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Author: Joyce Henri Robinson
Publisher: Penn State Press
ISBN: 9780911209471
Category : Art
Languages : en
Pages : 36
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Book Description
A painter, sculptor, and printmaker, Honor&é Daumier (1808&–1879) was one of the most prolific and important artists of nineteenth-century France. He played a leading role in shaping the new realism brought to the portrayal of everyday life, but he is now best known for the thousands of caricatures he published in magazines and newspapers such as Le Charivari, a daily with satirical articles and a wide circulation. Musical Notes by Honor&é Daumier, which accompanied an exhibition of prints from the Collection of Egon and Belle Gartenberg, focuses on Daumier's vivid records of the musical life of Paris. Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day. Hector Berlioz, Franz Liszt, Gioacchino Rossini, and Niccol&ò Paganini are among the &"greats&" lampooned in the lithographs in Musical Notes by Honor&é Daumier. Other prints offer satirical glimpses into the music making of everyday Parisians&—from squawking clarinets to flirtatious piano teachers and straining tenors. In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
Author: Joyce Henri Robinson
Publisher: Penn State Press
ISBN: 9780911209471
Category : Art
Languages : en
Pages : 36
Get Book
Book Description
A painter, sculptor, and printmaker, Honor&é Daumier (1808&–1879) was one of the most prolific and important artists of nineteenth-century France. He played a leading role in shaping the new realism brought to the portrayal of everyday life, but he is now best known for the thousands of caricatures he published in magazines and newspapers such as Le Charivari, a daily with satirical articles and a wide circulation. Musical Notes by Honor&é Daumier, which accompanied an exhibition of prints from the Collection of Egon and Belle Gartenberg, focuses on Daumier's vivid records of the musical life of Paris. Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day. Hector Berlioz, Franz Liszt, Gioacchino Rossini, and Niccol&ò Paganini are among the &"greats&" lampooned in the lithographs in Musical Notes by Honor&é Daumier. Other prints offer satirical glimpses into the music making of everyday Parisians&—from squawking clarinets to flirtatious piano teachers and straining tenors. In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
Author: Leah Dilworth
Publisher: Rutgers University Press
ISBN: 9780813532721
Category : Antiques & Collectibles
Languages : en
Pages : 324
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Book Description
The success of internet auction sites like eBay and the cult status of public television's Antiques Roadshow attest to the continued popularity of collecting in American culture. Acts of Possession investigates the ways cultural meanings of collections have evolved and yet remained surprisingly unchanged throughout American history. Drawing upon the body of theoretical work on collecting and focusing on individual as opposed to museum collections, the contributors investigate how, what, and why Americans have collected and explore the inherent meanings behind systems of organization and display. Essays consider the meanings of Thomas Jefferson's Indian Hall at Monticello; the pedagogical theories behind nineteenth-century children's curiosity cabinets; collections of Native American artifacts; and the ability of the owners of doll houses to construct meaning within the context of traditional ideals of domesticity. The authors also consider some darker aspects of collecting-hoarding, fetishism, and compulsive behavior-scrutinizing collections of racist memorabilia and fascist propaganda. The final essay posits the serial killer as a collector, an investigation into the dangerous objectification of humans themselves. By bringing fresh, interdisciplinary critical perspectives to bear on these questions, Dilworth and her coauthors weave a fascinating cultural history of collecting in America.
Author: Bruce Laughton
Publisher: Yale University Press
ISBN: 0300069456
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
The life and work of one of the most productive and renowned French artists of the nineteenth century is examined in this beautiful book. Known primarily in his own time for the penetrating social and political commentary of his cartoons, Daumier is now equally admired for his drawings, watercolours, and oil paintings. Bruce Laughton draws on new material to present the most comprehensive treatment of this multi-faceted artist in two decades. Laughton traces Daumier's professional life: his early career as a lithographer-cartoonist, when his fame as a social satirist spread through all classes of French citizens; his attempts to change direction as an 'artist-peintre' with the advent of the Second French Republic; his painstaking production of watercolours for connoisseurs (and his simultaneous parody of these people); and then the independent development of his oil painting techniques alongside his continued production of lithographs and designs for wood engravings. Laughton also discusses Daumier's private life, investigating, for example, his view of the lawcourts, the significance of his 'Saltimbanques' or wandering entertainers, and the personal symbolism of his images of Don Quixote. In conclusion Laughton describes Daumier's late career, which included both personal disasters and artistic achievements and ended in the most unsung retirement of any artist of comparable stature in the nineteenth century. An appendix to the book provides transcriptions and commentary on five of Daumier's account books, which give clues about how he lived and how his works were regarded.
Author: Therese Dolan
Publisher: Routledge
ISBN: 1351554387
Category : Art
Languages : en
Pages : 245
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Book Description
Bringing forth fresh perspectives on Manet's art by established scholars, this volume places this compelling and elusive artist's painted ?uvre within a broader cultural context, and links his artistic preoccupations with literary and musical currents. Rather than seeking consensus on his art through one methodology, or focusing on one crucial work or period, this collection investigates the range of Manet's art in the context of his time and considers how his vision has shaped subsequent interpretations. Specific essays explore the relationship between Manet and Whistler; Emile Zola's attitude toward the artist; Manet's engagement with moral and ethical questions in his paintings; and the heritage of Charles Baudelaire and Clement Greenberg in critical responses to Manet. Through these and other analyses, this volume illuminates the scope of Manet's career, and indicates the crucial position the artist held in generating a modernist avant-garde aesthetic.
Author: Therese Dolan
Publisher: Routledge
ISBN: 1351559338
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
How did the tumult caused by German composer Richard Wagner result in the first modernist painting? In the first full-length book dedicated to the study of Edouard Manet and music, art historian Therese Dolan demonstrates that the 1862 painting Music in the Tuileries represents the progressive musical culture of his time, heretofore read by scholars predominantly through the words of Charles Baudelaire. Dolan sees in this painting's radical style the conceptual shift to modernism in both painting and music, a transition that, she convincingly argues, received a strong impetus from Manet's Music in the Tuileries and Wagner's controversial Tannh?er, which premiered the previous year. Supplemental to analysis of the painting, Dolan incorporates discussion of texts by Theophile Gautier, Champfleury, and Baudelaire who are represented in the painting. This book incorporates studies of the major artistic, literary, and musical figures of nineteenth-century France. It represents an important contribution to an understanding of French culture in the third quarter of the nineteenth century, a period of intense literary, artistic, and musical activity that formed the crucible for modernism.
Author: Rhode Island School of Design
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
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Book Description
Author: Honore Daumier
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 294
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Author: Los Angeles County Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1364
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Book Description
Author: Ottessa Moshfegh
Publisher: Penguin
ISBN: 052552276X
Category : Fiction
Languages : en
Pages : 162
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Book Description
The debut novella from one of contemporary fiction's most exciting young voices, now in a new edition. Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation--he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection. They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.
