Author: Smithsonian Institution
Publisher:
ISBN:
Category : Digital images
Languages : en
Pages : 562
Book Description
Smithsonian Year
Author: Smithsonian Institution
Publisher:
ISBN:
Category : Digital images
Languages : en
Pages : 562
Book Description
Publisher:
ISBN:
Category : Digital images
Languages : en
Pages : 562
Book Description
Musical Instrument Collections
Author: James Coover
Publisher: Detroit : Information Coordinators
ISBN:
Category : Music
Languages : en
Pages : 476
Book Description
Publisher: Detroit : Information Coordinators
ISBN:
Category : Music
Languages : en
Pages : 476
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 520
Book Description
Jots and Titles
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
Nonprint Cataloging for Multimedia Collections
Author: JoAnn V. Rogers
Publisher: Littleton, Colo. : Libraries Unlimited
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 328
Book Description
Publisher: Littleton, Colo. : Libraries Unlimited
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 328
Book Description
Bach Performance Practice, 1945–1975
Author: Dorottya Fabian
Publisher: Routledge
ISBN: 1351574876
Category : Music
Languages : en
Pages : 329
Book Description
Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
Publisher: Routledge
ISBN: 1351574876
Category : Music
Languages : en
Pages : 329
Book Description
Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
N.E.A. Bulletin
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 864
Book Description
Channel DLS.
Author: Wisconsin. Division for Library Services
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
A Musician's Guide to Church Music
Author: Joy E. Lawrence
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
Book Description
By Valor & Arms
Author:
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 212
Book Description