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Author: Sarah Lawrence College, Writing Class WRIT-3303-R
Publisher: Simon and Schuster
ISBN: 1628723130
Category : Fiction
Languages : en
Pages : 208
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Book Description
Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises? The collective work of Sarah Lawrence writing class 3303 - R, taught by novelist Melvin Jules Bukiet, here is a send-up of contemporary campus life that is also the latest installment in an inglorious literary tradition of wacky fun. And the mayhem hasn’t stopped. Soon, a student is found dead in the library, and, from the quad to the dorms, crime scenes and crises begin to multiply. A wealthy alumni donor becomes alarmed. Enter a libidinous medical examiner. Depicting rampant insecurities and raging egos, and with a cast of characters from conflicted faculty to student cliques, from hemp kids to Ugg girls and the J Crew crew, Naked Came the Post-Postmodernist takes us on a journey some may find eerily familiar. . . . Already featured in the New York Times (“A Whodunit Committed by a Whole Classroom”), this first example of collegiate episodic experimental fiction is certain to draw wide attention on publication.
Author: Sarah Lawrence College, Writing Class WRIT-3303-R
Publisher: Simon and Schuster
ISBN: 1628723130
Category : Fiction
Languages : en
Pages : 208
Get Book Here
Book Description
Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises? The collective work of Sarah Lawrence writing class 3303 - R, taught by novelist Melvin Jules Bukiet, here is a send-up of contemporary campus life that is also the latest installment in an inglorious literary tradition of wacky fun. And the mayhem hasn’t stopped. Soon, a student is found dead in the library, and, from the quad to the dorms, crime scenes and crises begin to multiply. A wealthy alumni donor becomes alarmed. Enter a libidinous medical examiner. Depicting rampant insecurities and raging egos, and with a cast of characters from conflicted faculty to student cliques, from hemp kids to Ugg girls and the J Crew crew, Naked Came the Post-Postmodernist takes us on a journey some may find eerily familiar. . . . Already featured in the New York Times (“A Whodunit Committed by a Whole Classroom”), this first example of collegiate episodic experimental fiction is certain to draw wide attention on publication.
Author: Alan Sokal
Publisher: Picador
ISBN: 1466862408
Category : Philosophy
Languages : en
Pages : 317
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Book Description
In 1996 physicist Alan Sokal published an essay in Social Text--an influential academic journal of cultural studies--touting the deep similarities between quantum gravitational theory and postmodern philosophy. Soon thereafter, the essay was revealed as a brilliant parody, a catalog of nonsense written in the cutting-edge but impenetrable lingo of postmodern theorists. The event sparked a furious debate in academic circles and made the headlines of newspapers in the U.S. and abroad. In Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science, Sokal and his fellow physicist Jean Bricmont expand from where the hoax left off. In a delightfully witty and clear voice, the two thoughtfully and thoroughly dismantle the pseudo-scientific writings of some of the most fashionable French and American intellectuals. More generally, they challenge the widespread notion that scientific theories are mere "narrations" or social constructions.
Author: Marianne DeKoven
Publisher: Duke University Press
ISBN: 9780822332695
Category : History
Languages : en
Pages : 390
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Book Description
DIVThe end of the modern and the emergence of the postmodern in 1960s philosophy, literature, and popular culture./div
Author: Joseph Natoli
Publisher: SUNY Press
ISBN: 9780791416389
Category : Social Science
Languages : en
Pages : 604
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Book Description
These readings are organized into four sections. The first explores the wellsprings of the debates in the relationship between the postmodern and the enterprise it both continues and contravenes: modernism. Here philosophers, social and political commentators, as well as cultural and literary analysts present controversial background essays on the complex history of postmodernism. The readings in the second section debate the possibilityor desirabilityof trying to define the postmodern, given its cultural agenda of decentering, challenging, even undermining the guiding master narratives of Western culture. The readings in the third section explore postmodernisms complicated complicity with these very narratives, while the fourth section moves from theory to practice in order to investigate, in a variety of fields, the common denominators of the postmodern condition in action.
Author: José Blanco F.
Publisher: Bloomsbury Publishing
ISBN: 1350115185
Category : Design
Languages : en
Pages : 288
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Book Description
Scholars have argued that postmodernism is dead and that we are entering into a new era that some have labelled altermodernism, digimodernism, performatism, and post-postmodernism. This book expands on the nascent scholarship of post-postmodernism to highlight how dress, fashion, and appearance are reflections of this new age. The volume starts with a discussion of fashion, subjectivity, and time and an analysis of temporality, technology, and fashion in post-postmodern times. Later chapters analyse the work of design houses and mass producers such as Vetements, Gucci, and Uniqlo whose products align with post-postmodern aesthetics, hyperconsumption, and hypermodern branding. The book looks at diverse geographic and identity markers by discussing post-postmodernism and the religio-politico-cultural questions in South Asian Muslim fashion, image and identity presentation in queer social networking apps, and by exploring fashion designer Tom Ford's output as a movie director. Two chapters discuss the post-postmodern fashion exhibition with analyses of recent exhibitions and an in-depth look at the work of exhibition maker Judith Clark. The final chapter is written by members of The Rational Dress Society, a counter-fashion collective that makes JUMPSUIT, an experimental garment to replace all clothes. Fashion, Dress, and Post-postmodernism is a companion to research on relationships between post-postmodernism, fashion, and dress, and the go-to resource for researchers and students interested in these areas.
Author: Stephen R. C. Hicks
Publisher: Scholargy Publishing, Inc.
ISBN: 9781592476428
Category : Philosophy
Languages : en
Pages : 250
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Book Description
Author: Jeffrey Charles Archer
Publisher: Booktango
ISBN: 1468954903
Category : Body, Mind & Spirit
Languages : en
Pages : 412
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Book Description
Disillusioned with the official religion and institution, artifice and constructs offered as "reality," author Jeffrey Charles Archer hit the road and discovered things are indeed not what they say. Shapeshifters, skinwalkers, sasquatch, fairies and other fantastic creatures and extraordinary experiences make up the true tellings of Memories and Musings of a Post-Postmodern Nomadic Mystic Madman.
Author: Fran Mason
Publisher: Scarecrow Press
ISBN: 0810870215
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored. For example, in fiction, a postmodernist novel might tell a story about a writer struggling with writing (only, perhaps, to find that he is a character in a book by another writer struggling to write a book). The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.
Author: Janice North
Publisher: Springer
ISBN: 3319687719
Category : History
Languages : en
Pages : 360
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Book Description
Pop culture portrayals of medieval and early modern monarchs are rife with tension between authenticity and modern mores, producing anachronisms such as a feminist Queen Isabel (in RTVE’s Isabel) and a lesbian Queen Christina (in The Girl King). This book examines these anachronisms as a dialogue between premodern and postmodern ideas about gender and sexuality, raising questions of intertemporality, the interpretation of history, and the dangers of presentism. Covering a range of famous and lesser-known European monarchs on screen, from Elizabeth I to Muhammad XII of Granada, this book addresses how the lives of powerful women and men have been mythologized in order to appeal to today’s audiences. The contributors interrogate exactly what is at stake in these portrayals; namely, our understanding of premodern rulers, the gender and sexual ideologies they navigated, and those that we navigate today.
Author: Paula Willoquet-Maricondi
Publisher: Scarecrow Press
ISBN: 0810862271
Category : Art
Languages : en
Pages : 447
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Book Description
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
