Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
Book Description
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
Book Description
Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
Book Description
Music & Letters
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 928
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 928
Book Description
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 590
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 590
Book Description
The Oxford Handbook of Time in Music
Author: Mark Doffman
Publisher: Oxford University Press
ISBN: 0190947292
Category : Music
Languages : en
Pages : 617
Book Description
Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.
Publisher: Oxford University Press
ISBN: 0190947292
Category : Music
Languages : en
Pages : 617
Book Description
Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.
Music Performance Practice in the Early ʻAbbāsid Era 132-320 A.H./750-932 A.D.
Author: George Sawa
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
Book Description
Mixing Musics
Author: Maureen Jackson
Publisher: Stanford University Press
ISBN: 080478566X
Category : Religion
Languages : en
Pages : 273
Book Description
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Publisher: Stanford University Press
ISBN: 080478566X
Category : Religion
Languages : en
Pages : 273
Book Description
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Musical History as Seen through Contemporary Eyes
Author: Benjamin Knysak
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990129740
Category : Music
Languages : en
Pages : 530
Book Description
"Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990129740
Category : Music
Languages : en
Pages : 530
Book Description
"Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.
Etude Music Magazine
Author: Theodore Presser
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 44
Book Description
Includes music.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 44
Book Description
Includes music.