Author: M. Hall
Publisher: Springer
ISBN: 1137449950
Category : History
Languages : en
Pages : 269
Book Description
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
Musical Revolutions in German Culture
Author: M. Hall
Publisher: Springer
ISBN: 1137449950
Category : History
Languages : en
Pages : 269
Book Description
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
Publisher: Springer
ISBN: 1137449950
Category : History
Languages : en
Pages : 269
Book Description
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
Musical Revolutions in German Culture
Author: M. Hall
Publisher: Springer
ISBN: 1137449950
Category : History
Languages : en
Pages : 226
Book Description
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
Publisher: Springer
ISBN: 1137449950
Category : History
Languages : en
Pages : 226
Book Description
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
History in Mighty Sounds
Author: Barbara Eichner
Publisher: Boydell Press
ISBN: 1843837544
Category : History
Languages : en
Pages : 312
Book Description
An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.
Publisher: Boydell Press
ISBN: 1843837544
Category : History
Languages : en
Pages : 312
Book Description
An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.
Musical Revolutions
Author: Stuart Isacoff
Publisher: Knopf
ISBN: 0525658645
Category : Music
Languages : en
Pages : 321
Book Description
From the critically acclaimed author of Temperament, a narrative account of the most defining moments in musical history—classical and jazz—all of which forever altered Western culture "A fascinating journey that begins with the origins of musical notation and travels through the centuries reaching all the way to our time.”—Semyon Bychkov, chief conductor and music director of the Czech Philharmonic The invention of music notation by a skittish Italian monk in the eleventh century. The introduction of multilayered hymns in the Middle Ages. The birth of opera in a Venice rebelling against the church’s pious restraints. Baroque, Romantic, and atonal music; bebop and cool jazz; Bach and Liszt; Miles Davis and John Coltrane. In telling the exciting story of Western music’s evolution, Stuart Isacoff explains how music became entangled in politics, culture, and economics, giving rise to new eruptions at every turn, from the early church’s attempts to bind its followers by teaching them to sing in unison to the global spread of American jazz through the Black platoons of the First World War. The author investigates questions like: When does noise become music? How do musical tones reflect the natural laws of the universe? Why did discord become the primary sound of modernity? Musical Revolutions is a book replete with the stories of our most renowned musical artists, including notable achievements of people of color and women, whose paths to success were the most difficult.
Publisher: Knopf
ISBN: 0525658645
Category : Music
Languages : en
Pages : 321
Book Description
From the critically acclaimed author of Temperament, a narrative account of the most defining moments in musical history—classical and jazz—all of which forever altered Western culture "A fascinating journey that begins with the origins of musical notation and travels through the centuries reaching all the way to our time.”—Semyon Bychkov, chief conductor and music director of the Czech Philharmonic The invention of music notation by a skittish Italian monk in the eleventh century. The introduction of multilayered hymns in the Middle Ages. The birth of opera in a Venice rebelling against the church’s pious restraints. Baroque, Romantic, and atonal music; bebop and cool jazz; Bach and Liszt; Miles Davis and John Coltrane. In telling the exciting story of Western music’s evolution, Stuart Isacoff explains how music became entangled in politics, culture, and economics, giving rise to new eruptions at every turn, from the early church’s attempts to bind its followers by teaching them to sing in unison to the global spread of American jazz through the Black platoons of the First World War. The author investigates questions like: When does noise become music? How do musical tones reflect the natural laws of the universe? Why did discord become the primary sound of modernity? Musical Revolutions is a book replete with the stories of our most renowned musical artists, including notable achievements of people of color and women, whose paths to success were the most difficult.
Recomposing German Music
Author: Elizabeth Janik
Publisher: BRILL
ISBN: 900414661X
Category : Social Science
Languages : en
Pages : 373
Book Description
This book is a social history of musical life in Berlin; it investigates the tangled relationship between music and politics in 20th-century Germany, emphasizing the division of Berlin's musical community between east and west in the early Cold War era.
Publisher: BRILL
ISBN: 900414661X
Category : Social Science
Languages : en
Pages : 373
Book Description
This book is a social history of musical life in Berlin; it investigates the tangled relationship between music and politics in 20th-century Germany, emphasizing the division of Berlin's musical community between east and west in the early Cold War era.
Music Cultures in the United States
Author: Ellen Koskoff
Publisher: Psychology Press
ISBN: 9780415965897
Category : Biography & Autobiography
Languages : en
Pages : 454
Book Description
'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.
Publisher: Psychology Press
ISBN: 9780415965897
Category : Biography & Autobiography
Languages : en
Pages : 454
Book Description
'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.
A People's Music
Author: Helma Kaldewey
Publisher: Cambridge University Press
ISBN: 1108486185
Category : History
Languages : en
Pages : 345
Book Description
Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
Publisher: Cambridge University Press
ISBN: 1108486185
Category : History
Languages : en
Pages : 345
Book Description
Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
Liberalism and the Habsburg Monarchy, 1861-1895
Author: J. Kwan
Publisher: Springer
ISBN: 1137366923
Category : History
Languages : en
Pages : 314
Book Description
Often the liberal movement has been viewed through the lens of its later German nationalism. This presents only one facet of a wide-ranging, all-encompassing project to regenerate the Habsburg Monarchy. By analysing its various nuances, this volume provides a new, more positive interpretation of Austro-German liberalism.
Publisher: Springer
ISBN: 1137366923
Category : History
Languages : en
Pages : 314
Book Description
Often the liberal movement has been viewed through the lens of its later German nationalism. This presents only one facet of a wide-ranging, all-encompassing project to regenerate the Habsburg Monarchy. By analysing its various nuances, this volume provides a new, more positive interpretation of Austro-German liberalism.
Protest Song in East and West Germany Since the 1960s
Author: David Robb
Publisher: Camden House
ISBN: 9781571132819
Category : History
Languages : en
Pages : 332
Book Description
The German protest song from the 1960s through the 1990s and how it carried forth traditions of earlier periods. The modern German political song is a hybrid of high and low culture. With its roots in the birth of mass culture in the 1920s, it employs communicative strategies of popular song. Yet its tendencies toward philosophical, poetic,and musical sophistication reveal intellectual aspirations. This volume looks at the influence of revolutionary artistic traditions in the lyrics and music of the Liedermacher of east and west Germany: the rediscovery of the revolutionary songs of 1848 by the 1960s West German folk revival, the use of the profane "carnivalesque" street-ballad tradition by Wolf Biermann and the GDR duo Wenzel & Mensching, the influence of 1920s artistic experimentation on Liedermacher such as Konstantin Wecker, and the legacy of Hanns Eisler's revolutionary song theory. The book also provides an insider perspective on the countercultural scenes of the two Germanys, examining the conditions in which political songs were written and performed. In view of the decline of the political song form since the fall of communism, the book ends with a look at German avant-garde techno's attempt to create a music that challenges conventional cultural perceptions and attitudes. Contributors: David Robb, Eckard Holler, Annette Blühdorn, Peter Thompson David Robb is Senior Lecturer in German Studies at the Queen's University of Belfast.
Publisher: Camden House
ISBN: 9781571132819
Category : History
Languages : en
Pages : 332
Book Description
The German protest song from the 1960s through the 1990s and how it carried forth traditions of earlier periods. The modern German political song is a hybrid of high and low culture. With its roots in the birth of mass culture in the 1920s, it employs communicative strategies of popular song. Yet its tendencies toward philosophical, poetic,and musical sophistication reveal intellectual aspirations. This volume looks at the influence of revolutionary artistic traditions in the lyrics and music of the Liedermacher of east and west Germany: the rediscovery of the revolutionary songs of 1848 by the 1960s West German folk revival, the use of the profane "carnivalesque" street-ballad tradition by Wolf Biermann and the GDR duo Wenzel & Mensching, the influence of 1920s artistic experimentation on Liedermacher such as Konstantin Wecker, and the legacy of Hanns Eisler's revolutionary song theory. The book also provides an insider perspective on the countercultural scenes of the two Germanys, examining the conditions in which political songs were written and performed. In view of the decline of the political song form since the fall of communism, the book ends with a look at German avant-garde techno's attempt to create a music that challenges conventional cultural perceptions and attitudes. Contributors: David Robb, Eckard Holler, Annette Blühdorn, Peter Thompson David Robb is Senior Lecturer in German Studies at the Queen's University of Belfast.
The Classical Revolution
Author: John Borstlap
Publisher: Courier Dover Publications
ISBN: 0486823350
Category : Music
Languages : en
Pages : 193
Book Description
Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.
Publisher: Courier Dover Publications
ISBN: 0486823350
Category : Music
Languages : en
Pages : 193
Book Description
Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.