Natural History Notes from Grassholm ... Reprinted from the Transactions, Cardiff Naturalists Society, Vol. XXVI. PDF Download
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Author: Robert Drane
Publisher:
ISBN:
Category :
Languages : en
Pages : 13
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Author: Robert Drane
Publisher:
ISBN:
Category :
Languages : en
Pages : 13
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Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
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Book Description
Author: R.W. Furness
Publisher: Springer Science & Business Media
ISBN: 9401513228
Category : Science
Languages : en
Pages : 365
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Book Description
Birds as Monitors of Environmental Change looks at how bird populations are affected by pollutants, water quality, and other physical changes and how this scientific knowledge can help in predicting the effects of pollutants and other physical changes in the environment.
Author: Harvard University
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
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Author: Sidney I. Dobrin
Publisher: SUNY Press
ISBN: 9781438425849
Category : Language Arts & Disciplines
Languages : en
Pages : 344
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Book Description
Examines the rhetorical role of images in communicating environmental ideas.
Author: Donald Grose
Publisher:
ISBN:
Category : Botanists
Languages : en
Pages : 860
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Author: David Blakesley
Publisher: SIU Press
ISBN: 9780809328291
Category : Language Arts & Disciplines
Languages : en
Pages : 328
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The Terministic Screen: Rhetorical Perspectives on Film examines the importance of rhetoric in the study of film and film theory. Rhetorical approaches to film studies have been widely practiced, but rarely discussed until now. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley presents fifteen critical essays that examine rhetoric’s role in such popular films as The Fifth Element, The Last Temptation of Christ, The Usual Suspects, Deliverance, The English Patient, Pulp Fiction, The Music Man, Copycat, Hoop Dreams,and A Time to Kill. Aided by sixteen illustrations, these insightful essays consider films rhetorically, as ways of seeing and not seeing, as acts that dramatize how people use language and images to tell stories and foster identification. Contributors include David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.
Author: Gregg Mitman
Publisher: Harvard University Press
ISBN: 9780674715714
Category : Nature
Languages : en
Pages : 312
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Book Description
Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.
Author: Charles A. Hill
Publisher: Routledge
ISBN: 1135628548
Category : Language Arts & Disciplines
Languages : en
Pages : 423
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Book Description
Images play an important role in developing consciousness and the relationship of the self to its surroundings. In this distinctive collection, editors Charles A. Hill and Marguerite Helmers examine the connection between visual images and persuasion, or how images act rhetorically upon viewers. Chapters included here highlight the differences and commonalities among a variety of projects identified as "visual rhetoric," leading to a more precise definition of the term and its role in rhetorical studies. Contributions to this volume consider a wide variety of sites of image production--from architecture to paintings, from film to needlepoint--in order to understand how images and texts work upon readers as symbolic forms of representation. Each chapter discusses, analyzes, and explains the visual aspect of a particular subject, and illustrates the ways in which messages and meaning are communicated visually. The contributions include work from rhetoric scholars in the English and communication disciplines, and represent a variety of methodologies--theoretical, textual analysis, psychological research, and cultural studies, among others. The editors seek to demonstrate that every new turn in the study of rhetorical practices reveals more possibilities for discussion, and that the recent "turn to the visual" has revealed an inexhaustible supply of new questions, problems, and objects for investigation. As a whole, the chapters presented here demonstrate the wide range of scholarship that is possible when a field begins to take seriously the analysis of images as important cultural and rhetorical forces. Defining Visual Rhetorics is appropriate for graduate or advanced undergraduate courses in rhetoric, English, mass communication, cultural studies, technical communication, and visual studies. It will also serve as an insightful resource for researchers, scholars, and educators interested in rhetoric, cultural studies, and communication studies.
Author: Michael G. Bassett
Publisher:
ISBN:
Category : Dyfed (Wales)
Languages : en
Pages : 338
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Book Description
