Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 232
Book Description
Neue Ausgabe Samtlicher Werke
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 232
Book Description
Neue Ausgabe sämtlicher Werke
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 276
Book Description
Robert Schumann neue Ausgabe sämtlicher Werke
Author: Margit L. McCorkle
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1136
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1136
Book Description
Neue Ausgabe Samtlicher Werke.Bach-Dokumente. Supplement Zu Johann Sebastian Bach Neue Ausgabe Samtlicher Werke
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 248
Book Description
Neue Ausgabe sämtlicher Werke
Author: 03 A79
Publisher:
ISBN:
Category :
Languages : de
Pages : 131
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages : 131
Book Description
Neue Ausgabe sämtlicher Clavier- und Orgelwerke
Author: Johann Jacob Froberger
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 112
Book Description
From the Clarinet D'Amour to the Contra Bass
Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0199711178
Category : Music
Languages : en
Pages : 486
Book Description
Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.
Publisher: Oxford University Press
ISBN: 0199711178
Category : Music
Languages : en
Pages : 486
Book Description
Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.
Bach
Author: Christoph Wolff
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.
The New Grove Schubert
Author: Maurice John Edwin Brown
Publisher: W. W. Norton & Company
ISBN: 9780393315868
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Traces the life of Franz Schubert, describes the development of his muscial career, and discusses the composition of his major works.
Publisher: W. W. Norton & Company
ISBN: 9780393315868
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Traces the life of Franz Schubert, describes the development of his muscial career, and discusses the composition of his major works.
The Variations of Johannes Brahms
Author: Julian Littlewood
Publisher: Plumbago Books and Arts
ISBN: 0954012348
Category : Variations
Languages : en
Pages : 384
Book Description
Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.
Publisher: Plumbago Books and Arts
ISBN: 0954012348
Category : Variations
Languages : en
Pages : 384
Book Description
Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.