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Author: Karen Roggenkamp
Publisher: Kent State University Press
ISBN: 9780873388269
Category : History
Languages : en
Pages : 236
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Book Description
Due to a burgeoning print marketplace during the late nineteenth century, urban newspapers felt pressure to create entertaining prose that appealed to readers, drawing on popular literary genres such as travel adventures, detective tales, and historical romances as a way of framing the news for readers. Using current events for their source documents, reporters fashioned their own dramas based on those that readers recognized from a broadly drawn literary culture. The desire to spin attractive, popular tales sometimes came at the expense of factual information. This novel, commercialized, and sensationalistic style of reporting, called new journalism, was closely tied to American fiction. In Narrating the News Karen Roggenkamp examines five major stories featured in three respected New York newspapers during the 1890s - the story of two antebellum hoaxes, Nellie Bly's around-the-world journey, Lizzie Borden's sensational trial, Evangelina Cisneros's rescue from her Spanish captors, and the Janet Cooke Jimmy's World scandal - to illustrate how new journalism manipulated specific segments of the literary marketplace. on vital topics in literary and cultural studies - gender, expansionism, realism, and professionalization. Unlike previously published studies of literature and journalism, which focus only on a few canonical figures, Roggenkamp looks at part of the history of mass print communications more generally exposing the competitive and reinforcing interplay between specific literary genres and their journalistic revisions. Narrating the News provides an original, significant contribution to the fields of literature, journalism history, and cultural studies.
Author: Karen Roggenkamp
Publisher: Kent State University Press
ISBN: 9780873388269
Category : History
Languages : en
Pages : 236
Get Book Here
Book Description
Due to a burgeoning print marketplace during the late nineteenth century, urban newspapers felt pressure to create entertaining prose that appealed to readers, drawing on popular literary genres such as travel adventures, detective tales, and historical romances as a way of framing the news for readers. Using current events for their source documents, reporters fashioned their own dramas based on those that readers recognized from a broadly drawn literary culture. The desire to spin attractive, popular tales sometimes came at the expense of factual information. This novel, commercialized, and sensationalistic style of reporting, called new journalism, was closely tied to American fiction. In Narrating the News Karen Roggenkamp examines five major stories featured in three respected New York newspapers during the 1890s - the story of two antebellum hoaxes, Nellie Bly's around-the-world journey, Lizzie Borden's sensational trial, Evangelina Cisneros's rescue from her Spanish captors, and the Janet Cooke Jimmy's World scandal - to illustrate how new journalism manipulated specific segments of the literary marketplace. on vital topics in literary and cultural studies - gender, expansionism, realism, and professionalization. Unlike previously published studies of literature and journalism, which focus only on a few canonical figures, Roggenkamp looks at part of the history of mass print communications more generally exposing the competitive and reinforcing interplay between specific literary genres and their journalistic revisions. Narrating the News provides an original, significant contribution to the fields of literature, journalism history, and cultural studies.
Author: Andrew Pettegree
Publisher: Yale University Press
ISBN: 0300179081
Category : History
Languages : en
Pages : 452
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Book Description
DIVLong before the invention of printing, let alone the availability of a daily newspaper, people desired to be informed. In the pre-industrial era news was gathered and shared through conversation and gossip, civic ceremony, celebration, sermons, and proclamations. The age of print brought pamphlets, edicts, ballads, journals, and the first news-sheets, expanding the news community from local to worldwide. This groundbreaking book tracks the history of news in ten countries over the course of four centuries. It evaluates the unexpected variety of ways in which information was transmitted in the premodern world as well as the impact of expanding news media on contemporary events and the lives of an ever-more-informed public. Andrew Pettegree investigates who controlled the news and who reported it; the use of news as a tool of political protest and religious reform; issues of privacy and titillation; the persistent need for news to be current and journalists trustworthy; and people’s changed sense of themselves as they experienced newly opened windows on the world. By the close of the eighteenth century, Pettegree concludes, transmission of news had become so efficient and widespread that European citizens—now aware of wars, revolutions, crime, disasters, scandals, and other events—were poised to emerge as actors in the great events unfolding around them./div
Author: Mara Jill Goldman
Publisher: University of Arizona Press
ISBN: 0816539677
Category : Social Science
Languages : en
Pages : 305
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Book Description
The current environmental crises demand that we revisit dominant approaches for understanding nature-society relations. Narrating Nature brings together various ways of knowing nature from differently situated Maasai and conservation practitioners and scientists into lively debate. It speaks to the growing movement within the academy and beyond on decolonizing knowledge about and relationships with nature, and debates within the social sciences on how to work across epistemologies and ontologies. It also speaks to a growing need within conservation studies to find ways to manage nature with people. This book employs different storytelling practices, including a traditional Maasai oral meeting—the enkiguena—to decenter conventional scientific ways of communicating about, knowing, and managing nature. Author Mara J. Goldman draws on more than two decades of deep ethnographic and ecological engagements in the semi-arid rangelands of East Africa—in landscapes inhabited by pastoral and agropastoral Maasai people and heavily utilized by wildlife. These iconic landscapes have continuously been subjected to boundary drawing practices by outsiders, separating out places for people (villages) from places for nature (protected areas). Narrating Nature follows the resulting boundary crossings that regularly occur—of people, wildlife, and knowledge—to expose them not as transgressions but as opportunities to complicate the categories themselves and create ontological openings for knowing and being with nature otherwise. Narrating Nature opens up dialogue that counters traditional conservation narratives by providing space for local Maasai inhabitants to share their ways of knowing and being with nature. It moves beyond standard community conservation narratives that see local people as beneficiaries or contributors to conservation, to demonstrate how they are essential knowledgeable members of the conservation landscape itself.
Author: Monika Fludernik
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110484994
Category : Literary Criticism
Languages : en
Pages : 751
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Book Description
The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.
Author: Thierry Gervais
Publisher: Routledge
ISBN: 1000213218
Category : Photography
Languages : en
Pages : 257
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Book Description
The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
Author: Anthony M. Nadler
Publisher:
ISBN: 0190913541
Category : Language Arts & Disciplines
Languages : en
Pages : 281
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Book Description
From the National Review to Breitbart, from Fox News to Rush Limbaugh, conservative news is an inescapable feature of modern politics. Since the early days of mass communication, right-wing media producers have blended reporting with commentary, narrating the news of the day from a perspective informed by conservative worldviews and partisanship. News on the Right seeks to initiate a new interdisciplinary field of scholarly research focused on the study of right-wing media and conservative news. Editors Anthony Nadler and A.J. Bauer gather a range of voices, presenting an interdisciplinary investigation into the practices and patterns of meaning-making in the production, circulation, and consumption of conservative news. Traversing journalism, media and communication studies, cultural studies, history, political science, and sociology, this volume utilizes a variety of qualitative and quantitative research methods to elucidate case studies of conservative news cultures in the US and UK. Together, these perspectives show that a fuller understanding of right-wing media and its effects can be reached by treating these phenomena as deeply interwoven into many conservatives' lives and political sensibilities.
Author: Daniel Fischer
Publisher: Taylor & Francis
ISBN: 1000800873
Category : Business & Economics
Languages : en
Pages : 152
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Book Description
Stories and narratives are powerful tools for explaining the world around us. This book explores storytelling as a way of engaging audiences with sustainable development issues and reflects on the opportunities and limitations of storytelling for sustainability as an innovative approach to sustainability communication. Bringing together voices and perspectives from research and practice, this volume explores the ways in which storytelling can support change toward sustainability. Unlike other anthologies, the book first provides a sound scientific basis by unfolding the storytelling approach and presenting empirical studies on its impact on effects. It clarifies important terms and presents recent findings on the impact of storytelling on sustainability from an extensive 3-year research project on this question. The second part shows how storytelling can be used in different fields of practice to communicate sustainability in more engaging and effective ways. Here, the main focus is on not only case-based accounts of positive change, but also tensions, arising from the application of storytelling for sustainability in journalism, higher education, corporate communication, or science communication. Combining theory with practical examples, this innovative book will be a great resource for students and scholars of environmental communication and sustainable development, as well as professionals working in related fields.
Author: Jonathan Bignell
Publisher: Manchester University Press
ISBN: 9780719045011
Category : History
Languages : en
Pages : 244
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Book Description
Using examples such as the Wonderbra advertisements and the film Waterworld, Bignell presents an investigation of the critical approach to contemporary media studies and discusses the challenges posed by post-structuralist theory and postmodernism.
Author: Jonathan Bignell
Publisher: Routledge
ISBN: 0415598176
Category : Performing Arts
Languages : en
Pages : 362
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Book Description
'An Introduction to Television Studies' is a comprehensive introduction to the field. It provides resources for thinking about key aspects and introduces institutional, textual, cultural, economic, production and audience-centred ways of looking at television.
Author: Shashidhar Nanjundaiah
Publisher: Taylor & Francis
ISBN: 1040091458
Category : Social Science
Languages : en
Pages : 272
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Book Description
This book considers the presence of media illiteracy in a world in which we are supposedly consumed by media, live a media life, in a media ecosystem, surrounded by mediated communication. Unpacking this paradoxical situation, the author proposes that before venturing into media literacy, we must first understand the workings of how mystification occurs. Departing from the idea that aesthetics work on an agreed set of principles between art and society, the author applies this ideology of aesthetics to news-based narration. Using empirical cases from India, the author proposes demystification as a possible methodology to approach media illiteracy and recommends completely transformed media literacy programs that deliver to communities, drawing from the construct of critical pedagogy. The book offers the possibilities for a collectivistic, non-Western, postcolonialist model of learning by using the very collective and hierarchical identities of societies that must be critiqued. This vital and innovative book will be an important resource for scholars and students in the areas of media literacy and critical media literacy, media education, journalism, mass communication, aesthetics and media technology.
