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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 191
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 191
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Book Description
Author: Stephen Addiss
Publisher:
ISBN:
Category :
Languages : en
Pages : 191
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Book Description
Author: Hsio-Yen Shih
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: New Orleans Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
A sellection of works from two schools of Japanese painting.
Author: Art Gallery of Windsor
Publisher: Windsor? : s.n.
ISBN:
Category : Nanga
Languages : en
Pages : 27
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Author: Art Gallery of Windsor
Publisher:
ISBN:
Category : Painting, Japanese
Languages : en
Pages :
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Author: Stephen Addiss
Publisher: Shambhala Publications
ISBN: 159030747X
Category : Art
Languages : en
Pages : 111
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Book Description
"When a Zen master puts brush to paper, the resulting image is an expression of the quality of his or her mind. It is thus a teaching, intended to compassionately stop us in our tracks and to compel us to consider ultimate truth. Here, forty masterpieces of painting and calligraphy by renowned masters such as Hakuin Ekaku (1685–1768) and Gibon Sengai (1750–1837) are reproduced along with commentary that illuminates both the art and its teaching. The authors’ essays provide an excellent introduction to both the aesthetic and didactic aspects of this art that can be profound, perplexing, serious, humorous, and breathtakingly beautiful—often all within the same simple piece."--Publisher description.
Author: Galit Aviman
Publisher: Routledge
ISBN: 1351536109
Category : Art
Languages : en
Pages : 242
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Book Description
In Zen Buddhism, the concept of freedom is of profound importance. And yet, until now there has been no in-depth study of the manifestation of this liberated attitude in the lives and artwork of Edo period Zen monk-painters. This book explores the playfulness and free-spirited attitude reflected in the artwork of two prominent Japanese Zen monk-painters: Hakuin Ekaku (1685-1768) and Sengai Gibon (1750-1837). The free attitude emanating from their paintings is one of the qualities which distinguish Edo period Zen paintings from those of earlier periods. These paintings are part of a Zen ink painting tradition that began following the importation of Zen Buddhism from China at the beginning of the Kamakura period (1185-1333). In this study, Aviman elaborates on the nature of this particular artistic expression and identifies its sources, focusing on the lives of the monk-painters and their artwork. The author applies a multifaceted approach, combining a holistic analysis of the paintings, i.e. as interrelated combination of text and image, with a contextualization of the works within the specific historical, art historical, cultural, social and political environments in which they were created.
Author:
Publisher: UM Libraries
ISBN:
Category : Art, East Asian
Languages : en
Pages : 520
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Author:
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 948
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