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Author: Carmen L. Robertson
Publisher: Univ. of Manitoba Press
ISBN: 0887555012
Category : Social Science
Languages : en
Pages : 233
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Book Description
Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
Author: Carmen L. Robertson
Publisher: Univ. of Manitoba Press
ISBN: 0887555012
Category : Social Science
Languages : en
Pages : 233
Get Book Here
Book Description
Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
Author: Carmen L. Robertson
Publisher: Univ. of Manitoba Press
ISBN: 0887554997
Category : Social Science
Languages : en
Pages : 316
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Book Description
Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
Author: Mark Cronlund Anderson
Publisher: Univ. of Manitoba Press
ISBN: 0887554067
Category : Social Science
Languages : en
Pages : 377
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Book Description
The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.
Author: Rene Meshake
Publisher: Univ. of Manitoba Press
ISBN: 0887558496
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
This book shares the life story of Anishinaabe artist Rene Meshake in stories, poetry, and Anishinaabemowin “word bundles” that serve as a dictionary of Ojibwe poetics. Meshake was born in the railway town of Nakina in northwestern Ontario in 1948, and spent his early years living off-reserve with his grandmother in a matriarchal land-based community he calls Pagwashing. He was raised through his grandmother’s “bush university,” periodically attending Indian day school, but at the age of ten Rene was scooped into the Indian residential school system, where he suffered sexual abuse as well as the loss of language and connection to family and community. This residential school experience was lifechanging, as it suffocated his artistic expression and resulted in decades of struggle and healing. Now in his twenty-eighth year of sobriety, Rene is a successful multidisciplinary artist, musician and writer. Meshake’s artistic vision and poetic lens provide a unique telling of a story of colonization and recovery. The material is organized thematically around a series of Meshake’s paintings. It is framed by Kim Anderson, Rene’s Odaanisan (adopted daughter), a scholar of oral history who has worked with Meshake for two decades. Full of teachings that give a glimpse of traditional Anishinaabek lifeways and worldviews, Injichaag: My Soul in Story is “more than a memoir.”
Author: Norval Morrisseau
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
A breathtaking retrospective of Canadas most important Native artist.Norval Morrisseau is perhaps the greatest Native artist ever to have lived. He is a shaman, a storyteller and the inspiration for one of Canadas most vibrant and exciting art movements, the Woodland School of Art. Through his magical paintings he has given new life to ancient Native legends and fables and has helped to restore the dignity of his once-proud people. This new edition introduces numerous previously unpublished works to the book, as well as commentaries by collectors who have followed Morrisseaus artistic development through the decades. It also includes Duke Redbirds The Ballad of Noval Morrisseau, a deeply spiritual poem that personifies the power the artists paintings have for his people. A true celebration of the art and life of this remarkable man, Norval Morrisseau: Return to the House of Invention, provides insights into the artists imagination and mastery of his medium. In three essays, and the quotations that accompany the paintings, we learn about Morrisseaus approach to his work and the important historical and cultural influences that shaped his art. He tells us, in his own words, about his travels to the dream-like House of Invention, his source of inspiration for both content and colour. In Norval Morrisseau: Return to the House of Invention, we learn of the myths and legends of his ancestors, which had a profound influence on his brush, and how they relate to his work. The book now contains paintings and other pieces created over Morrisseaus entire career . It is complemented by an essay by Donald C. Robinson, in which he describes the painters unique approach to the physical act of painting, and explains how Morrisseau has developed as a master technician and colorist despite having little formal training.Norval Morrisseau is truly one of the most original and significant artists Canada has ever produced. This exceptional volume stands as a testament to both his incredible talent as a painter and his inspiring depth as a man.
Author: John Reilly
Publisher: Rocky Mountain Books Ltd
ISBN: 1771600314
Category : Law
Languages : en
Pages : 232
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Book Description
During his 33 years as a circuit judge for the Provincial Court of Alberta, John Reilly became interested in aboriginal justice and the failure of the “white” legal system to deliver justice for Aboriginal people. He recognized the harm caused to Native people by Canadian colonialism and the failure of all levels of government, including tribal government, to alleviate their suffering and deal with the conflicting natures of European-style law and indigenous tradition and circumstance. His first book, Bad Medicine: A Judge’s Struggle for Justice in a First Nations Community, was a Canadian bestseller that sparked controversy and elicited praise nationwide for its honest portrayal of First Nations tribal corruption and the conflict Reilly had become embroiled in. With Bad Judgment Reilly details his battle with the Canadian justice system and the difficulties he faced trying to adapt Eurocentric Canadian law for the benefit of First Nations people across the country.
Author: Armand Garnet Ruffo
Publisher: D & M Publishers
ISBN: 1771620471
Category : Biography & Autobiography
Languages : en
Pages : 310
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Book Description
Norval Morrisseau (1932–2007), Ojibway shaman-artist, drew his first sketches at age six in the sand on the shores of Lake Nipigon. By the end of his tumultuous life, the prolific self-taught artist was sought by collectors and imitated by forgers. Critics, art historians and curators alike consider him one of the most innovative artists of the twentieth century. Norval Morrisseau: Man Changing Into Thunderbird is an innovative and rich biography of this charismatic and troubled figure. Drawing upon years of extensive research, including interviews with Morrisseau himself, Armand Ruffo evokes the artist’s life from childhood to death, in all its vivid triumphs and tragedies. Ruffo draws upon his own Ojibway heritage and experiences to provide insight into Morrisseau’s life and iconography from an Ojibway perspective. Captivating and readable, this is a brilliantly creative evocation of the art and life of Norval Morrisseau, a life indelibly tied to art.
Author: Erin Morton
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228013283
Category : Art
Languages : en
Pages :
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Book Description
Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
Author: Heather Igloliorte
Publisher: Taylor & Francis
ISBN: 1000608565
Category : Art
Languages : en
Pages : 582
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Book Description
This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate-level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion, and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodied, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; and collaboration, consultation, and mentorship.
Author: David Penney
Publisher: Smithsonian Institution
ISBN: 1588344525
Category : Art
Languages : en
Pages : 129
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Book Description
This companion volume to an exhibition at the National Museum of the American Indian in New York reveals how Anishinaabe (also known in the United States as Ojibwe or Chippewa) artists have expressed the deeply rooted spiritual and social dimensions of their relations with the Great Lakes region. Featuring 70 color images of visually powerful historical and contemporary works, Before and After the Horizon is the only book to consider the work of Anishinaabe artists overall and to discuss 500 years of Anishinaabe art history.
