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Author: Duncan Michael Law
Publisher:
ISBN:
Category :
Languages : en
Pages : 75
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Book Description
Author: Duncan Michael Law
Publisher:
ISBN:
Category :
Languages : en
Pages : 75
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Book Description
![Opera and Its Symbols. The Unity of Words, Music, and Staging. [Mit Abb. U. Noten.] PDF](https://books.google.com/books/content/images/frontcover/23vZtwEACAAJ?fife=w80-h100)
Author: Robert Donington
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 248
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Book Description
Author: Elliot Antokoletz
Publisher: Oxford University Press
ISBN: 0195355954
Category : Music
Languages : en
Pages : 361
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Book Description
Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Béla Balázs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.
Author: Kyo Maclear
Publisher: Groundwood Books Ltd
ISBN: 1554989736
Category : Juvenile Fiction
Languages : en
Pages : 162
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Book Description
A story of friendship, first crushes, opera and the high drama of middle school told by award-winning Kyo Maclear in her debut graphic novel. Somewhere in the universe, there is the perfect tune for you. It’s almost the end of middle school, and Charlie has to find her perfect song for a music class assignment. But it’s hard for Charlie to concentrate when she can’t stop noticing her classmate Emile, or wondering about Luka, who hasn’t been to school in weeks. Then, the class learns about opera, and Charlie discovers the music of Maria Callas. The more she learns about Maria’s life, the more Charlie admires her passion for singing and her ability to express herself fully through her music. Can Charlie follow the example of the ultimate diva, Maria Callas, when it comes to her own life? Key Text Features speech bubbles captions bibliography Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.
Author: Robert Donington
Publisher: Yale University Press
ISBN: 9780300056617
Category : Music
Languages : en
Pages : 260
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Book Description
Explains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols
Author: Harriet Boyd-Bennett
Publisher: Cambridge University Press
ISBN: 1107169275
Category : History
Languages : en
Pages : 243
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Book Description
Focusing on opera and modernism in postwar Venice, Boyd-Bennett challenges assumptions about music in the twentieth century.
Author: Leonard Rosmarin
Publisher: BRILL
ISBN: 900464766X
Category : Social Science
Languages : en
Pages : 164
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Book Description
Perhaps no other art form in the Western world has polarized opinion to the same extent as opera. While its devotees can be almost fanatical in their enthusiasm, its detractors will dismiss lyric theatre as an impossible hybrid. Literature and music undermine one another when brought together, they maintain. Their contempt for the genre is more often than not motivated by the supposedly mediocre quality of the librettos or scripts to which the works are set as well as the implausibility of characters singing instead of speaking their emotions. But what if these much maligned scripts provided composers with the raw material necessary to convert stereotypes into exemplary figures and place them in powerfully dramatic situations? What if the unreality of opera opened up gripping vistas onto the reality of human emotions? When Literature Becomes Opera strives to answer these questions by analyzing the artistic process through which literary texts are simplified then transformed into lyric dramas. Using as examples eight outstanding operas inspired by works of French writers (Rigoletto, La traviata, Carmen, Thaïs, La Bohème, Tosca, Pelléas et Mélisande and Dialogues des Carmélites), this study demonstrates that a libretto, like a film script, enters into a partnership with the art it serves: music. When the quality of the partnership is high, all of opera's liabilities that purists take pleasure in deriding become stunning assets.
Author: F. Noske
Publisher: Springer Science & Business Media
ISBN: 9401010870
Category : Music
Languages : en
Pages : 428
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Book Description
The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.
Author: Luca Andrea Giordano
Publisher: New Generation Publishing
ISBN: 9781909878303
Category : Music
Languages : en
Pages : 110
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Book Description
For a long time opera was dominated by larger-than-life characters: kings and queens, gods and goddesses, mythic figures with power over life and death. However, as opera became a more and more popular form of entertainment, the perspective changed. The challenge for composers and librettists was to give these legendary characters common feelings - to put little sorrow in great souls - so that ordinary people could easily identify with on stage dramas. Composers turned to stories about simpler, more realistic characters, creating a whole new set of challenges in the process. Nobody knew that better than Giacomo Puccini whose operas tell us that at some point in their lives, people everywhere, in all walks of life, endure the same trials: love and envy, loss and heartbreak. This is especially true in La Boheme, a drama of everyday events and common people, a story set among struggling artists in the Latin Quarter of Paris. Certain critics have analyzed his music and his stories and concluded that his operas are too easily enjoyable, and maybe not intellectual enough, to justify Puccini's great success. It would be easy to argue that other composers produced operas far more complex and innovative than Puccini's, but that conclusion may also be too simple. Regardless of his methods, Puccini mastered the unique and mystifying synthesis of music, drama and stagecraft that only opera can deliver, and with powerful results. His enduring, popular dramas are graced by appealing and believable characters whose feelings are portrayed so deeply and so vividly that, as we look on, their emotions soon become ours as well, and their heartbreaks seem as wrenching as our own. Luca Andrea Giordano lives in Italy. He holds doctorate degrees in Foreign Languages, Modern Philology, Vocal Performance (Opera and Chamber music) and Oboe. He dedicates his time equally as a linguist and interpreter assisting professional departments at various Italian Music Conservatories in English and French, and as author of extensive analytical works in musicology, linguistics and composition for important publishing houses. He has been associated with the Opera House "Giuseppe Verdi" in Salerno, as chorus member, since 1999. He also performs frequently as classical singer and oboist at national and international levels.
Author: Clarence Grant Hamilton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
