler Green
Publisher: National Geographic Books
ISBN: 3791378694
Category : Art
Languages : en
Pages : 0
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Book Description
Illustrated by classic American paintings and photographs, and accompanied with a prescient new appraisal, this stunning publication on Emerson’s seminal 1836 essay is at once a meditation on the ways artists influence each other and a timely cri de coeur to cherish and preserve America’s landscape. Widely considered to be the foundational text of the American landscape tradition, Ralph Waldo Emerson’s Nature urges Americans to value and immerse themselves in their country’s landscape, to build American culture from America's nature. Nearly two centuries after the original publication of the essay Nature by Emerson, this captivating book by critic and historian Tyler Green brings together a selection of artistic works in dialog with Emerson’s text for the first time. Green also offers his own fascinating take on Nature through new research into how the essay was informed by Emerson’s experiences of art and, in turn, how it informed American art well into the twentieth century. The result is a unique melding of essay, art, and ideas that will draw new readers to Emerson’s writings, while also introducing a fresh perspective on a critical contribution to the American canon and showing what impact Emerson's text still has for the US to this day.
