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Author: Pat Namaka Bacon
Publisher:
ISBN:
Category : Chants, Hawaiian
Languages : en
Pages : 264
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Book Description
82 chants in Hawaiian from Helen Roberts' fieldwork published in her Ancient Hawaiian Music (Bishop Museum bulletin 29), 1929. Includes translations, notes, and brief biographical notes on contributors.
Author: Pat Namaka Bacon
Publisher:
ISBN:
Category : Chants, Hawaiian
Languages : en
Pages : 264
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Book Description
82 chants in Hawaiian from Helen Roberts' fieldwork published in her Ancient Hawaiian Music (Bishop Museum bulletin 29), 1929. Includes translations, notes, and brief biographical notes on contributors.
Author:
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 376
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Book Description
Author: Carlos Andrade
Publisher: University of Hawaii Press
ISBN: 0824862724
Category : History
Languages : en
Pages : 186
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Book Description
Ha‘ena is a land steeped in antiquity yet vibrantly beautiful today as any Hollywood fantasy of a tropical paradise. He ‘aina momona, a rich and fertile land linked to the sea and the rising and setting sun, is a place of gods and goddesses: Pele and her sister, Hi‘iaka, and Laka, patron of hula. It epitomizes the best that can be found in the district of northwestern Kaua‘i, known to aboriginal Hawaiians as Hale Le‘a (House of Pleasure and Delight). This work is an ambitious attempt to provide a unique perspective in the complex story of the ahupua‘a of Ha‘ena. Carlos Andrade begins by examining the stories that identify the origins and places of the earliest inhabitants of Ha‘ena. The narrative outlines the unique relationships developed by Hawaiians with the environment and describes the system used to look after the land and the sea. Andrade goes on to research the changes wrought by concepts and perceptions introduced by European, American, and Asian immigrants. He delves into the impact of land privatization as Hawai‘i struggled to preserve its independence. The Mahele and the Kuleana Act, legislation that laid the foundation for all landholding in Hawai‘i, had a profound influence on Ha‘ena. Part of this story includes a description of the thirty-nine Hawaiians who pooled their resources, bought the entire ahupua‘a of Ha‘ena, and held it in common from the late 1800s to 1967—a little-known chapter in the fight to perpetuate traditional lifeways. Lastly, Andrade collects the stories of kupuna who share their experiences of life in Ha‘ena and surrounding areas, capturing a way of life that is quickly disappearing beneath the rising tide of non-Native people who now inhabit the land. Ha‘ena: Through the Eyes of the Ancestors is a distinctive work, which blends folklore, geography, history, and ethnography. It casts a wide net over information from earliest times to the present, primarily related from a Native perspective. It should be of great interest to historians, ethnologists, sociologists, and students of Hawaiian language, literature, and culture.
Author: George S. Kanahele
Publisher: University of Hawaii Press
ISBN: 9780824822408
Category : Biography & Autobiography
Languages : en
Pages : 474
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Book Description
In her reign as queen, Emma both helped Kamehameha IV prevent the extinction of the Hawaiian people during the end of colonial rule and dedicated much of her philanthropic efforts to Hawai'i's education and health care.
Author: James Revell Carr
Publisher: University of Illinois Press
ISBN: 0252096525
Category : Music
Languages : en
Pages : 241
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Book Description
Hawaiian Music in Motion explores the performance, reception, transmission, and adaptation of Hawaiian music on board ships and in the islands, revealing the ways both maritime commerce and imperial confrontation facilitated the circulation of popular music in the nineteenth century. James Revell Carr draws on journals and ships' logs to trace the circulation of Hawaiian song and dance worldwide as Hawaiians served aboard American and European ships. He also examines important issues like American minstrelsy in Hawaii and the ways Hawaiians achieved their own ends by capitalizing on Americans' conflicting expectations and fraught discourse around hula and other musical practices.
Author: Herman C. Kemp
Publisher: Yayasan Obor Indonesia
ISBN: 9789794614839
Category : Social Science
Languages : en
Pages : 718
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Book Description
Author: Gary Y Okihiro
Publisher: Univ of California Press
ISBN: 0520261674
Category : History
Languages : en
Pages : 326
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Book Description
"This quirky, brilliant book gives the reader the thrill of cultural history done well. Okihiro undertakes a conventional topic in a jarring way, avoiding the assumption of set boundaries of nations and human societies."—Henry Yu, author of Thinking Orientals: Migration, Contact, and Exoticism in Modern America "This beautifully written book integrates the history of Hawai'i into that of the U.S. better than any other I have ever read." —Patricia Seed, author of American Pentimento: The Invention of Indians and the Pursuit of Riches
Author: C. M. Kaliko Baker
Publisher: University of Hawaii Press
ISBN: 0824895290
Category : Social Science
Languages : en
Pages : 263
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Book Description
An essential contribution to contemporary Kanaka Maoli (Native Hawaiian) scholarship, Moʻolelo: The Foundation of Hawaiian Knowledge elevates our understanding of the importance of language and narrative to cultural revitalization. Moʻolelo preserve the words, phrases, sentences, idioms, proverbs, and poetry that define Kānaka Maoli. Encompassing narratives, literature, histories, and traditions, moʻolelo are intimately entwined with cultural identity, reciprocal relationships, and the valuing of place; collectively informing and enriching all Hawaiian life. The contributors—Kanaka Maoli scholars, artists, and advocates fluent in ʻŌlelo Hawaiʻi (Hawaiian language) from across the Pae ʻĀina o Hawaiʻi (Hawaiian archipelago)—describe how moʻolelo constantly inform their linguistic, literary, translation, rhetorical, and performance practices, as well as their political and cultural work. Chapters in ‘Ōlelo Hawaiʻi alternate with chapters in English, with translanguaging appearing when needed. Kamalani Johnson honors Larry Kauanoe Kimura’s commitment to the revitalization of ʻŌlelo Hawaiʻi. Cover artist ʻAhukini Kupihea tells the story of his own creative process and uncovers the layers of meaning behind his artwork. Through careful analysis of nineteenth-century texts, R. Keawe Lopes Jr. demonstrates the importance of moʻolelo and mele (song/poetic expression) preservation. Hiapo Perreira explores the profound relationship between moʻolelo and the resurgence of kākāʻōlelo (oratory). Kekuhi KealiʻikanakaʻoleoHaililani shares a methodology and praxis for engaging with moʻolelo. Highlighting the ideology of aloha ʻāina embedded in mele, Kahikina de Silva reveals themes of political resistance found in mele about food. Kaipulaumakaniolono Baker examines mele that archive key movements in Hawaiʻi’s history and employs contemporary practices to document current events. Tammy Hailiʻōpua Baker delineates the political implications of drawing on moʻolelo heritage in Kanaka Maoli theatre. kuʻualoha hoʻomanawanui focuses upon moʻolelo found in the politically conscious artwork of Kanaka Maoli wāhine (women) visual artists. Kamaoli Kuwada evaluates the difficulties and benefits of translation and stresses the importance of fluency. C. M. Kaliko Baker further demonstrates how fluency and comprehension of moʻolelo make it possible to retrieve essential empirical data on Hawaiian linguistic practice. Kalehua Krug takes us on his journey of learning to become a kākau mōlī (traditional tattoo artist). The essays together provide rich perspectives for Kānaka Maoli seeking to understand their pasts, to define who they are today, and to set their courses for desired and necessary futures.
Author: Andrew N. Weintraub
Publisher: University of Illinois Press
ISBN: 0252056469
Category : Music
Languages : en
Pages : 282
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Book Description
Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil. Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. Leon, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.
Author: Jeannette Marie Mageo
Publisher: University of Hawaii Press
ISBN: 0824841875
Category : Social Science
Languages : en
Pages : 228
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Book Description
How do foreign schemas and objects enter into indigenous ways of understanding the world? How are the cultural self and the cultural other constructed in acts of remembering? What is memory's role in the generation or degeneration of cultural meanings? In contemporary Pacific societies these questions are not merely the subject of scholarly debate but speak to pressing life concerns. This volume offers fruitful responses to such questions, providing insights into colonial memory and its limitations and proposing explanations that illumine cultural memory processes. These processes, in turn, elucidate ways of authoring cultural history and shed light on cultural identity, which, like other forms of identity, is built from a remembered self. Contributors explore valorizations of certain aspects of the remembered past, amnesias about other aspects. Both are part of the rhetoric of colonizing cultures and of cultural identity and nationhood in many contemporary Pacific societies. The provocative analyses and responses offered here are both academic and personal: close engagement with individuals and their ways of life is evident. These are at once intellectual journeys through the colonial landscapes of Pacific memory and attempts to understand the problems of politics and personhood, cultural identity and meaning, for real people in real places. Cultural Memory confronts many of the most central anthropological issues of our time.
