Author: Mark Pedelty
Publisher: University of Texas Press
ISBN: 0292774184
Category : Music
Languages : en
Pages : 353
Book Description
On the Zócalo, the main square of Mexico City, Mexico's entire musical history is performed every day. "Mexica" percussionists drum and dance to the music of Aztec rituals on the open plaza. Inside the Metropolitan Cathedral, choristers sing colonial villancicos. Outside the National Palace, the Mexican army marching band plays the "Himno Nacional," a vestige of the nineteenth century. And all around the square, people listen to the contemporary sounds of pop, rock, and música grupera. In all, some seven centuries of music maintain a living presence in the modern city. This book offers an up-to-date, comprehensive history and ethnography of musical rituals in the world's largest city. Mark Pedelty details the dominant musical rites of the Aztec, colonial, national, revolutionary, modern, and contemporary eras, analyzing the role that musical ritual played in governance, resistance, and social change. His approach is twofold. Historical chapters describe the rituals and their functions, while ethnographic chapters explore how these musical forms continue to resonate in contemporary Mexican society. As a whole, the book provides a living record of cultural continuity, change, and vitality.
Musical Ritual in Mexico City
Author: Mark Pedelty
Publisher: University of Texas Press
ISBN: 0292774184
Category : Music
Languages : en
Pages : 353
Book Description
On the Zócalo, the main square of Mexico City, Mexico's entire musical history is performed every day. "Mexica" percussionists drum and dance to the music of Aztec rituals on the open plaza. Inside the Metropolitan Cathedral, choristers sing colonial villancicos. Outside the National Palace, the Mexican army marching band plays the "Himno Nacional," a vestige of the nineteenth century. And all around the square, people listen to the contemporary sounds of pop, rock, and música grupera. In all, some seven centuries of music maintain a living presence in the modern city. This book offers an up-to-date, comprehensive history and ethnography of musical rituals in the world's largest city. Mark Pedelty details the dominant musical rites of the Aztec, colonial, national, revolutionary, modern, and contemporary eras, analyzing the role that musical ritual played in governance, resistance, and social change. His approach is twofold. Historical chapters describe the rituals and their functions, while ethnographic chapters explore how these musical forms continue to resonate in contemporary Mexican society. As a whole, the book provides a living record of cultural continuity, change, and vitality.
Publisher: University of Texas Press
ISBN: 0292774184
Category : Music
Languages : en
Pages : 353
Book Description
On the Zócalo, the main square of Mexico City, Mexico's entire musical history is performed every day. "Mexica" percussionists drum and dance to the music of Aztec rituals on the open plaza. Inside the Metropolitan Cathedral, choristers sing colonial villancicos. Outside the National Palace, the Mexican army marching band plays the "Himno Nacional," a vestige of the nineteenth century. And all around the square, people listen to the contemporary sounds of pop, rock, and música grupera. In all, some seven centuries of music maintain a living presence in the modern city. This book offers an up-to-date, comprehensive history and ethnography of musical rituals in the world's largest city. Mark Pedelty details the dominant musical rites of the Aztec, colonial, national, revolutionary, modern, and contemporary eras, analyzing the role that musical ritual played in governance, resistance, and social change. His approach is twofold. Historical chapters describe the rituals and their functions, while ethnographic chapters explore how these musical forms continue to resonate in contemporary Mexican society. As a whole, the book provides a living record of cultural continuity, change, and vitality.
Liturgical Music as Ritual Symbol
Author: Judith Marie Kubicki
Publisher: Peeters Publishers
ISBN: 9789042907409
Category : Music
Languages : en
Pages : 228
Book Description
In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.
Publisher: Peeters Publishers
ISBN: 9789042907409
Category : Music
Languages : en
Pages : 228
Book Description
In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.
Remains of Ritual
Author: Steven M. Friedson
Publisher: University of Chicago Press
ISBN: 0226265064
Category : Social Science
Languages : en
Pages : 274
Book Description
Remains of Ritual, Steven M. Friedson’s second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality—in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson’s careful scrutiny, as does his own position and experience within this ritual-dominated society.
Publisher: University of Chicago Press
ISBN: 0226265064
Category : Social Science
Languages : en
Pages : 274
Book Description
Remains of Ritual, Steven M. Friedson’s second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality—in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson’s careful scrutiny, as does his own position and experience within this ritual-dominated society.
Music & Ritual
Author: Mark Howell
Publisher: Ekho Verlag
ISBN: 3944415132
Category : Music
Languages : en
Pages : 393
Book Description
The ICTM Study Group on Music Archaeology was founded in the early 1980s by Ellen Hickmann, John Blacking, Mantle Hood and Cajsa S. Lund. This is the first volume of the new anthology series published by the study group, turning to the topic of music and religion in past cultures. Each volume of the series is composed of concise case studies, bringing together the world's foremost researchers on a particular subject, reflecting the wide scope of music-archaeological research world-wide. The series draws in perspectives from a range of different disciplines, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives.
Publisher: Ekho Verlag
ISBN: 3944415132
Category : Music
Languages : en
Pages : 393
Book Description
The ICTM Study Group on Music Archaeology was founded in the early 1980s by Ellen Hickmann, John Blacking, Mantle Hood and Cajsa S. Lund. This is the first volume of the new anthology series published by the study group, turning to the topic of music and religion in past cultures. Each volume of the series is composed of concise case studies, bringing together the world's foremost researchers on a particular subject, reflecting the wide scope of music-archaeological research world-wide. The series draws in perspectives from a range of different disciplines, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives.
Sonic Liturgy
Author: Guy L. Beck
Publisher: Univ of South Carolina Press
ISBN: 1611171083
Category : Religion
Languages : en
Pages : 477
Book Description
Sonic Liturgy: Ritual and Music in Hindu Tradition builds on the foundation of Guy L. Beck's earlier work, which described the theoretical role of sound in Hindu thought. Sonic Liturgy continues the discussion of sound into the realm of Hindu ritual and musical traditions of worship. Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater in the vernacular poetry of the Bhakti movements in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms "sonic liturgy," a structure of religious worship and experience that incorporates sound and music on many levels. In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music. As he maps the evolution of sonic liturgy in Hindu culture, Beck shows how, parallel to the development of religious ritual from ancient times to the present, there is a less understood progression of musical form, beginning with Vedic chants of two to three notes to complicated genres of devotional temple music employing ragas with up to a dozen notes. Sonic liturgy in its maturity is manifest as a complex interactive worship experience of the Vaishnava sects, presented here in Beck's final chapters.
Publisher: Univ of South Carolina Press
ISBN: 1611171083
Category : Religion
Languages : en
Pages : 477
Book Description
Sonic Liturgy: Ritual and Music in Hindu Tradition builds on the foundation of Guy L. Beck's earlier work, which described the theoretical role of sound in Hindu thought. Sonic Liturgy continues the discussion of sound into the realm of Hindu ritual and musical traditions of worship. Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater in the vernacular poetry of the Bhakti movements in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms "sonic liturgy," a structure of religious worship and experience that incorporates sound and music on many levels. In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music. As he maps the evolution of sonic liturgy in Hindu culture, Beck shows how, parallel to the development of religious ritual from ancient times to the present, there is a less understood progression of musical form, beginning with Vedic chants of two to three notes to complicated genres of devotional temple music employing ragas with up to a dozen notes. Sonic liturgy in its maturity is manifest as a complex interactive worship experience of the Vaishnava sects, presented here in Beck's final chapters.
Ritual and Music of North China
Author: Stephen Jones
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754661634
Category : Music
Languages : en
Pages : 158
Book Description
The rich local traditions of musical life in rural China are still little known. Music-making in village society is largely ceremonial, and shawm bands account for a major part of such music. This is the first major ethnographic study of Chinese shawm bands in their ceremonial and social context. Based in a poor county in Shanxi province in northwest China, Stephen Jones describes the painful maintenance of ceremonial and its music there under Maoism, its revival with the market reforms of the 1980s and its modification under the assault of pop music since the 1990s. The book is accompanied by a 47-minute DVD and will appeal to ethnomusicologists, anthropologists and all those interested in modern Chinese history and society.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754661634
Category : Music
Languages : en
Pages : 158
Book Description
The rich local traditions of musical life in rural China are still little known. Music-making in village society is largely ceremonial, and shawm bands account for a major part of such music. This is the first major ethnographic study of Chinese shawm bands in their ceremonial and social context. Based in a poor county in Shanxi province in northwest China, Stephen Jones describes the painful maintenance of ceremonial and its music there under Maoism, its revival with the market reforms of the 1980s and its modification under the assault of pop music since the 1990s. The book is accompanied by a 47-minute DVD and will appeal to ethnomusicologists, anthropologists and all those interested in modern Chinese history and society.
Tracing the Ritual Body
Author: Ada Taggar Cohen
Publisher: Bloomsbury Publishing
ISBN: 0567710564
Category : Religion
Languages : en
Pages : 225
Book Description
This volume utilizes Catherine Bell's ritual theory to shed new light on the many rituals reflected in ancient Mediterranean texts. In recent decades scholars of religion have come to realize that ritual and bodily practices are just as important for religion as beliefs and doctrine. With the development of ritual studies in the 1990s there arose a critical framework for investigating ritual and practice. Only recently, however, has Bell's theorizing been employed to study the rituals portrayed in ancient texts. This cross-disciplinary examination assesses the utility of Bell's theorizing for studying the textual evidence for rituals of the ancient Near East, the Hebrew Bible, the Dead Sea Scrolls, the New Testament, and other early Christian literature. The contributors to this volume illustrate a path away from regarding rituals as inert and fixed and toward a more complex and vibrant interactive model of ritual behaviour. In this volume, as each scholar works to recover the traces of long-past rituals in a particular set of materials, these and other concepts are consciously employed to guide or challenge the investigation, pushing beyond previous conclusions about ancient rituals. The contributors' attention to theory, and especially the social context, practical function, and symbolic interpretation, set this collection apart from studies that consider the rituals in more traditional textual ways.
Publisher: Bloomsbury Publishing
ISBN: 0567710564
Category : Religion
Languages : en
Pages : 225
Book Description
This volume utilizes Catherine Bell's ritual theory to shed new light on the many rituals reflected in ancient Mediterranean texts. In recent decades scholars of religion have come to realize that ritual and bodily practices are just as important for religion as beliefs and doctrine. With the development of ritual studies in the 1990s there arose a critical framework for investigating ritual and practice. Only recently, however, has Bell's theorizing been employed to study the rituals portrayed in ancient texts. This cross-disciplinary examination assesses the utility of Bell's theorizing for studying the textual evidence for rituals of the ancient Near East, the Hebrew Bible, the Dead Sea Scrolls, the New Testament, and other early Christian literature. The contributors to this volume illustrate a path away from regarding rituals as inert and fixed and toward a more complex and vibrant interactive model of ritual behaviour. In this volume, as each scholar works to recover the traces of long-past rituals in a particular set of materials, these and other concepts are consciously employed to guide or challenge the investigation, pushing beyond previous conclusions about ancient rituals. The contributors' attention to theory, and especially the social context, practical function, and symbolic interpretation, set this collection apart from studies that consider the rituals in more traditional textual ways.
Maqām and Liturgy
Author: Mark L. Kligman
Publisher: Wayne State University Press
ISBN: 9780814332160
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Explores the cultural connection between Syrian Jewish life and Arab culture in present-day Brooklyn, New York, through liturgical music.
Publisher: Wayne State University Press
ISBN: 9780814332160
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Explores the cultural connection between Syrian Jewish life and Arab culture in present-day Brooklyn, New York, through liturgical music.
Music & Ritual
Author: Jiménez Pasalodos Jiménez
Publisher:
ISBN: 9783944415116
Category : Ethnomusicology
Languages : en
Pages : 392
Book Description
Publisher:
ISBN: 9783944415116
Category : Ethnomusicology
Languages : en
Pages : 392
Book Description
A Musical View of the Universe
Author: Ellen B. Basso
Publisher: University of Pennsylvania Press
ISBN: 1512819654
Category : Music
Languages : en
Pages : 372
Book Description
A Musical View of the Universe is a study of the relationships between spoken myth and musical ritual in a native Brazilian community, the Carib-speaking Kalpalo of the Upper Xingu Basin. The book focuses on the meanings created and expressed through performance of artistic processes in which sound symbols provide a unifying interpretive matrix. Through sound symbols, Kalpalo ideas about types of beings, their relationships, and activities of mind are conceived, represented, and rendered apparent. The book includes the first collection of South American Indian narratives translated directly from the original language from taped performances. Ellen B. Basso's translations take into account the interaction among participants in the storytelling situation and the qualities of narrative performance that result.
Publisher: University of Pennsylvania Press
ISBN: 1512819654
Category : Music
Languages : en
Pages : 372
Book Description
A Musical View of the Universe is a study of the relationships between spoken myth and musical ritual in a native Brazilian community, the Carib-speaking Kalpalo of the Upper Xingu Basin. The book focuses on the meanings created and expressed through performance of artistic processes in which sound symbols provide a unifying interpretive matrix. Through sound symbols, Kalpalo ideas about types of beings, their relationships, and activities of mind are conceived, represented, and rendered apparent. The book includes the first collection of South American Indian narratives translated directly from the original language from taped performances. Ellen B. Basso's translations take into account the interaction among participants in the storytelling situation and the qualities of narrative performance that result.